Visual traces and spectral image from the technical-artistic and epistemic experiences in an andean mural with earth paintings
This article proposes a transversal reflection. from the technical, artistic and epistemic dimensions with the aim of recovering and producing knowledge about mixtures of paints with earth, experience a collaborative creative process from a visual dialectic during the execution of the mural, and inv...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Universidad Nacional del Nordeste. Facultad de Arquitectura y Urbanismo
2024
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| Materias: | |
| Acceso en línea: | https://revistas.unne.edu.ar/index.php/crn/article/view/7897 |
| Aporte de: |
| id |
I48-R154-article-7897 |
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ojs |
| institution |
Universidad Nacional del Nordeste |
| institution_str |
I-48 |
| repository_str |
R-154 |
| container_title_str |
Revistas UNNE - Universidad Nacional del Noroeste (UNNE) |
| language |
Español |
| format |
Artículo revista |
| topic |
earth coverings research-creation performance interdisciplinarity participatory design Revestimientos de tierra Investigación-creación Performance Interdisciplinaridad Diseño Participativo coberturas terrestres investigação-criação desempenho interdisciplinaridade design participativo |
| spellingShingle |
earth coverings research-creation performance interdisciplinarity participatory design Revestimientos de tierra Investigación-creación Performance Interdisciplinaridad Diseño Participativo coberturas terrestres investigação-criação desempenho interdisciplinaridade design participativo Giovino, María Laura Visual traces and spectral image from the technical-artistic and epistemic experiences in an andean mural with earth paintings |
| topic_facet |
earth coverings research-creation performance interdisciplinarity participatory design Revestimientos de tierra Investigación-creación Performance Interdisciplinaridad Diseño Participativo coberturas terrestres investigação-criação desempenho interdisciplinaridade design participativo |
| author |
Giovino, María Laura |
| author_facet |
Giovino, María Laura |
| author_sort |
Giovino, María Laura |
| title |
Visual traces and spectral image from the technical-artistic and epistemic experiences in an andean mural with earth paintings |
| title_short |
Visual traces and spectral image from the technical-artistic and epistemic experiences in an andean mural with earth paintings |
| title_full |
Visual traces and spectral image from the technical-artistic and epistemic experiences in an andean mural with earth paintings |
| title_fullStr |
Visual traces and spectral image from the technical-artistic and epistemic experiences in an andean mural with earth paintings |
| title_full_unstemmed |
Visual traces and spectral image from the technical-artistic and epistemic experiences in an andean mural with earth paintings |
| title_sort |
visual traces and spectral image from the technical-artistic and epistemic experiences in an andean mural with earth paintings |
| description |
This article proposes a transversal reflection. from the technical, artistic and epistemic dimensions with the aim of recovering and producing knowledge about mixtures of paints with earth, experience a collaborative creative process from a visual dialectic during the execution of the mural, and investigate from said process. The methodologies employed are participatory action-research, research-creation, performance and earth tests. Mixtures with different clays, additives and proportions were explored, resulting 3:2 with penca slime, 1:1 with a 15% vinyl glue. The color palette results from each combination of type of soil with each additive. Visual traces allow a dialogue between interventions in an asynchronous way, from the specters of the one who painted and left a visual trace. The process of workshop and execution of the mural becomes spaces of meeting, of presence/absence, transmitting and producing knowledge through visual materialities. |
| publisher |
Universidad Nacional del Nordeste. Facultad de Arquitectura y Urbanismo |
| publishDate |
2024 |
| url |
https://revistas.unne.edu.ar/index.php/crn/article/view/7897 |
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AT giovinomarialaura visualtracesandspectralimagefromthetechnicalartisticandepistemicexperiencesinanandeanmuralwithearthpaintings AT giovinomarialaura huellasvisualeseimagenespectraldesdeexperienciastecnicoartisticasyepistemicaenmuralandinoconpinturasdetierra AT giovinomarialaura tracosvisuaiseimagemespectralapartirdasexperienciastecnicoartisticaseepistemicasnummuralandinocompinturasdeterra |
| first_indexed |
2025-05-17T05:11:10Z |
| last_indexed |
2025-05-17T05:11:10Z |
| _version_ |
1832343222516449280 |
| spelling |
I48-R154-article-78972024-11-28T13:45:33Z Visual traces and spectral image from the technical-artistic and epistemic experiences in an andean mural with earth paintings Huellas visuales e imagen espectral desde experiencias técnico-artísticas y epistémica en mural andino con pinturas de tierra Traços visuais e imagem espectral a partir das experiências técnico-artísticas e epistêmicas num mural andino com pinturas de terra Giovino, María Laura earth coverings research-creation performance interdisciplinarity participatory design Revestimientos de tierra Investigación-creación Performance Interdisciplinaridad Diseño Participativo coberturas terrestres investigação-criação desempenho interdisciplinaridade design participativo This article proposes a transversal reflection. from the technical, artistic and epistemic dimensions with the aim of recovering and producing knowledge about mixtures of paints with earth, experience a collaborative creative process from a visual dialectic during the execution of the mural, and investigate from said process. The methodologies employed are participatory action-research, research-creation, performance and earth tests. Mixtures with different clays, additives and proportions were explored, resulting 3:2 with penca slime, 1:1 with a 15% vinyl glue. The color palette results from each combination of type of soil with each additive. Visual traces allow a dialogue between interventions in an asynchronous way, from the specters of the one who painted and left a visual trace. The process of workshop and execution of the mural becomes spaces of meeting, of presence/absence, transmitting and producing knowledge through visual materialities. Este artículo propone una reflexión transversal desde las dimensiones técnica, artística y epistémica con el objetivo de recuperar y producir conocimientos acerca de mezclas de pinturas con tierra, experimentar un proceso creativo colaborativo desde una dialéctica visual durante la ejecución del mural, e indagar desde ese proceso. Las metodologías empleadas son: investigación-acción participativa, investigación-creación, performance y ensayos de tierra. Se exploraron mezclas con diferentes arcillas, aditivos y proporciones resultando 3:2 con baba de penca, 1:1 con un 15% de cola vinílica. La paleta de color resulta de cada combinación de tipo de suelo con cada aditivo. Las huellas visuales permiten un diálogo entre las intervenciones de manera asincrónica, desde los espectros del que pintó y dejó un rastro visual. El proceso de taller y ejecución del mural se convierten en espacios de encuentro, de presencia/ausencia, transmitiendo y produciendo conocimientos a través de las materialidades visuales. Este artigo propõe uma reflexão transversal a partir das dimensões técnica, artística e epistêmica com o objetivo de recuperar e produzir conhecimento sobre misturas de tintas com terra, experimentando um processo criativo colaborativo a partir de uma dialética visual durante a execução do mural, e investigar o referido processo. As metodologias utilizadas são: pesquisa-ação participativa, pesquisa-criação, desempenho e ensaios com terra. Foram exploradas misturas com diferentes argilas, aditivos e proporções, resultando em 3:2 com baba de penca, 1:1 com um 15% de cola de vinil . A paleta de cores resulta de cada combinação de tipo de solo com cada aditivo. Os traços visuais permitem um diálogo entre as intervenções de forma assíncrona, a partir dos espectros de quem pintou e deixou um traço visual. O processo de oficina e execução do mural torna-se em espaços de encontro, de presença/ausência, de transmissão e produção de conhecimento por meio das materialidades visuais. Universidad Nacional del Nordeste. Facultad de Arquitectura y Urbanismo 2024-11-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unne.edu.ar/index.php/crn/article/view/7897 10.30972/crn.39397897 Cuaderno Urbano; Vol. 39 No. 39 (2024); 133-159 Cuaderno Urbano; Vol. 39 Núm. 39 (2024); 133-159 1853-3655 1666-6186 spa https://revistas.unne.edu.ar/index.php/crn/article/view/7897/7439 http://creativecommons.org/licenses/by-nc-sa/4.0 |