Mutations in dramatic practices: the commotion principle

In the present article we propose possible readings of the changes made in contemporary theater through the looks of playwrights, theaterologists investigators, and critics from different latitudes, in Europe and Latin America, particularly, to find common movements and singularities between diverse...

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Autor principal: González, Soledad; Universidad Nacional de Córdoba
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras 2022
Materias:
contemporary dramaturgies
hybridization
procedures
dramaturgias contemporáneas
hibridación
procedimientos
Acceso en línea:https://revistas.unne.edu.ar/index.php/clt/article/view/5991
Aporte de:
Revistas UNNE - Universidad Nacional del Noroeste (UNNE) de Universidad Nacional del Nordeste
id I48-R154-article-5991
record_format ojs
institution Universidad Nacional del Nordeste
institution_str I-48
repository_str R-154
container_title_str Revistas UNNE - Universidad Nacional del Noroeste (UNNE)
language Español
format Artículo revista
topic contemporary dramaturgies
hybridization
procedures
dramaturgias contemporáneas
hibridación
procedimientos
spellingShingle contemporary dramaturgies
hybridization
procedures
dramaturgias contemporáneas
hibridación
procedimientos
González, Soledad; Universidad Nacional de Córdoba
Mutations in dramatic practices: the commotion principle
topic_facet contemporary dramaturgies
hybridization
procedures
dramaturgias contemporáneas
hibridación
procedimientos
author González, Soledad; Universidad Nacional de Córdoba
author_facet González, Soledad; Universidad Nacional de Córdoba
author_sort González, Soledad; Universidad Nacional de Córdoba
title Mutations in dramatic practices: the commotion principle
title_short Mutations in dramatic practices: the commotion principle
title_full Mutations in dramatic practices: the commotion principle
title_fullStr Mutations in dramatic practices: the commotion principle
title_full_unstemmed Mutations in dramatic practices: the commotion principle
title_sort mutations in dramatic practices: the commotion principle
description In the present article we propose possible readings of the changes made in contemporary theater through the looks of playwrights, theaterologists investigators, and critics from different latitudes, in Europe and Latin America, particularly, to find common movements and singularities between diverse perspectives and related or complementary categories. We propose a reflection on textual dramaturgies in a commotion landscape relating to representation and to what it is that spectators look for in theater; and an experiential approach method to certain contemporary textual dramaturgical practices from a materialist and musical perspective.
publisher Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras
publishDate 2022
url https://revistas.unne.edu.ar/index.php/clt/article/view/5991
work_keys_str_mv AT gonzalezsoledaduniversidadnacionaldecordoba mutationsindramaticpracticesthecommotionprinciple
AT gonzalezsoledaduniversidadnacionaldecordoba mutacionesenlaspracticasescenicaselprincipiodeconmocion
first_indexed 2022-08-19T12:07:27Z
last_indexed 2022-08-19T12:07:27Z
bdutipo_str Revistas
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