Poetics of Disenchantment in Stella Manhattan by Silviano Santiago and Bandoleiros by João Gilberto Noll

Since the Brazilian democratic opening of 1980 arises a series of works that constitute a change concerning the preceding realistic narrative. I read these narratives from the category of “poetics of disenchantment” as they show a rejection of modernization. In this work, I analyze the novels Stella...

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Autor principal: Laise, Arantxa
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras 2023
Materias:
ppoetics of disenchantment
body
mobile identities
Brazilian literature
poética del desencanto
cuerpo
identidades móviles
literatura brasileña
Acceso en línea:https://revistas.unne.edu.ar/index.php/clt/article/view/7307
Aporte de:
Revistas UNNE - Universidad Nacional del Noroeste (UNNE) de Universidad Nacional del Nordeste
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spelling I48-R154-article-73072023-12-29T14:38:45Z Poetics of Disenchantment in Stella Manhattan by Silviano Santiago and Bandoleiros by João Gilberto Noll Poéticas del desencanto en Stella Manhattan de Silviano Santiago y Bandoleiros de João Gilberto Noll Laise, Arantxa ppoetics of disenchantment body mobile identities Brazilian literature poética del desencanto cuerpo identidades móviles literatura brasileña Since the Brazilian democratic opening of 1980 arises a series of works that constitute a change concerning the preceding realistic narrative. I read these narratives from the category of “poetics of disenchantment” as they show a rejection of modernization. In this work, I analyze the novels Stella Manhattan (1985) by Silviano Santiago and Bandoleiros (1985) by João Gilberto Noll, and propose a critical reading that focuses on representations of the body and mobile identities as manifestations of the poetics of disenchantment. e violence and the paranoid logic with which the characters operate in Santiago’s novel (which sets in times of the Brazilian military dictatorship) produce a rhizomatic effect on the identities that multiply and disintegrate. Meanwhile, in Noll’s novel, the violence on the bodies is portrayed with the dynamics of the show, banalizing them, and the anecdotes are rewritten again and again, exposing the artifice. A partir de la apertura democrática brasileña de 1980 surgen obras que constituyen un cambio respecto a la narrativa realista precedente. Leo estos relatos desde la categoría de “poéticas del desencanto” en tanto evidencian un rechazo a la modernización. Propongo una lectura crítica de las novelas Stella Manhattan (1985) de Silviano Santiago y Bandoleiros (1985) de João Gilberto Noll que se concentre en las representaciones del cuerpo y las identidades móviles como manifestaciones de la poética del desencanto. La violencia y la lógica paranoica con la que se desenvuelven los personajes de la novela de Santiago, situada en épocas de la dictadura militar brasileña, producen un efecto rizomático en las identidades que se multiplican y disgregan. En tanto, en la novela de Noll la violencia sobre los cuerpos se retrata con las dinámicas del espectáculo, banalizándolos y las anécdotas se reescriben una y otra vez exponiendo el artificio. Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras 2023-12-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://revistas.unne.edu.ar/index.php/clt/article/view/7307 10.30972/clt.227307 Cuadernos de Literatura; Núm. 22 (2023): Diciembre; e2211 2684-0499 0326-5102 spa https://revistas.unne.edu.ar/index.php/clt/article/view/7307/6720
institution Universidad Nacional del Nordeste
institution_str I-48
repository_str R-154
container_title_str Revistas UNNE - Universidad Nacional del Noroeste (UNNE)
language Español
format Artículo revista
topic ppoetics of disenchantment
body
mobile identities
Brazilian literature
poética del desencanto
cuerpo
identidades móviles
literatura brasileña
spellingShingle ppoetics of disenchantment
body
mobile identities
Brazilian literature
poética del desencanto
cuerpo
identidades móviles
literatura brasileña
Laise, Arantxa
Poetics of Disenchantment in Stella Manhattan by Silviano Santiago and Bandoleiros by João Gilberto Noll
topic_facet ppoetics of disenchantment
body
mobile identities
Brazilian literature
poética del desencanto
cuerpo
identidades móviles
literatura brasileña
author Laise, Arantxa
author_facet Laise, Arantxa
author_sort Laise, Arantxa
title Poetics of Disenchantment in Stella Manhattan by Silviano Santiago and Bandoleiros by João Gilberto Noll
title_short Poetics of Disenchantment in Stella Manhattan by Silviano Santiago and Bandoleiros by João Gilberto Noll
title_full Poetics of Disenchantment in Stella Manhattan by Silviano Santiago and Bandoleiros by João Gilberto Noll
title_fullStr Poetics of Disenchantment in Stella Manhattan by Silviano Santiago and Bandoleiros by João Gilberto Noll
title_full_unstemmed Poetics of Disenchantment in Stella Manhattan by Silviano Santiago and Bandoleiros by João Gilberto Noll
title_sort poetics of disenchantment in stella manhattan by silviano santiago and bandoleiros by joão gilberto noll
description Since the Brazilian democratic opening of 1980 arises a series of works that constitute a change concerning the preceding realistic narrative. I read these narratives from the category of “poetics of disenchantment” as they show a rejection of modernization. In this work, I analyze the novels Stella Manhattan (1985) by Silviano Santiago and Bandoleiros (1985) by João Gilberto Noll, and propose a critical reading that focuses on representations of the body and mobile identities as manifestations of the poetics of disenchantment. e violence and the paranoid logic with which the characters operate in Santiago’s novel (which sets in times of the Brazilian military dictatorship) produce a rhizomatic effect on the identities that multiply and disintegrate. Meanwhile, in Noll’s novel, the violence on the bodies is portrayed with the dynamics of the show, banalizing them, and the anecdotes are rewritten again and again, exposing the artifice.
publisher Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras
publishDate 2023
url https://revistas.unne.edu.ar/index.php/clt/article/view/7307
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