Around the “Image” in Paul Ricoeur: Verbal and Non-verbal Aspects. From the Metaphorical Statement to the Discursive Work
In La métaphore vive, Paul Ricoeur addresses the iconicity of the metaphorical trope by working, on the one hand, on the verbal or semantic aspect of the “image” arising from the metaphorical statement and, on the other hand, on its non-verbal aspect, its sensitive side. Our intention, on the one ha...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Instituto de Filosofía - Facultad de Humanidades. UNNE
2024
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| Acceso en línea: | https://revistas.unne.edu.ar/index.php/nit/article/view/7579 |
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I48-R154-article-75792024-09-26T21:05:56Z Around the “Image” in Paul Ricoeur: Verbal and Non-verbal Aspects. From the Metaphorical Statement to the Discursive Work En torno a la “imagen” en Paul Ricoeur: aspectos verbales y no-verbales. Del enunciado metafórico a la obra discursiva Gabriel , Silvia metaphorical iconicity narrative iconicity pictorial iconicity catharsis affectivity iconicidad metafórica iconicidad narrativa iconicidad pictórica catarsis afectividad In La métaphore vive, Paul Ricoeur addresses the iconicity of the metaphorical trope by working, on the one hand, on the verbal or semantic aspect of the “image” arising from the metaphorical statement and, on the other hand, on its non-verbal aspect, its sensitive side. Our intention, on the one hand, is to inscribe Ricoeur's theory of metaphor in the “pictorial turn” that took place in the mid-1990s. The first hypothesis is that the iconicity of the metaphorical trope, as Ricoeur works it, crosses the tripartite stage formed by the semiotic, phenomenological-hermeneutic and anthropological currents in which the “pictorial turn” trifurcates. We also think that this triple inscription of iconicity linked to metaphorical theory goes beyond the level of the utterance towards the transphrastic order that opens up the discursive work tackled by our author in Temps et récit. Again under the Aristotelian gesture, the second hypothesis is that catharsis, together with the moral instruction it produces, translates into an increase in our legibility of the world that produces a cognitive as well as an affective transposition. Before closing this paper, and leaving open a couple of questions as a kind of opening for further research, we will try to situate the conclusions in the framework of the dualisms revisited, this time, by the ‘affective turn’, also born in the mid-1990s. En La métaphore vive, Paul Ricoeur aborda la iconicidad del tropo metafórico trabajando, por un lado, el aspecto verbal o semántico de la “imagen” surgida del enunciado metafórico y, por otro lado, su aspecto no-verbal, su costado sensible. Nuestra intención, por una parte, es inscribir la teoría de la metáfora de Ricoeur en el “giro pictórico” que tuvo lugar a mediados de los años ‘90. La primera hipótesis es que la iconicidad del tropo metafórico, tal como lo trabaja Ricoeur, franquea el escenario tripartito conformado por las corrientes semiótica, fenomenológico-hermenéutica y antropológica en las que se trifurca el “giro icónico”. Asimismo, pensamos que esta triple inscripción de la iconicidad ligada a la teoría metafórica traspasa el nivel del enunciado hacia el orden transfrástico que abre la obra discursiva abordada por nuestro autor en Temps et récit. Nuevamente bajo el gesto aristotélico, la segunda hipótesis es que la catarsis, junto a la instrucción moral que produce, se traduce en un incremento de nuestra legibilidad del mundo que produce una transposición tanto cognitiva como afectiva. Antes de cerrar este trabajo, y dejar abiertos un par de interrogantes como una suerte de apertura para seguir investigando, trataremos de situar las conclusiones en el marco de los dualismos revisitados, esta vez, por el “giro afectivo”, también nacido a mediados de los años ‘90. Instituto de Filosofía - Facultad de Humanidades. UNNE 2024-09-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf text/html https://revistas.unne.edu.ar/index.php/nit/article/view/7579 10.30972/nvt.2017579 New Itinerary; Vol. 20 No. 1 (2024) Nuevo Itinerario; Vol. 20 Núm. 1 (2024) Novo itinerário; v. 20 n. 1 (2024) 1850-3578 spa https://revistas.unne.edu.ar/index.php/nit/article/view/7579/7283 https://revistas.unne.edu.ar/index.php/nit/article/view/7579/7294 http://creativecommons.org/licenses/by-nc/4.0 |
| institution |
Universidad Nacional del Nordeste |
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I-48 |
| repository_str |
R-154 |
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Revistas UNNE - Universidad Nacional del Noroeste (UNNE) |
| language |
Español |
| format |
Artículo revista |
| topic |
metaphorical iconicity narrative iconicity pictorial iconicity catharsis affectivity iconicidad metafórica iconicidad narrativa iconicidad pictórica catarsis afectividad |
| spellingShingle |
metaphorical iconicity narrative iconicity pictorial iconicity catharsis affectivity iconicidad metafórica iconicidad narrativa iconicidad pictórica catarsis afectividad Gabriel , Silvia Around the “Image” in Paul Ricoeur: Verbal and Non-verbal Aspects. From the Metaphorical Statement to the Discursive Work |
| topic_facet |
metaphorical iconicity narrative iconicity pictorial iconicity catharsis affectivity iconicidad metafórica iconicidad narrativa iconicidad pictórica catarsis afectividad |
| author |
Gabriel , Silvia |
| author_facet |
Gabriel , Silvia |
| author_sort |
Gabriel , Silvia |
| title |
Around the “Image” in Paul Ricoeur: Verbal and Non-verbal Aspects. From the Metaphorical Statement to the Discursive Work |
| title_short |
Around the “Image” in Paul Ricoeur: Verbal and Non-verbal Aspects. From the Metaphorical Statement to the Discursive Work |
| title_full |
Around the “Image” in Paul Ricoeur: Verbal and Non-verbal Aspects. From the Metaphorical Statement to the Discursive Work |
| title_fullStr |
Around the “Image” in Paul Ricoeur: Verbal and Non-verbal Aspects. From the Metaphorical Statement to the Discursive Work |
| title_full_unstemmed |
Around the “Image” in Paul Ricoeur: Verbal and Non-verbal Aspects. From the Metaphorical Statement to the Discursive Work |
| title_sort |
around the “image” in paul ricoeur: verbal and non-verbal aspects. from the metaphorical statement to the discursive work |
| description |
In La métaphore vive, Paul Ricoeur addresses the iconicity of the metaphorical trope by working, on the one hand, on the verbal or semantic aspect of the “image” arising from the metaphorical statement and, on the other hand, on its non-verbal aspect, its sensitive side. Our intention, on the one hand, is to inscribe Ricoeur's theory of metaphor in the “pictorial turn” that took place in the mid-1990s. The first hypothesis is that the iconicity of the metaphorical trope, as Ricoeur works it, crosses the tripartite stage formed by the semiotic, phenomenological-hermeneutic and anthropological currents in which the “pictorial turn” trifurcates. We also think that this triple inscription of iconicity linked to metaphorical theory goes beyond the level of the utterance towards the transphrastic order that opens up the discursive work tackled by our author in Temps et récit. Again under the Aristotelian gesture, the second hypothesis is that catharsis, together with the moral instruction it produces, translates into an increase in our legibility of the world that produces a cognitive as well as an affective transposition. Before closing this paper, and leaving open a couple of questions as a kind of opening for further research, we will try to situate the conclusions in the framework of the dualisms revisited, this time, by the ‘affective turn’, also born in the mid-1990s. |
| publisher |
Instituto de Filosofía - Facultad de Humanidades. UNNE |
| publishDate |
2024 |
| url |
https://revistas.unne.edu.ar/index.php/nit/article/view/7579 |
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2024-08-21T22:37:20Z |
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