Playing with Mud, Assemble Remains. Writing and Installation About Childhoods in War
The article aims to investigate the memory remains of the Paraguayan War that survive in contemporary bodies and territories based on recent cultural practices. To do this, it focuses on an installation by the plastic artist Jorge Cuello, “Historia de los gurises del ejército de terracota Acosta Ñu”...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras
2023
|
| Materias: | |
| Acceso en línea: | https://revistas.unne.edu.ar/index.php/clt/article/view/7300 |
| Aporte de: |
| Sumario: | The article aims to investigate the memory remains of the Paraguayan War that survive in contemporary bodies and territories based on recent cultural practices. To do this, it focuses on an installation by the plastic artist Jorge Cuello, “Historia de los gurises del ejército de terracota Acosta Ñu”, and the collection of poems Paraguay by the Argentine Martín Rodríguez, based on the hypothesis that these productions work with material and imaginary inputs taken from the Guaraní culture and project a poetic map as the epitome of a world destroyed by war, of a war that is closure and the beginning of the end of the same. |
|---|