Actores de provincia (1991), by Jorge Ricci: philosophy of stage praxis in the “theater within the theater”

In the history of Argentine dramaturgies, Jorge Ricci (Santa Fe, 1946- 2021) stands out as an artist-researcher, producer of knowledge from theatrical praxis, through his essays (especially El teatro salvaje, 1986, expanded in 2011) and implicit / explicit thought in his meta-theater dramatic texts....

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Autor principal: Dubatti, Jorge
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras 2022
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Acceso en línea:https://revistas.unne.edu.ar/index.php/clt/article/view/5989
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spelling I48-R154-article-59892023-08-02T15:30:30Z Actores de provincia (1991), by Jorge Ricci: philosophy of stage praxis in the “theater within the theater” Actores de provincia (1991), de Jorge Ricci: filosofía de la praxis escénica en el “teatro dentro del teatro” Dubatti, Jorge dramaturgia acontecimiento teatral liminalidad primaria dramaturgy theatrical event primary liminality In the history of Argentine dramaturgies, Jorge Ricci (Santa Fe, 1946- 2021) stands out as an artist-researcher, producer of knowledge from theatrical praxis, through his essays (especially El teatro salvaje, 1986, expanded in 2011) and implicit / explicit thought in his meta-theater dramatic texts. In Actores de provincia (1991), one of the most relevant theatrical pieces of his production, Ricci displays a set of valuable observations on the philosophy of scenic praxis on the theatrical event, its complex thickness and its primary liminality. He makes it from the annotations or from the speech / dialogue of the characters. This article explores Ricci's modernizing contribution to Argentine and Latin American theatrology based on the analysis of his poetics of “theater within theater” in Actores de provincia. En la historia de las dramaturgias argentinas Jorge Ricci (Santa Fe, 1946-2021) sobresale como artista-investigador, productor de conocimiento a partir de la praxis teatral, a través de sus ensayos (especialmente El teatro salvaje, 1986, ampliado en 2011) y del pensamiento implícito y/o explícito en sus textos dramáticos metateatrales. En Actores de provincia (1991), una de las piezas teatrales más relevantes de su producción, Ricci despliega un conjunto de valiosas observaciones de filosofía de la praxis escénica sobre el acontecimiento teatral, su complejo espesor y su liminalidad primaria. Lo hace desde las didascalias o desde el habla/diálogo de los personajes. Este artículo valoriza el aporte modernizador de Ricci a la teatrología argentina y latinoamericana a partir del análisis de su poética de “teatro dentro del teatro” en Actores de provincia. Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras 2022-07-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://revistas.unne.edu.ar/index.php/clt/article/view/5989 10.30972/clt.0185989 Cuadernos de Literatura; Núm. 18 (2022): Julio; 33-42 2684-0499 0326-5102 spa https://revistas.unne.edu.ar/index.php/clt/article/view/5989/5692 Derechos de autor 2022 Cuadernos de Literatura
institution Universidad Nacional del Nordeste
institution_str I-48
repository_str R-154
container_title_str Revistas UNNE - Universidad Nacional del Noroeste (UNNE)
language Español
format Artículo revista
topic dramaturgia
acontecimiento teatral
liminalidad primaria
dramaturgy
theatrical event
primary liminality
spellingShingle dramaturgia
acontecimiento teatral
liminalidad primaria
dramaturgy
theatrical event
primary liminality
Dubatti, Jorge
Actores de provincia (1991), by Jorge Ricci: philosophy of stage praxis in the “theater within the theater”
topic_facet dramaturgia
acontecimiento teatral
liminalidad primaria
dramaturgy
theatrical event
primary liminality
author Dubatti, Jorge
author_facet Dubatti, Jorge
author_sort Dubatti, Jorge
title Actores de provincia (1991), by Jorge Ricci: philosophy of stage praxis in the “theater within the theater”
title_short Actores de provincia (1991), by Jorge Ricci: philosophy of stage praxis in the “theater within the theater”
title_full Actores de provincia (1991), by Jorge Ricci: philosophy of stage praxis in the “theater within the theater”
title_fullStr Actores de provincia (1991), by Jorge Ricci: philosophy of stage praxis in the “theater within the theater”
title_full_unstemmed Actores de provincia (1991), by Jorge Ricci: philosophy of stage praxis in the “theater within the theater”
title_sort actores de provincia (1991), by jorge ricci: philosophy of stage praxis in the “theater within the theater”
description In the history of Argentine dramaturgies, Jorge Ricci (Santa Fe, 1946- 2021) stands out as an artist-researcher, producer of knowledge from theatrical praxis, through his essays (especially El teatro salvaje, 1986, expanded in 2011) and implicit / explicit thought in his meta-theater dramatic texts. In Actores de provincia (1991), one of the most relevant theatrical pieces of his production, Ricci displays a set of valuable observations on the philosophy of scenic praxis on the theatrical event, its complex thickness and its primary liminality. He makes it from the annotations or from the speech / dialogue of the characters. This article explores Ricci's modernizing contribution to Argentine and Latin American theatrology based on the analysis of his poetics of “theater within theater” in Actores de provincia.
publisher Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras
publishDate 2022
url https://revistas.unne.edu.ar/index.php/clt/article/view/5989
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first_indexed 2022-08-19T12:07:27Z
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