Uprising lines, drawing in front of writing

The present text seeks to connect body, drawing and uprising –understood as active or passive resistance, able to build gestures, thoughts or actions that can face authoritarianism–. The role of art as resistance is reviewed, in terms of its ability and wit to construct an altered order different th...

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Autor principal: Ortega Salgado, Cynthia
Formato: Artículo revista
Lenguaje:Español
Publicado: Comité Editor IHA - Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo 2020
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Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/2897
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id I11-R101article-2897
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-101
container_title_str CUADERNOS DE HISTORIA DEL ARTE
language Español
format Artículo revista
topic DIBUJO FRENTE A LA ESCRITURA, SUBLEVACIÓN
DRAWING IN FRONT OF WRITING, UPRISING
spellingShingle DIBUJO FRENTE A LA ESCRITURA, SUBLEVACIÓN
DRAWING IN FRONT OF WRITING, UPRISING
Ortega Salgado, Cynthia
Uprising lines, drawing in front of writing
topic_facet DIBUJO FRENTE A LA ESCRITURA, SUBLEVACIÓN
DRAWING IN FRONT OF WRITING, UPRISING
author Ortega Salgado, Cynthia
author_facet Ortega Salgado, Cynthia
author_sort Ortega Salgado, Cynthia
title Uprising lines, drawing in front of writing
title_short Uprising lines, drawing in front of writing
title_full Uprising lines, drawing in front of writing
title_fullStr Uprising lines, drawing in front of writing
title_full_unstemmed Uprising lines, drawing in front of writing
title_sort uprising lines, drawing in front of writing
description The present text seeks to connect body, drawing and uprising –understood as active or passive resistance, able to build gestures, thoughts or actions that can face authoritarianism–. The role of art as resistance is reviewed, in terms of its ability and wit to construct an altered order different than the current one and drawing as a sensation embodied in front of writing. A drawing is not a text, it opens to a different logic where a body shows an incarnated thought and manifests its impotence through movement. Finally, it emphasizes the human right of disobeying from the body and the drawing as dissidence against what oppresses and enslaves us.
publisher Comité Editor IHA - Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo
publishDate 2020
url https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/2897
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