The dispute for the photographic. Crossroads of hegemonic theories

This article proposes a critical review of certain hegemonic photographic theories, establishing a crossover between authors who have developed intertextual dialogues in response to similar concerns. In a chronological order, we first analyze academic works that emerged in the 1980s, which approache...

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Autor principal: Pestarino, Julieta
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Estudio Sociales. Universidad Nacional del Nordeste 2024
Materias:
History of Photography, Photographic Theories, Visual Studies
historia de la fotografía
teorías fotográficas
estudios visuales
Acceso en línea:https://revistas.unne.edu.ar/index.php/dpd/article/view/7493
Aporte de:
Revistas UNNE - Universidad Nacional del Noroeste (UNNE) de Universidad Nacional del Nordeste
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spelling I48-R154-article-74932024-07-18T20:54:03Z The dispute for the photographic. Crossroads of hegemonic theories La disputa por lo fotográfico. Cruces de teorías hegemónicas Pestarino, Julieta History of Photography, Photographic Theories, Visual Studies historia de la fotografía teorías fotográficas estudios visuales This article proposes a critical review of certain hegemonic photographic theories, establishing a crossover between authors who have developed intertextual dialogues in response to similar concerns. In a chronological order, we first analyze academic works that emerged in the 1980s, which approached photography from semiotic studies based on the theory of the index in pursuit of ontological searches of the medium. Then, a series of authors from the late 1990s rejected this semiotic analysis and proposed specific theoretical approaches that justified the technical specificities of the medium. Thirdly, contributions that theorize the complexities of the use of photography as documentary testimony will be revisited, and finally, the analytical tools proposed by visual studies since the new millennium will be presented, which allow us to question and challenge previous reductionist and instrumental conceptions. El presente artículo propone un recorrido crítico por ciertas teorías fotográficas hegemónicas y entabla un cruce entre autores que han desarrollado diálogos intertextuales con respuestas a inquietudes similares. Ordenados cronológicamente, en un primer momento se analizan trabajos surgidos durante la década del 80 que abordaron a la fotografía desde los estudios semióticos, a partir de la teoría del índex, en pos de búsquedas ontológicas del medio. Luego, una serie de autores que desde finales de los 90 rechazaron aquel análisis semiótico y propusieron abordajes teóricos específicos que reivindicaron las particularidades técnicas del medio. En tercer lugar, se retoman aportes que teorizan las complejidades del uso de la fotografía como testimonio documental y, por último, se presentan las herramientas de análisis propuestas por los estudios visuales a partir del nuevo milenio, las que permiten cuestionar y poner en jaque concepciones reduccionistas e instrumentales previas. Centro de Estudio Sociales. Universidad Nacional del Nordeste 2024-07-18 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares text/html application/pdf https://revistas.unne.edu.ar/index.php/dpd/article/view/7493 10.30972/dpd.13217493 De Prácticas y Discursos; Vol. 13 Núm. 21 (2024) 2250-6942 spa https://revistas.unne.edu.ar/index.php/dpd/article/view/7493/7106 https://revistas.unne.edu.ar/index.php/dpd/article/view/7493/7107 http://creativecommons.org/licenses/by-nc/4.0
institution Universidad Nacional del Nordeste
institution_str I-48
repository_str R-154
container_title_str Revistas UNNE - Universidad Nacional del Noroeste (UNNE)
language Español
format Artículo revista
topic History of Photography, Photographic Theories, Visual Studies
historia de la fotografía
teorías fotográficas
estudios visuales
spellingShingle History of Photography, Photographic Theories, Visual Studies
historia de la fotografía
teorías fotográficas
estudios visuales
Pestarino, Julieta
The dispute for the photographic. Crossroads of hegemonic theories
topic_facet History of Photography, Photographic Theories, Visual Studies
historia de la fotografía
teorías fotográficas
estudios visuales
author Pestarino, Julieta
author_facet Pestarino, Julieta
author_sort Pestarino, Julieta
title The dispute for the photographic. Crossroads of hegemonic theories
title_short The dispute for the photographic. Crossroads of hegemonic theories
title_full The dispute for the photographic. Crossroads of hegemonic theories
title_fullStr The dispute for the photographic. Crossroads of hegemonic theories
title_full_unstemmed The dispute for the photographic. Crossroads of hegemonic theories
title_sort dispute for the photographic. crossroads of hegemonic theories
description This article proposes a critical review of certain hegemonic photographic theories, establishing a crossover between authors who have developed intertextual dialogues in response to similar concerns. In a chronological order, we first analyze academic works that emerged in the 1980s, which approached photography from semiotic studies based on the theory of the index in pursuit of ontological searches of the medium. Then, a series of authors from the late 1990s rejected this semiotic analysis and proposed specific theoretical approaches that justified the technical specificities of the medium. Thirdly, contributions that theorize the complexities of the use of photography as documentary testimony will be revisited, and finally, the analytical tools proposed by visual studies since the new millennium will be presented, which allow us to question and challenge previous reductionist and instrumental conceptions.
publisher Centro de Estudio Sociales. Universidad Nacional del Nordeste
publishDate 2024
url https://revistas.unne.edu.ar/index.php/dpd/article/view/7493
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first_indexed 2024-08-21T22:36:43Z
last_indexed 2024-08-21T22:36:43Z
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