IDENTITY AND THEATRICALIZATION IN VIEW MASTER, BY EL KUELGUE. A SEMIODISCURSIVE ANALYSIS
This article offers a critical reading of the verbal text of View Master (2020), a song composed by the Argentine band El Kuelgue. To this end, it draws on semiotic theory, particularly the generative trajectory of the content plane formulated by A. J. Greimas, to analyze the deeper levels of meanin...
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| Formato: | Artículo revista |
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Universidad Nacional del Nordeste. Facultad de Humanidades
2025
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| Acceso en línea: | https://revistas.unne.edu.ar/index.php/nea/article/view/8403 |
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I48-R154-article-84032025-10-24T13:22:13Z IDENTITY AND THEATRICALIZATION IN VIEW MASTER, BY EL KUELGUE. A SEMIODISCURSIVE ANALYSIS Identidad y teatralización en VIEW MASTER de el Kuegue. Análisis semiodiscursivo Vargas Trujillo, Juan Sebastián Palacios Ramos, Melyssa Julieth Mazo Reyes, Andrea Yulieth Recorrido generativo Enunciación Identidad Teatralización Generative trajectory enunciation identity theatricalization This article offers a critical reading of the verbal text of View Master (2020), a song composed by the Argentine band El Kuelgue. To this end, it draws on semiotic theory, particularly the generative trajectory of the content plane formulated by A. J. Greimas, to analyze the deeper levels of meaning in texts and discourses, articulated through figurativity, narrativity, and axiology. In addition, linguistic approaches such as enunciation theory, along with the examination of rhetorical figures, symbols, and textual imagery, are brought into consideration. This analysis reveals the persistence of a core meaning within the object of study, which can be bifurcated into two overarching categories: discursive identity and theatricality. The textual elements configure the distinctive features of the enunciative voice and establish its discursive identity. Theatricality, in turn, refers to the scenic figures that permeate the text and connote a mise-en-scène imbued with specific value judgments. Thus, it is shown that the verbal text of View Master carries a meaning that challenges social norms, intersubjective identities, and, ultimately, the modus vivendi of postmodernity. Este artículo propone una lectura crítica del texto verbal de la canción View Master (2020), compuesto por la banda argentina El Kuelgue. Para ello, se apela a la teoría semiótica, especialmente al recorrido generativo del plano del contenido formulado por A. J. Greimas para acceder a los niveles de la significación profunda de los textos y los discursos, y que se descompone en figuratividad, narratividad y axiología. Además, se consideran teorías lingüísticas como la enunciación y el examen de algunas figuras retóricas, símbolos e imágenes textuales. Este análisis devela la persistencia de un sentido en el objeto de estudio que se propone bifurcar en dos categorías englobantes, a saber, la identidad discursiva y la teatralidad. Los elementos textuales erigen las características propias de la voz enunciativa y establecen la identidad discursiva. La teatralidad, por su parte, apela a las figuras escénicas que perviven en el texto y que connotan una puesta en escena con valoraciones particulares. De este modo, se demuestra que el texto verbal View Master posee una significación que cuestiona los estándares sociales, las identidades intersubjetivas y, en definitiva, el modus vivendi de la posmodernidad. Universidad Nacional del Nordeste. Facultad de Humanidades 2025-10-24 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unne.edu.ar/index.php/nea/article/view/8403 10.30972/nea.728403 Ñeatá; Vol. 7 Núm. 2 (2025): Dossier: El legado de Pampa Arán; 1-10 2718-7268 spa https://revistas.unne.edu.ar/index.php/nea/article/view/8403/8461 |
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Universidad Nacional del Nordeste |
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I-48 |
| repository_str |
R-154 |
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Revistas UNNE - Universidad Nacional del Noroeste (UNNE) |
| language |
Español |
| format |
Artículo revista |
| topic |
Recorrido generativo Enunciación Identidad Teatralización Generative trajectory enunciation identity theatricalization |
| spellingShingle |
Recorrido generativo Enunciación Identidad Teatralización Generative trajectory enunciation identity theatricalization Vargas Trujillo, Juan Sebastián Palacios Ramos, Melyssa Julieth Mazo Reyes, Andrea Yulieth IDENTITY AND THEATRICALIZATION IN VIEW MASTER, BY EL KUELGUE. A SEMIODISCURSIVE ANALYSIS |
| topic_facet |
Recorrido generativo Enunciación Identidad Teatralización Generative trajectory enunciation identity theatricalization |
| author |
Vargas Trujillo, Juan Sebastián Palacios Ramos, Melyssa Julieth Mazo Reyes, Andrea Yulieth |
| author_facet |
Vargas Trujillo, Juan Sebastián Palacios Ramos, Melyssa Julieth Mazo Reyes, Andrea Yulieth |
| author_sort |
Vargas Trujillo, Juan Sebastián |
| title |
IDENTITY AND THEATRICALIZATION IN VIEW MASTER, BY EL KUELGUE. A SEMIODISCURSIVE ANALYSIS |
| title_short |
IDENTITY AND THEATRICALIZATION IN VIEW MASTER, BY EL KUELGUE. A SEMIODISCURSIVE ANALYSIS |
| title_full |
IDENTITY AND THEATRICALIZATION IN VIEW MASTER, BY EL KUELGUE. A SEMIODISCURSIVE ANALYSIS |
| title_fullStr |
IDENTITY AND THEATRICALIZATION IN VIEW MASTER, BY EL KUELGUE. A SEMIODISCURSIVE ANALYSIS |
| title_full_unstemmed |
IDENTITY AND THEATRICALIZATION IN VIEW MASTER, BY EL KUELGUE. A SEMIODISCURSIVE ANALYSIS |
| title_sort |
identity and theatricalization in view master, by el kuelgue. a semiodiscursive analysis |
| description |
This article offers a critical reading of the verbal text of View Master (2020), a song composed by the Argentine band El Kuelgue. To this end, it draws on semiotic theory, particularly the generative trajectory of the content plane formulated by A. J. Greimas, to analyze the deeper levels of meaning in texts and discourses, articulated through figurativity, narrativity, and axiology. In addition, linguistic approaches such as enunciation theory, along with the examination of rhetorical figures, symbols, and textual imagery, are brought into consideration. This analysis reveals the persistence of a core meaning within the object of study, which can be bifurcated into two overarching categories: discursive identity and theatricality. The textual elements configure the distinctive features of the enunciative voice and establish its discursive identity. Theatricality, in turn, refers to the scenic figures that permeate the text and connote a mise-en-scène imbued with specific value judgments. Thus, it is shown that the verbal text of View Master carries a meaning that challenges social norms, intersubjective identities, and, ultimately, the modus vivendi of postmodernity. |
| publisher |
Universidad Nacional del Nordeste. Facultad de Humanidades |
| publishDate |
2025 |
| url |
https://revistas.unne.edu.ar/index.php/nea/article/view/8403 |
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