Fabric of an exhibition: an interdisciplinary approach : preprints of a conference, Ottawa, Canada, September 22 to 25, 1997 = L'étoffe d'une exposition: une approche pluridisciplinaire : les prétirages de la conférence, Ottawa, Canada, du 22 au 25 septembre 1997 /
Guardado en:
| Autores Corporativos: | , , |
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| Formato: | Acta de conferencia Libro |
| Lenguaje: | Inglés Francés |
| Publicado: |
Ottawa, Canada :
Canadian Conservation Institute,
1997.
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| Materias: | |
| Aporte de: | Registro referencial: Solicitar el recurso aquí |
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| 008 | 180411s1997 -cndo b 100 0 eng d | ||
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| 020 | |a 066060261X | ||
| 040 | |a IIPC |b spa |c IIPC | ||
| 041 | 0 | |a eng |a fre | |
| 082 | 0 | |a 746.074 |b T3559 1997 |2 20 | |
| 111 | 2 | |a Symposium 97. Fabric of an Exhibition: an Interdisciplinary Approach |d (1997 : |c Ottawa, Canada) |9 61841 | |
| 245 | 1 | 0 | |a Fabric of an exhibition: an interdisciplinary approach : |b preprints of a conference, Ottawa, Canada, September 22 to 25, 1997 = L'étoffe d'une exposition: une approche pluridisciplinaire : les prétirages de la conférence, Ottawa, Canada, du 22 au 25 septembre 1997 / |c organized by the Canadian Conservation Institute and the North American Textile Conservation Conference. |
| 246 | 3 | 1 | |a Étoffe d'une exposition: une approche pluridisciplinaire |
| 260 | |a Ottawa, Canada : |b Canadian Conservation Institute, |c 1997. | ||
| 300 | |a ix, 206 p. : |b fot., gráficas ; |c 28 cm. | ||
| 504 | |a Incluye referencias bibliográficas. | ||
| 505 | 2 | |a Pte. 1.Exhibition perspectives. Cap. 1. Can high productivity be productive? ; Cap. 2. Textile conservation, exhibit and storage design for the Commonwealth's flag reinstallation project ; Cap. 3. Textile exhibition practices in the Philippines ; Cap. 4. A once-in-a-lifetime opportunity: planning and building new permanent exhibitions at the Armémuseum, Stockholm ; Cap. 5. Behind the seams of an exhibition -- Pte. 2.Exhibiting the historic house. Cap. 1. Invisible boundaries: searching for common ground between curators, conservators, and interpreters ; Cap. 2. Exhibition and preservation of artifacts with textile components at Point Ellice House Historic site ; Cap. 3. Exhibiting textiles in historic house furnished rooms: balancing conservation and interpretation -- Pte. 3.Considerations for the long-term. Cap. 1. Balancing long-term display with preservation: the treatment of the Fort Sumter Garrison flag ; Cap. 2. Working with long-term exhibits containing textiles ; Cap. 3. Mechanical aspects of lining "loose hung" textiles ; Cap. 4. Treatment decisions for the exhibition of a 1697 English state bed ; Cap. 5. Comprehensive approach to textile problems -- Pte. 4.The exhibition environment. Cap. 1. Conservation guidelines for museum exhibition cases ; Cap. 2. Concerns about plastics during exhibition and transport of textile objects ; Cap. 3. The lighting decision ; Cap. 4. Lighting for preservation: fibre optics in museum exhibits -- Pte. 5.Travelling a collection. Cap. 1. Exhibiting historical costumes form a living tradition: Cantonese opera in Canada ; Cap. 2. Conservation, display and transport of "Becoming American women": clothing and the jewish immigrant experience, 1880-1920 ; Cap. 3. Travelling with panache: an unconventional packing method for a travelling costume exhibit -- Pte. 6.Support and presentation. Cap. 1. Dressed for the occasion: creative and practical ideas for mounting costume exhibitions ; Cap. 2. Flying the flag down under: a discussion of the significance of flags, the etiquette of using them, and a variety of display techniques ; Cap. 3. Making the most of mounts: expanding the role of display mounts in the preservation and interpretation of historic textiles -- Pte. 7.Expanding roles. Cap. 1. "The real west": a collaborative exhibit at three venues ; Cap. 2. A division of skills: a case history of mounting an exhibition on a limited budget ; Cap. 3. "Let me edu-tain you", historic artifacts and the world of themed entertainment -- Pte. 8.Demonstrations. Cap. 1. Demonstration of colour measurement techniques for historic textiles ; Cap. 2. Intersecting silhouette mannequins ; Cap. 3. Fabricating ethafoam disc mannequins ; Cap. 4. Functional forms: sturdy, archival mannequins ; Cap. 5. Fibre optic lighting systems ; Cap. 6. Case lighting for textiles ; Cap. 7. A multimedia explration of mounts for textiles ; Cap. 8. Japonism in fashion -- Pte. 9.Posters. Cap. 1. Pressure mounting textiles for display ; Cap. 2. Mounting a teepee liner for exhibit ; Cap. 3. A possible solution to the rug pad dilemma ; Cap. 4. A sleeper of a support system: using a "rope bed" to create a slanted mount for temporary exhibit of a large flag ; Cap. 5. Mannequins for Navajo textile display ; Cap. 6. "Wedding belles" ; Cap. 7. King's privy chamber throne canopy ca. 1700, Hampton Court Palace ; Cap. 8. The influence of disaster recovery on reinstallation of historic wall coverings ; Cap. 9. Conservation of costume for "in royal fashion": time management for a large project with a small staff ; Cap. 10. Exemples de consolidation et de présentation des textiles fragiles à l'intention des musées. | |
| 546 | |a Textos en inglés y francés. | ||
| 650 | 7 | |a Artes textiles. |2 unesco |9 2041 | |
| 650 | 7 | |a Museografía. |2 unesco |9 24642 | |
| 650 | 7 | |a Planificación de los museos. |2 unesco |9 8458 | |
| 650 | 7 | |a Conservación de los bienes culturales. |2 unesco |9 7410 | |
| 650 | 7 | |a Exposición. |2 unesco |9 3244 | |
| 710 | 2 | |a Canadian Conservation Institute |9 66973 | |
| 711 | 2 | |a North American Textile Conservation Conference |d (2000 : |c Asheville, N.C.) |9 79482 | |
| 942 | |2 ddc |c LIBRO | ||
| 952 | |0 0 |1 0 |2 ddc |4 0 |6 746_074000000000000_T3559_1997 |7 0 |8 GRAL |9 73170 |a IIPC |b IIPC |d 2018-04-11 |e Donación |l 1 |o 746.074 T3559 1997 |p A01782 |r 2020-03-03 |s 2020-03-03 |w 2018-04-11 |y LIBRO | ||