Alfredo Veiravé: the archive of the repentista poet

Las tácticas de la ensoñación. Cómo trabaja un poeta by Alfredo Veiravé (2021) –the edition directed by Claudia Rosa– revealed and confirmed the deep self-consciousness of the poetic praxis of an artist who reflected on his art and on a vast Latin American tradition from the knowledge of his archive...

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Autor principal: Monteleone, Jorge
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras 2023
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Acceso en línea:https://revistas.unne.edu.ar/index.php/clt/article/view/6637
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spelling I48-R154-article-66372023-09-22T15:49:05Z Alfredo Veiravé: the archive of the repentista poet Alfredo Veiravé: El archivo del poeta repentista Monteleone, Jorge poesía archivo humor “repentismo” poetry archive humor “repentismo” Las tácticas de la ensoñación. Cómo trabaja un poeta by Alfredo Veiravé (2021) –the edition directed by Claudia Rosa– revealed and confirmed the deep self-consciousness of the poetic praxis of an artist who reflected on his art and on a vast Latin American tradition from the knowledge of his archive. In this critical essay we link biographical aspects with some of the poet's documents in order to observe, into his compositional processes, some primary features. Among them we highlight the humor that, although it belongs to the series opened by the anti-poetry of the Chilean Nicanor Parra and, besides, has other worshippers in Argentine poetry, as modes of a “desacralization of language”, it also has in Veiravé's work its own characteristics that we describe here. They were called by the poet himself, not without gentle irony, the “repentismo”. La aparición de Las tácticas de la ensoñación. Cómo trabaja un poeta de Alfredo Veiravé (2021), en la edición dirigida por Claudia Rosa, reveló y confirmó la profunda autoconsciencia de la praxis poética de un artista que reflexionaba sobre su arte y sobre una vasta tradición latinoamericana a partir del conocimiento de su archivo. En este ensayo crítico unimos aspectos biográficos con algunos documentos del poeta para advertir, en sus procesos compositivos, algunos rasgos fundamentales. Entre ellos destacamos el humorismo que, si bien pertenece a la serie abierta por la antipoesía del chileno Nicanor Parra y tiene otros cultores en la poesía argentina, como modos de una “desacralización del lenguaje”, posee en la obra de Veiravé características propias que describimos aquí y que el poeta mismo llamó, no sin amable ironía, el “repentismo”. Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras 2023-05-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unne.edu.ar/index.php/clt/article/view/6637 10.30972/clt.0206637 Cuadernos de Literatura; Núm. 20 (2023): Mayo; e2017 2684-0499 0326-5102 spa https://revistas.unne.edu.ar/index.php/clt/article/view/6637/6130 Derechos de autor 2023 Cuadernos de Literatura
institution Universidad Nacional del Nordeste
institution_str I-48
repository_str R-154
container_title_str Revistas UNNE - Universidad Nacional del Noroeste (UNNE)
language Español
format Artículo revista
topic poesía
archivo
humor
“repentismo”
poetry
archive
humor
“repentismo”
spellingShingle poesía
archivo
humor
“repentismo”
poetry
archive
humor
“repentismo”
Monteleone, Jorge
Alfredo Veiravé: the archive of the repentista poet
topic_facet poesía
archivo
humor
“repentismo”
poetry
archive
humor
“repentismo”
author Monteleone, Jorge
author_facet Monteleone, Jorge
author_sort Monteleone, Jorge
title Alfredo Veiravé: the archive of the repentista poet
title_short Alfredo Veiravé: the archive of the repentista poet
title_full Alfredo Veiravé: the archive of the repentista poet
title_fullStr Alfredo Veiravé: the archive of the repentista poet
title_full_unstemmed Alfredo Veiravé: the archive of the repentista poet
title_sort alfredo veiravé: the archive of the repentista poet
description Las tácticas de la ensoñación. Cómo trabaja un poeta by Alfredo Veiravé (2021) –the edition directed by Claudia Rosa– revealed and confirmed the deep self-consciousness of the poetic praxis of an artist who reflected on his art and on a vast Latin American tradition from the knowledge of his archive. In this critical essay we link biographical aspects with some of the poet's documents in order to observe, into his compositional processes, some primary features. Among them we highlight the humor that, although it belongs to the series opened by the anti-poetry of the Chilean Nicanor Parra and, besides, has other worshippers in Argentine poetry, as modes of a “desacralization of language”, it also has in Veiravé's work its own characteristics that we describe here. They were called by the poet himself, not without gentle irony, the “repentismo”.
publisher Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras
publishDate 2023
url https://revistas.unne.edu.ar/index.php/clt/article/view/6637
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