Uprising lines, drawing in front of writing

The present text seeks to connect body, drawing and uprising –understood as active or passive resistance, able to build gestures, thoughts or actions that can face authoritarianism–. The role of art as resistance is reviewed, in terms of its ability and wit to construct an altered order different th...

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Detalles Bibliográficos
Autor principal: Ortega Salgado, Cynthia
Formato: Artículo revista
Lenguaje:Español
Publicado: Comité Editor IHA - Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo 2020
Materias:
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/2897
Aporte de:C de Universidad Nacional de Cuyo Ver origen
Descripción
Sumario:The present text seeks to connect body, drawing and uprising –understood as active or passive resistance, able to build gestures, thoughts or actions that can face authoritarianism–. The role of art as resistance is reviewed, in terms of its ability and wit to construct an altered order different than the current one and drawing as a sensation embodied in front of writing. A drawing is not a text, it opens to a different logic where a body shows an incarnated thought and manifests its impotence through movement. Finally, it emphasizes the human right of disobeying from the body and the drawing as dissidence against what oppresses and enslaves us.