Moxhelis: its Musical Aesthetics Between the Industrial and the Post-Industrial
This paper explores the sound aesthetics of the Uruguayan performance group Moxhelis focusing on its relationship with industrial and postindustrial music. The aesthetics of the group's performances consisted on a juxtaposition of fragmentary images in which post-industrial, circus, post-avant-...
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Formato: | Artículo revista |
Lenguaje: | Español |
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Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras
2022
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Acceso en línea: | https://revistas.unne.edu.ar/index.php/clt/article/view/5996 |
Aporte de: |
id |
I48-R154-article-5996 |
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record_format |
ojs |
institution |
Universidad Nacional del Nordeste |
institution_str |
I-48 |
repository_str |
R-154 |
container_title_str |
Revistas UNNE - Universidad Nacional del Noroeste (UNNE) |
language |
Español |
format |
Artículo revista |
topic |
Moxhelis performance post-industrial music aesthetics tecnovivio Moxhelis performance música post-industrial estética tecnovivio |
spellingShingle |
Moxhelis performance post-industrial music aesthetics tecnovivio Moxhelis performance música post-industrial estética tecnovivio Pérez Mezzadra, Damián; Universidad de la República Moxhelis: its Musical Aesthetics Between the Industrial and the Post-Industrial |
topic_facet |
Moxhelis performance post-industrial music aesthetics tecnovivio Moxhelis performance música post-industrial estética tecnovivio |
author |
Pérez Mezzadra, Damián; Universidad de la República |
author_facet |
Pérez Mezzadra, Damián; Universidad de la República |
author_sort |
Pérez Mezzadra, Damián; Universidad de la República |
title |
Moxhelis: its Musical Aesthetics Between the Industrial and the Post-Industrial |
title_short |
Moxhelis: its Musical Aesthetics Between the Industrial and the Post-Industrial |
title_full |
Moxhelis: its Musical Aesthetics Between the Industrial and the Post-Industrial |
title_fullStr |
Moxhelis: its Musical Aesthetics Between the Industrial and the Post-Industrial |
title_full_unstemmed |
Moxhelis: its Musical Aesthetics Between the Industrial and the Post-Industrial |
title_sort |
moxhelis: its musical aesthetics between the industrial and the post-industrial |
description |
This paper explores the sound aesthetics of the Uruguayan performance group Moxhelis focusing on its relationship with industrial and postindustrial music. The aesthetics of the group's performances consisted on a juxtaposition of fragmentary images in which post-industrial, circus, post-avant-garde, retro-futuristic and post-apocalyptic elements were intertwined. The Moxhelian aesthetics can be addressed from different perspectives, whether focusing on its sound, its visuals or on the bodily dimension. Moreover, these positions interact with each other in every performance, producing a complex network of meanings and aesthetic perceptions. Through the analysis of the preserved audiovisual archive, in this paper we will approach the sound dimension succinctly, presenting the group's performances in the 1990s in Uruguay. |
publisher |
Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras |
publishDate |
2022 |
url |
https://revistas.unne.edu.ar/index.php/clt/article/view/5996 |
work_keys_str_mv |
AT perezmezzadradamianuniversidaddelarepublica moxhelisitsmusicalaestheticsbetweentheindustrialandthepostindustrial AT perezmezzadradamianuniversidaddelarepublica moxhelissuesteticamusicalentreloindustrialylopostindustrial |
first_indexed |
2022-08-19T12:07:28Z |
last_indexed |
2022-08-19T12:07:28Z |
bdutipo_str |
Revistas |
_version_ |
1764819792226680832 |