Writing and historical emancipation: Mariquita Sánchez and Aurelia Vélez in Adriana Tursi's dramaturgy
The relationship between playwriting and Argentine history has acquired new dimensions in light of the renewal of the contemporary theatrical field. In the metropolitan context, a significant number of women playwrights have gained visibility through dramaturgical projects that revisit and revise th...
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| Formato: | Artículo revista |
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Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras
2025
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| Acceso en línea: | https://revistas.unne.edu.ar/index.php/clt/article/view/8726 |
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I48-R154-article-87262025-10-16T23:23:36Z Writing and historical emancipation: Mariquita Sánchez and Aurelia Vélez in Adriana Tursi's dramaturgy Escritura y emancipación histórica: Mariquita Sánchez y Aurelia Vélez en la dramaturgia de Adriana Tursi García Sánchez, Eleonora Soledad dramaturgy writing authorship intimacy history dramaturgia escritura autoría intimidad historia The relationship between playwriting and Argentine history has acquired new dimensions in light of the renewal of the contemporary theatrical field. In the metropolitan context, a significant number of women playwrights have gained visibility through dramaturgical projects that revisit and revise the past. Among them, we propose to examine the work of Adriana Tursi, as a playwright-historian whose writing interrogates and challenges hegemonic historiographical narratives surrounding women. Our corpus is composed of two dramatic texts whose main characters, Mariquita Sánchez and Aurelia Vélez Sarsfield, represent a female subjectivity that manages to inscribe itself in the public sphere and achieve an emancipated condition in writing. Through the assumption of an authorial voice that appears autobiographical, both characters bring the past into dialogue with the present, reconfiguring historical discourse in ways that dislocate it from the dominant paradigms of their time. Los vínculos entre dramaturgia e historia argentina han cobrado distintos matices a partir de la renovación del campo teatral contemporáneo. Dentro del territorio metropolitano ganaron visibilidad numerosas autoras mujeres preocupadas por revisar el pasado en su dramaturgia. De entre ellas nos proponemos leer a Adriana Tursi como una dramaturga-historiadora que centra el foco de su escritura en horadar un conjunto de construcciones cristalizadas por los relatos historiográficos hegemónicos en torno a las mujeres. Nuestro corpus se compone de dos textos dramáticos cuyos personajes principales, Mariquita Sánchez y Aurelia Vélez Sarsfield, figuran una subjetividad femenina que logra inscribirse en la esfera pública y alcanzan en la escritura una condición emancipada. Mediante la asunción de una voz autoral que se presenta autobiográfica, una y otra reactualizan el tiempo pasado en el presente y modalizan en la escritura, un relato dislocado respecto del paradigma de la época. Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras 2025-10-16 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/zip text/xml text/html https://revistas.unne.edu.ar/index.php/clt/article/view/8726 10.30972/clt.278726 Cuadernos de Literatura; No. 27 (2025): Septiembre Cuadernos de Literatura; Núm. 27 (2025): Septiembre Cuadernos de Literatura; n. 27 (2025): Septiembre 2684-0499 0326-5102 spa https://revistas.unne.edu.ar/index.php/clt/article/view/8726/8367 https://revistas.unne.edu.ar/index.php/clt/article/view/8726/8368 https://revistas.unne.edu.ar/index.php/clt/article/view/8726/8369 https://revistas.unne.edu.ar/index.php/clt/article/view/8726/8402 https://creativecommons.org/licenses/by-nc/4.0 |
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Universidad Nacional del Nordeste |
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I-48 |
| repository_str |
R-154 |
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Revistas UNNE - Universidad Nacional del Noroeste (UNNE) |
| language |
Español |
| format |
Artículo revista |
| topic |
dramaturgy writing authorship intimacy history dramaturgia escritura autoría intimidad historia |
| spellingShingle |
dramaturgy writing authorship intimacy history dramaturgia escritura autoría intimidad historia García Sánchez, Eleonora Soledad Writing and historical emancipation: Mariquita Sánchez and Aurelia Vélez in Adriana Tursi's dramaturgy |
| topic_facet |
dramaturgy writing authorship intimacy history dramaturgia escritura autoría intimidad historia |
| author |
García Sánchez, Eleonora Soledad |
| author_facet |
García Sánchez, Eleonora Soledad |
| author_sort |
García Sánchez, Eleonora Soledad |
| title |
Writing and historical emancipation: Mariquita Sánchez and Aurelia Vélez in Adriana Tursi's dramaturgy |
| title_short |
Writing and historical emancipation: Mariquita Sánchez and Aurelia Vélez in Adriana Tursi's dramaturgy |
| title_full |
Writing and historical emancipation: Mariquita Sánchez and Aurelia Vélez in Adriana Tursi's dramaturgy |
| title_fullStr |
Writing and historical emancipation: Mariquita Sánchez and Aurelia Vélez in Adriana Tursi's dramaturgy |
| title_full_unstemmed |
Writing and historical emancipation: Mariquita Sánchez and Aurelia Vélez in Adriana Tursi's dramaturgy |
| title_sort |
writing and historical emancipation: mariquita sánchez and aurelia vélez in adriana tursi's dramaturgy |
| description |
The relationship between playwriting and Argentine history has acquired new dimensions in light of the renewal of the contemporary theatrical field. In the metropolitan context, a significant number of women playwrights have gained visibility through dramaturgical projects that revisit and revise the past. Among them, we propose to examine the work of Adriana Tursi, as a playwright-historian whose writing interrogates and challenges hegemonic historiographical narratives surrounding women. Our corpus is composed of two dramatic texts whose main characters, Mariquita Sánchez and Aurelia Vélez Sarsfield, represent a female subjectivity that manages to inscribe itself in the public sphere and achieve an emancipated condition in writing. Through the assumption of an authorial voice that appears autobiographical, both characters bring the past into dialogue with the present, reconfiguring historical discourse in ways that dislocate it from the dominant paradigms of their time. |
| publisher |
Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras |
| publishDate |
2025 |
| url |
https://revistas.unne.edu.ar/index.php/clt/article/view/8726 |
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2025-10-17T05:01:39Z |
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