The Indigenous Craftsmanship in the Composition of Worlds. Towards an Ethnolinguistic Exploration

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Handicraft making is a complex phenomenon which involves socio-cultural, historical, productive, technological and artistic dimensions, but also environmental and ethnolinguistics variables. From an ethnographic perspective, the paper exposes the way in which traditional handicraft comprises the bio...

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Autor principal: Dreidemie, Patricia
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras 2023
Materias:
Artesanía indígena
Lengua indígena
Ontologías nativas
Humano/no humano
Agencia
Iindigenous crafts
Indigenous language
Native ontology
Human/no human
Agency
Acceso en línea:https://revistas.unne.edu.ar/index.php/clt/article/view/6887
Aporte de:
Revistas UNNE - Universidad Nacional del Noroeste (UNNE) de Universidad Nacional del Nordeste
id I48-R154-article-6887
record_format ojs
spelling I48-R154-article-68872023-09-28T14:33:48Z The Indigenous Craftsmanship in the Composition of Worlds. Towards an Ethnolinguistic Exploration La artesanía indígena en la composición de mundos. Hacia una exploración etnolingüística Dreidemie, Patricia Artesanía indígena Lengua indígena Ontologías nativas Humano/no humano Agencia Iindigenous crafts Indigenous language Native ontology Human/no human Agency Handicraft making is a complex phenomenon which involves socio-cultural, historical, productive, technological and artistic dimensions, but also environmental and ethnolinguistics variables. From an ethnographic perspective, the paper exposes the way in which traditional handicraft comprises the biological and environmental diversity with the sociocultural one. It exemplifies how the indigenous handicraft making moves vital frameworks (native epistemologies and ontologies) in which nature and culture fuse in special ways. It explores the hypothesis that the native expressions in indigenous language, through different resources, allow us to observe the continuity of human life. This continuity involves animals, plants and other non-human beings that intervene within artisan work in the different “worlds” in which indigenous peoples in our country live and work.The research is based on field work, interviews and analysis of unpublished and published documentary sources. El hacer artesanal es un fenómeno complejo que involucra dimensiones socioculturales, históricas, productivas, tecnológicas y artísticas; pero también variables ambientales y etnolingüísticas.Desde una perspectiva etnográfica, el artículo expone el modo en que la artesanía tradicional comprende la diversidad biológica y medioambiental junto a la diversidad sociocultural, ejemplificando cómo el hacer artesanal indígena moviliza entramados vitales (epistemologías y ontologías nativas) en los que “naturaleza” y “cultura” se funden de modos particulares. Plantea la hipótesis de que las expresiones nativas en lengua indígena, a través de diferentes recursos, pueden constituir vías de acceso para observar la continuidad de la vida humana con animales, plantas y otros seres no humanos que intervienen en la labor artesanal en los diferentes “mundos” en los que viven y trabajan pueblos originarios en nuestro país.La investigación se sostiene sobre trabajo de campo, entrevistas y análisis de fuentes documentales publicadas e inéditas. Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras 2023-09-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://revistas.unne.edu.ar/index.php/clt/article/view/6887 10.30972/clt.0216887 Cuadernos de Literatura; Núm. 21 (2023): Septiembre; e2103 2684-0499 0326-5102 spa https://revistas.unne.edu.ar/index.php/clt/article/view/6887/6323 Derechos de autor 2023 Cuadernos de Literatura
institution Universidad Nacional del Nordeste
institution_str I-48
repository_str R-154
container_title_str Revistas UNNE - Universidad Nacional del Noroeste (UNNE)
language Español
format Artículo revista
topic Artesanía indígena
Lengua indígena
Ontologías nativas
Humano/no humano
Agencia
Iindigenous crafts
Indigenous language
Native ontology
Human/no human
Agency
spellingShingle Artesanía indígena
Lengua indígena
Ontologías nativas
Humano/no humano
Agencia
Iindigenous crafts
Indigenous language
Native ontology
Human/no human
Agency
Dreidemie, Patricia
The Indigenous Craftsmanship in the Composition of Worlds. Towards an Ethnolinguistic Exploration
topic_facet Artesanía indígena
Lengua indígena
Ontologías nativas
Humano/no humano
Agencia
Iindigenous crafts
Indigenous language
Native ontology
Human/no human
Agency
author Dreidemie, Patricia
author_facet Dreidemie, Patricia
author_sort Dreidemie, Patricia
title The Indigenous Craftsmanship in the Composition of Worlds. Towards an Ethnolinguistic Exploration
title_short The Indigenous Craftsmanship in the Composition of Worlds. Towards an Ethnolinguistic Exploration
title_full The Indigenous Craftsmanship in the Composition of Worlds. Towards an Ethnolinguistic Exploration
title_fullStr The Indigenous Craftsmanship in the Composition of Worlds. Towards an Ethnolinguistic Exploration
title_full_unstemmed The Indigenous Craftsmanship in the Composition of Worlds. Towards an Ethnolinguistic Exploration
title_sort indigenous craftsmanship in the composition of worlds. towards an ethnolinguistic exploration
description Handicraft making is a complex phenomenon which involves socio-cultural, historical, productive, technological and artistic dimensions, but also environmental and ethnolinguistics variables. From an ethnographic perspective, the paper exposes the way in which traditional handicraft comprises the biological and environmental diversity with the sociocultural one. It exemplifies how the indigenous handicraft making moves vital frameworks (native epistemologies and ontologies) in which nature and culture fuse in special ways. It explores the hypothesis that the native expressions in indigenous language, through different resources, allow us to observe the continuity of human life. This continuity involves animals, plants and other non-human beings that intervene within artisan work in the different “worlds” in which indigenous peoples in our country live and work.The research is based on field work, interviews and analysis of unpublished and published documentary sources.
publisher Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras
publishDate 2023
url https://revistas.unne.edu.ar/index.php/clt/article/view/6887
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AT dreidemiepatricia indigenouscraftsmanshipinthecompositionofworldstowardsanethnolinguisticexploration
first_indexed 2024-08-21T22:38:07Z
last_indexed 2024-08-21T22:38:07Z
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