The irony in the narrative of Virgilio Piñera: individual and social criticism

In Virgilio Pinera’s narrative, irony is presented as a modality of thought that responds to the critical and transgressive need of the Cuban writer, who resorts to the elusive nature of this literary figuration to create narrative texts that constantly question reality on a complex interpretive lev...

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Autor principal: Becerril Nava, Laura Judith
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras 2025
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Acceso en línea:https://revistas.unne.edu.ar/index.php/clt/article/view/8279
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spelling I48-R154-article-82792025-05-30T21:31:15Z The irony in the narrative of Virgilio Piñera: individual and social criticism La ironía en la narrativa de Virgilio Piñera: crítica individual y social Becerril Nava, Laura Judith Irony Narrative Individual and social criticism Ironic minimum Modernity ironía narrativa crítica individual y social mínimum irónico modernidad In Virgilio Pinera’s narrative, irony is presented as a modality of thought that responds to the critical and transgressive need of the Cuban writer, who resorts to the elusive nature of this literary figuration to create narrative texts that constantly question reality on a complex interpretive level, which mainly focuses on the critique of official culture, be it religion, the State, morality, literary canon, modern man. Through the phases of Pere Ballart's ironic minimum, some texts from Cuentos fríos and La carne de René are analyzed with the purpose of explaining irony as an articulating procedure or constructive principle in Virgilio Piñera's narrative, and, consequently, the individual and social critique that the author proposes. En la narrativa de Virgilio Piñera, la ironía es una modalidad del pensamiento que responde a la necesidad crítica y transgresora del escritor cubano, quien recurre a la naturaleza elusiva de esta figuración literaria para crear textos narrativos que cuestionan constantemente la realidad con un nivel interpretativo complejo, que sobre todo recae en la crítica a la cultura oficial, llámese religión, Estado, moral, canon literario, hombre moderno. Mediante las fases del mínimum irónico de Pere Ballart, se analizan algunos textos de Cuentos fríos y La carne de René con el propósito de explicar la ironía como procedimiento articulador o principio constructivo en la narrativa de Virgilio Piñera, y, por ende, la crítica individual y social que propone el autor. Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras 2025-05-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion text/html https://revistas.unne.edu.ar/index.php/clt/article/view/8279 10.30972/clt.268279 Cuadernos de Literatura; No. 26 (2025): Mayo Cuadernos de Literatura; Núm. 26 (2025): Mayo Cuadernos de Literatura; n. 26 (2025): Mayo 2684-0499 0326-5102 spa https://revistas.unne.edu.ar/index.php/clt/article/view/8279/7858
institution Universidad Nacional del Nordeste
institution_str I-48
repository_str R-154
container_title_str Revistas UNNE - Universidad Nacional del Noroeste (UNNE)
language Español
format Artículo revista
topic Irony
Narrative
Individual and social criticism
Ironic minimum
Modernity
ironía
narrativa
crítica individual y social
mínimum irónico
modernidad
spellingShingle Irony
Narrative
Individual and social criticism
Ironic minimum
Modernity
ironía
narrativa
crítica individual y social
mínimum irónico
modernidad
Becerril Nava, Laura Judith
The irony in the narrative of Virgilio Piñera: individual and social criticism
topic_facet Irony
Narrative
Individual and social criticism
Ironic minimum
Modernity
ironía
narrativa
crítica individual y social
mínimum irónico
modernidad
author Becerril Nava, Laura Judith
author_facet Becerril Nava, Laura Judith
author_sort Becerril Nava, Laura Judith
title The irony in the narrative of Virgilio Piñera: individual and social criticism
title_short The irony in the narrative of Virgilio Piñera: individual and social criticism
title_full The irony in the narrative of Virgilio Piñera: individual and social criticism
title_fullStr The irony in the narrative of Virgilio Piñera: individual and social criticism
title_full_unstemmed The irony in the narrative of Virgilio Piñera: individual and social criticism
title_sort irony in the narrative of virgilio piñera: individual and social criticism
description In Virgilio Pinera’s narrative, irony is presented as a modality of thought that responds to the critical and transgressive need of the Cuban writer, who resorts to the elusive nature of this literary figuration to create narrative texts that constantly question reality on a complex interpretive level, which mainly focuses on the critique of official culture, be it religion, the State, morality, literary canon, modern man. Through the phases of Pere Ballart's ironic minimum, some texts from Cuentos fríos and La carne de René are analyzed with the purpose of explaining irony as an articulating procedure or constructive principle in Virgilio Piñera's narrative, and, consequently, the individual and social critique that the author proposes.
publisher Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras
publishDate 2025
url https://revistas.unne.edu.ar/index.php/clt/article/view/8279
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