The cinema in waiting time: Hamaca paraguaya (2006) and Eami (2022) by Paz Encina

Hamaca paraguaya (2006) and Eami (2022) are two of the most relevant cinematographic works of the Paraguayan director Paz Encina and of the recent cinema of her country in the Guarani and Ayoreo languages. The productions are rich in images and sounds, with prevailing off-screen dialogues and fixed...

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Autor principal: Portela, Guillermo
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras 2023
Materias:
Paz Encina
espera
cine paraguayo
Eami
Hamaca paraguaya
wait
paraguayan cinema
Acceso en línea:https://revistas.unne.edu.ar/index.php/clt/article/view/6888
Aporte de:
Revistas UNNE - Universidad Nacional del Noroeste (UNNE) de Universidad Nacional del Nordeste
id I48-R154-article-6888
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spelling I48-R154-article-68882023-09-28T14:18:21Z The cinema in waiting time: Hamaca paraguaya (2006) and Eami (2022) by Paz Encina El cine en tiempo de espera: Hamaca paraguaya (2006) y Eami (2022) de Paz Encina Portela, Guillermo Paz Encina espera cine paraguayo Eami Hamaca paraguaya Paz Encina wait paraguayan cinema Eami Hamaca paraguaya Hamaca paraguaya (2006) and Eami (2022) are two of the most relevant cinematographic works of the Paraguayan director Paz Encina and of the recent cinema of her country in the Guarani and Ayoreo languages. The productions are rich in images and sounds, with prevailing off-screen dialogues and fixed shots. Our objective is to analyze the theme of waiting as a fertile area of artistic production, prone to multiple interpretations, conjectures, silences. The review we propose does not disregard the worldview of the Ayoreo people where the “western” segmentation into past, present and future would be blurred to the detriment of a persistence that dialogues diametrically with the concept of “waiting”. Thus, the hypothesis we propose is that the topic of waiting functions in Encina's films as a door that promotes a critique of the past, a present of uncertainty and a multifaceted future. Hamaca paraguaya (2006) y Eami (2022) son dos de las más relevantes obras cinematográficas de la directora paraguaya Paz Encina y del reciente cine de su país en lengua guaraní y ayoreo. Se trata de producciones ricas en imágenes y sonidos donde predominan los diálogos en off y los planos fijos. Nuestro objetivo es analizar el tema de la espera como esa zona fértil de producción artística proclive a múltiples interpretaciones, conjeturas, silencios. El examen que proponemos no desestima la cosmovisión del pueblo ayoreo donde la segmentación “occidental” en pasado, presente y futuro se desdibujaría en detrimento de una persistencia que dialoga diametralmente con el concepto de “espera”. Así, la hipótesis que planteamos es que el tópico de la espera funciona en las películas de Encina como una puerta que propicia una crítica hacia el pasado, un presente de incertidumbre y un futuro polifacético. Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras 2023-09-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://revistas.unne.edu.ar/index.php/clt/article/view/6888 10.30972/clt.0216888 Cuadernos de Literatura; Núm. 21 (2023): Septiembre; e2102 2684-0499 0326-5102 spa https://revistas.unne.edu.ar/index.php/clt/article/view/6888/6322 Derechos de autor 2023 Cuadernos de Literatura
institution Universidad Nacional del Nordeste
institution_str I-48
repository_str R-154
container_title_str Revistas UNNE - Universidad Nacional del Noroeste (UNNE)
language Español
format Artículo revista
topic Paz Encina
espera
cine paraguayo
Eami
Hamaca paraguaya
Paz Encina
wait
paraguayan cinema
Eami
Hamaca paraguaya
spellingShingle Paz Encina
espera
cine paraguayo
Eami
Hamaca paraguaya
Paz Encina
wait
paraguayan cinema
Eami
Hamaca paraguaya
Portela, Guillermo
The cinema in waiting time: Hamaca paraguaya (2006) and Eami (2022) by Paz Encina
topic_facet Paz Encina
espera
cine paraguayo
Eami
Hamaca paraguaya
Paz Encina
wait
paraguayan cinema
Eami
Hamaca paraguaya
author Portela, Guillermo
author_facet Portela, Guillermo
author_sort Portela, Guillermo
title The cinema in waiting time: Hamaca paraguaya (2006) and Eami (2022) by Paz Encina
title_short The cinema in waiting time: Hamaca paraguaya (2006) and Eami (2022) by Paz Encina
title_full The cinema in waiting time: Hamaca paraguaya (2006) and Eami (2022) by Paz Encina
title_fullStr The cinema in waiting time: Hamaca paraguaya (2006) and Eami (2022) by Paz Encina
title_full_unstemmed The cinema in waiting time: Hamaca paraguaya (2006) and Eami (2022) by Paz Encina
title_sort cinema in waiting time: hamaca paraguaya (2006) and eami (2022) by paz encina
description Hamaca paraguaya (2006) and Eami (2022) are two of the most relevant cinematographic works of the Paraguayan director Paz Encina and of the recent cinema of her country in the Guarani and Ayoreo languages. The productions are rich in images and sounds, with prevailing off-screen dialogues and fixed shots. Our objective is to analyze the theme of waiting as a fertile area of artistic production, prone to multiple interpretations, conjectures, silences. The review we propose does not disregard the worldview of the Ayoreo people where the “western” segmentation into past, present and future would be blurred to the detriment of a persistence that dialogues diametrically with the concept of “waiting”. Thus, the hypothesis we propose is that the topic of waiting functions in Encina's films as a door that promotes a critique of the past, a present of uncertainty and a multifaceted future.
publisher Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras
publishDate 2023
url https://revistas.unne.edu.ar/index.php/clt/article/view/6888
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first_indexed 2024-08-21T22:38:07Z
last_indexed 2024-08-21T22:38:07Z
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