Moxhelis: its Musical Aesthetics Between the Industrial and the Post-Industrial

This paper explores the sound aesthetics of the Uruguayan performance group Moxhelis focusing on its relationship with industrial and postindustrial music. The aesthetics of the group's performances consisted on a juxtaposition of fragmentary images in which post-industrial, circus, post-avant-...

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Autor principal: Pérez Mezzadra, Damián
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras 2022
Materias:
Moxhelis
performance
música post-industrial
estética
tecnovivio
post-industrial music
aesthetics
Acceso en línea:https://revistas.unne.edu.ar/index.php/clt/article/view/5996
Aporte de:
Revistas UNNE - Universidad Nacional del Noroeste (UNNE) de Universidad Nacional del Nordeste
id I48-R154-article-5996
record_format ojs
spelling I48-R154-article-59962023-08-02T15:30:30Z Moxhelis: its Musical Aesthetics Between the Industrial and the Post-Industrial Moxhelis: su estética musical entre lo industrial y lo post-industrial Pérez Mezzadra, Damián Moxhelis performance música post-industrial estética tecnovivio Moxhelis performance post-industrial music aesthetics tecnovivio This paper explores the sound aesthetics of the Uruguayan performance group Moxhelis focusing on its relationship with industrial and postindustrial music. The aesthetics of the group's performances consisted on a juxtaposition of fragmentary images in which post-industrial, circus, post-avant-garde, retro-futuristic and post-apocalyptic elements were intertwined. The Moxhelian aesthetics can be addressed from different perspectives, whether focusing on its sound, its visuals or on the bodily dimension. Moreover, these positions interact with each other in every performance, producing a complex network of meanings and aesthetic perceptions. Through the analysis of the preserved audiovisual archive, in this paper we will approach the sound dimension succinctly, presenting the group's performances in the 1990s in Uruguay. El presente artículo indaga sobre la estética sonora del grupo de performance uruguayo Moxhelis en cuanto a sus vínculos con la música industrial y post-industrial. La estética de las performances del grupo consistió en una yuxtaposición de imágenes fragmentarias en las que se entremezclaban aspectos post-industriales, circenses, post-vanguardistas, retrofuturistas y post-apocalípticos. La estética moxheliana se puede abordar desde distintas perspectivas, ya sea desde el plano sonoro, el plano visual y/o el plano corporal. Asimismo, estas posiciones interactúan entre sí en cada una de las performances, produciendo una red compleja de significaciones y percepciones estéticas. En este artículo abordaremos el plano sonoro sucintamente, a modo de presentación del trabajo del grupo en la década de los 90, en el territorio uruguayo, a través del análisis del archivo audiovisual conservado. Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras 2022-07-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://revistas.unne.edu.ar/index.php/clt/article/view/5996 10.30972/clt.0185996 Cuadernos de Literatura; Núm. 18 (2022): Julio; 126-134 2684-0499 0326-5102 spa https://revistas.unne.edu.ar/index.php/clt/article/view/5996/5699 Derechos de autor 2022 Cuadernos de Literatura
institution Universidad Nacional del Nordeste
institution_str I-48
repository_str R-154
container_title_str Revistas UNNE - Universidad Nacional del Noroeste (UNNE)
language Español
format Artículo revista
topic Moxhelis
performance
música post-industrial
estética
tecnovivio
Moxhelis
performance
post-industrial music
aesthetics
tecnovivio
spellingShingle Moxhelis
performance
música post-industrial
estética
tecnovivio
Moxhelis
performance
post-industrial music
aesthetics
tecnovivio
Pérez Mezzadra, Damián
Moxhelis: its Musical Aesthetics Between the Industrial and the Post-Industrial
topic_facet Moxhelis
performance
música post-industrial
estética
tecnovivio
Moxhelis
performance
post-industrial music
aesthetics
tecnovivio
author Pérez Mezzadra, Damián
author_facet Pérez Mezzadra, Damián
author_sort Pérez Mezzadra, Damián
title Moxhelis: its Musical Aesthetics Between the Industrial and the Post-Industrial
title_short Moxhelis: its Musical Aesthetics Between the Industrial and the Post-Industrial
title_full Moxhelis: its Musical Aesthetics Between the Industrial and the Post-Industrial
title_fullStr Moxhelis: its Musical Aesthetics Between the Industrial and the Post-Industrial
title_full_unstemmed Moxhelis: its Musical Aesthetics Between the Industrial and the Post-Industrial
title_sort moxhelis: its musical aesthetics between the industrial and the post-industrial
description This paper explores the sound aesthetics of the Uruguayan performance group Moxhelis focusing on its relationship with industrial and postindustrial music. The aesthetics of the group's performances consisted on a juxtaposition of fragmentary images in which post-industrial, circus, post-avant-garde, retro-futuristic and post-apocalyptic elements were intertwined. The Moxhelian aesthetics can be addressed from different perspectives, whether focusing on its sound, its visuals or on the bodily dimension. Moreover, these positions interact with each other in every performance, producing a complex network of meanings and aesthetic perceptions. Through the analysis of the preserved audiovisual archive, in this paper we will approach the sound dimension succinctly, presenting the group's performances in the 1990s in Uruguay.
publisher Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras
publishDate 2022
url https://revistas.unne.edu.ar/index.php/clt/article/view/5996
work_keys_str_mv AT perezmezzadradamian moxhelisitsmusicalaestheticsbetweentheindustrialandthepostindustrial
AT perezmezzadradamian moxhelissuesteticamusicalentreloindustrialylopostindustrial
first_indexed 2022-08-19T12:07:28Z
last_indexed 2024-08-21T22:37:48Z
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