Digital inequalities and new challenges for self-managed musical activity during the pandemic context
The context of Preventive and Mandatory Social Isolation (ASPO), decreed due to the covid-19 pandemic, altered musical activity and posed new challenges to carry it out under virtualization modalities. This process highlighted the inequalities that digital inclusion goes through, especially the lack...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Estudio Sociales. Universidad Nacional del Nordeste
2024
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| Acceso en línea: | https://revistas.unne.edu.ar/index.php/dpd/article/view/7756 |
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I48-R154-article-77562024-11-08T13:18:39Z Digital inequalities and new challenges for self-managed musical activity during the pandemic context Desigualdades digitales y nuevos desafíos para la actividad musical autogestionada durante el contexto de pandemia Saponara Spinetta, Valeria covid-19 pandemic self-managed musicians Buenos Aires suburbs pandemia covid-19 músicos/as autogestionados/as conurbano bonaerense The context of Preventive and Mandatory Social Isolation (ASPO), decreed due to the covid-19 pandemic, altered musical activity and posed new challenges to carry it out under virtualization modalities. This process highlighted the inequalities that digital inclusion goes through, especially the lack of access, use and appropriation of digital technologies by many musicians who self-manage their careers. To address the impact of the pandemic on the musical activity, this article analyzes the situation and challenges that, during the context of isolation, a group of self-managed rock musicians faced in the city of Avellaneda (located south of the Buenos Aires suburbs, Province of Buenos Aires, Argentina), focusing on digital inequalities. In this work musical activity is considered as a cooperative, collaborative and collective social practice, and it is understood that in self-management there is no figure of a label or record company. To carry out this work, I conducted interviews with the actors/actresses involved and participant observation in the city addressed. This work hopes to generate information on the musical activity that can be taken into account for the design of public policies aimed at bridging digital gaps. El contexto de Aislamiento Social, Preventivo y Obligatorio (ASPO), decretado a causa de la pandemia por covid-19, alteró la actividad musical y supuso nuevos desafíos para realizarla bajo las modalidades de virtualización. Este proceso evidenció las desigualdades que atraviesa la inclusión digital, sobre todo la falta de acceso, uso y apropiación de las tecnologías digitales por parte de muchos/as músicos/as que autogestionan sus carreras. Para abordar el impacto de la pandemia en la actividad musical, este artículo analiza la situación y los desafíos que, durante el contexto de aislamiento, enfrentó un grupo de músicos/as autogestionados/as de rock en la ciudad de Avellaneda (ubicada al sur del conurbano bonaerense, provincia de Buenos Aires, Argentina), haciendo foco en las desigualdades digitales. En este trabajo se considera a la actividad musical como una práctica social cooperativa, colaborativa y colectiva, y se entiende que en la autogestión no existe la figura de un sello o compañía discográfica. Para llevar a cabo este trabajo, realicé entrevistas a actores y actrices involucrados/as y observación participante en la ciudad abordada. Con este trabajo se espera generar información sobre la actividad musical que pueda ser tenida en cuenta para el diseño de políticas públicas dirigidas a saldar brechas digitales. Centro de Estudio Sociales. Universidad Nacional del Nordeste 2024-11-08 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares application/pdf https://revistas.unne.edu.ar/index.php/dpd/article/view/7756 10.30972/dpd.13227756 De Prácticas y Discursos; Vol. 13 Núm. 22 (2024): De Prácticas y Discursos. Cuadernos de Ciencias Sociales 2250-6942 spa https://revistas.unne.edu.ar/index.php/dpd/article/view/7756/7402 Derechos de autor 2024 Valeria Saponara Spinetta http://creativecommons.org/licenses/by-nc/4.0 |
| institution |
Universidad Nacional del Nordeste |
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I-48 |
| repository_str |
R-154 |
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Revistas UNNE - Universidad Nacional del Noroeste (UNNE) |
| language |
Español |
| format |
Artículo revista |
| topic |
covid-19 pandemic self-managed musicians Buenos Aires suburbs pandemia covid-19 músicos/as autogestionados/as conurbano bonaerense |
| spellingShingle |
covid-19 pandemic self-managed musicians Buenos Aires suburbs pandemia covid-19 músicos/as autogestionados/as conurbano bonaerense Saponara Spinetta, Valeria Digital inequalities and new challenges for self-managed musical activity during the pandemic context |
| topic_facet |
covid-19 pandemic self-managed musicians Buenos Aires suburbs pandemia covid-19 músicos/as autogestionados/as conurbano bonaerense |
| author |
Saponara Spinetta, Valeria |
| author_facet |
Saponara Spinetta, Valeria |
| author_sort |
Saponara Spinetta, Valeria |
| title |
Digital inequalities and new challenges for self-managed musical activity during the pandemic context |
| title_short |
Digital inequalities and new challenges for self-managed musical activity during the pandemic context |
| title_full |
Digital inequalities and new challenges for self-managed musical activity during the pandemic context |
| title_fullStr |
Digital inequalities and new challenges for self-managed musical activity during the pandemic context |
| title_full_unstemmed |
Digital inequalities and new challenges for self-managed musical activity during the pandemic context |
| title_sort |
digital inequalities and new challenges for self-managed musical activity during the pandemic context |
| description |
The context of Preventive and Mandatory Social Isolation (ASPO), decreed due to the covid-19 pandemic, altered musical activity and posed new challenges to carry it out under virtualization modalities. This process highlighted the inequalities that digital inclusion goes through, especially the lack of access, use and appropriation of digital technologies by many musicians who self-manage their careers.
To address the impact of the pandemic on the musical activity, this article analyzes the situation and challenges that, during the context of isolation, a group of self-managed rock musicians faced in the city of Avellaneda (located south of the Buenos Aires suburbs, Province of Buenos Aires, Argentina), focusing on digital inequalities.
In this work musical activity is considered as a cooperative, collaborative and collective social practice, and it is understood that in self-management there is no figure of a label or record company. To carry out this work, I conducted interviews with the actors/actresses involved and participant observation in the city addressed.
This work hopes to generate information on the musical activity that can be taken into account for the design of public policies aimed at bridging digital gaps. |
| publisher |
Centro de Estudio Sociales. Universidad Nacional del Nordeste |
| publishDate |
2024 |
| url |
https://revistas.unne.edu.ar/index.php/dpd/article/view/7756 |
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2025-05-17T05:10:55Z |
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2025-05-17T05:10:55Z |
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