The mask as a constructive architectural device

The case analyzed is a recent unpublished work carried out by the architect Nicolas Campodonico in the city of Rosario. It is possible to connect his architectural thought with a typology of contribution to the discipline that should be considered fruit of the empirical dimension of his work. The pr...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autores principales: Carabajal, Gustavo Adolfo, Pendino, Lara Andrea
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Arquitectura, Planeamiento y Diseño | Universidad Nacional de Rosario 2023
Materias:
máscara
muro-máscara
dispositivo compositivo
arquitectura y ciudad
mask
wall-mask
compositional device
architecture and city
Acceso en línea:https://www.ayp.fapyd.unr.edu.ar/index.php/ayp/article/view/421
Aporte de:
A&P Continuidad de Universidad Nacional de Rosario
id I15-R196-article-421
record_format ojs
spelling I15-R196-article-4212024-08-08T15:04:45Z The mask as a constructive architectural device La máscara como dispositivo arquitectónico constructivo Carabajal, Gustavo Adolfo Pendino, Lara Andrea máscara muro-máscara dispositivo compositivo arquitectura y ciudad mask wall-mask compositional device architecture and city The case analyzed is a recent unpublished work carried out by the architect Nicolas Campodonico in the city of Rosario. It is possible to connect his architectural thought with a typology of contribution to the discipline that should be considered fruit of the empirical dimension of his work. The procedures and the syntactic method of this architecture are based on a figure rigorously constructed over time and works in which the possible theoretical dimension must be traced and reconstructed afterwards. The first part of the essay, after a detailed description of the work considered, addresses this dimension. From the definition of the fundamental compositive element as wall-mask conjectures are made to relate the instrumental value of the device to some suggestive ideas recorded in recent history regarding the theme of the mask in architecture. The second part deals with the technical description of some empirically verifiable results and effects. The work of Campodonico -an architect with an intense and important background- deserves to be studied and highlighted. His procedures are intuitive, they seem to be gathering thoughts about reality to convey them through the form in a natural and spontaneous way. El caso analizado es una obra inédita reciente del arquitecto Nicolás Campodonico en la ciudad de Rosario. Es posible conectar su pensamiento arquitectónico a una tipología de aporte a la disciplina que se debe considerar fruto de la dimensión empírica de su trabajo. Sus procedimientos, el método sintáctico de su arquitectura, se fundan en una cifra rigurosamente construida a lo largo del tiempo y sus obras cuya posible dimensión teórica debe ser rastreada y reconstruida a posteriori. La primera parte del ensayo, después de una descripción detallada de la obra considerada, aborda esta dimensión. A partir de la definición del elemento compositivo fundamental como muro-máscara se hacen conjeturas para poner en relación el valor instrumental del dispositivo con algunas ideas sugerentes registradas en la historia reciente vinculadas al tema de la máscara en arquitectura. La segunda parte se ocupa de describir técnicamente algunos resultados y efectos verificables empíricamente. La obra de Campodonico, arquitecto con un trabajo intenso e importante a sus espaldas, merece ser estudiada y puesta en evidencia. Sus procedimientos son intuitivos, como si recopilara pensamientos sobre la realidad para transmitirlos a través de la forma en modo natural y espontáneo. Facultad de Arquitectura, Planeamiento y Diseño | Universidad Nacional de Rosario 2023-12-11 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/zip text/html https://www.ayp.fapyd.unr.edu.ar/index.php/ayp/article/view/421 10.35305/23626097v10i19.421 A&P Continuidad; Vol. 10 Núm. 19 (2023): ARQUITECTURAS RECIENTES EN AMÉRICA LATINA. HISTORIA, CRÍTICA, PRODUCCIÓN Y CIRCULACIÓN 2362-6097 2362-6089 spa https://www.ayp.fapyd.unr.edu.ar/index.php/ayp/article/view/421/524 https://www.ayp.fapyd.unr.edu.ar/index.php/ayp/article/view/421/551 https://www.ayp.fapyd.unr.edu.ar/index.php/ayp/article/view/421/505 Derechos de autor 2023 A&P Continuidad http://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-196
container_title_str A&P Continuidad
language Español
format Artículo revista
topic máscara
muro-máscara
dispositivo compositivo
arquitectura y ciudad
mask
wall-mask
compositional device
architecture and city
spellingShingle máscara
muro-máscara
dispositivo compositivo
arquitectura y ciudad
mask
wall-mask
compositional device
architecture and city
Carabajal, Gustavo Adolfo
Pendino, Lara Andrea
The mask as a constructive architectural device
topic_facet máscara
muro-máscara
dispositivo compositivo
arquitectura y ciudad
mask
wall-mask
compositional device
architecture and city
author Carabajal, Gustavo Adolfo
Pendino, Lara Andrea
author_facet Carabajal, Gustavo Adolfo
Pendino, Lara Andrea
author_sort Carabajal, Gustavo Adolfo
title The mask as a constructive architectural device
title_short The mask as a constructive architectural device
title_full The mask as a constructive architectural device
title_fullStr The mask as a constructive architectural device
title_full_unstemmed The mask as a constructive architectural device
title_sort mask as a constructive architectural device
description The case analyzed is a recent unpublished work carried out by the architect Nicolas Campodonico in the city of Rosario. It is possible to connect his architectural thought with a typology of contribution to the discipline that should be considered fruit of the empirical dimension of his work. The procedures and the syntactic method of this architecture are based on a figure rigorously constructed over time and works in which the possible theoretical dimension must be traced and reconstructed afterwards. The first part of the essay, after a detailed description of the work considered, addresses this dimension. From the definition of the fundamental compositive element as wall-mask conjectures are made to relate the instrumental value of the device to some suggestive ideas recorded in recent history regarding the theme of the mask in architecture. The second part deals with the technical description of some empirically verifiable results and effects. The work of Campodonico -an architect with an intense and important background- deserves to be studied and highlighted. His procedures are intuitive, they seem to be gathering thoughts about reality to convey them through the form in a natural and spontaneous way.
publisher Facultad de Arquitectura, Planeamiento y Diseño | Universidad Nacional de Rosario
publishDate 2023
url https://www.ayp.fapyd.unr.edu.ar/index.php/ayp/article/view/421
work_keys_str_mv AT carabajalgustavoadolfo themaskasaconstructivearchitecturaldevice
AT pendinolaraandrea themaskasaconstructivearchitecturaldevice
AT carabajalgustavoadolfo lamascaracomodispositivoarquitectonicoconstructivo
AT pendinolaraandrea lamascaracomodispositivoarquitectonicoconstructivo
AT carabajalgustavoadolfo maskasaconstructivearchitecturaldevice
AT pendinolaraandrea maskasaconstructivearchitecturaldevice
first_indexed 2024-08-12T21:38:13Z
last_indexed 2024-08-12T21:38:13Z
_version_ 1807219366371000320

Ejemplares similares