Virtualidade dos afetos: A potência do real em “Her”

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The body, facing the fact of the natural process of aging, dealing with the space-time relationship, has been pushed by technology to go beyond the potentiality of itself, and in actuality it becomes something rather than actual, meaning virtualization of the body. Overall, being virtual is defined...

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Autores principales: Correia, Elder Silva, Zoboli, Fabio
Formato: Artículo publishedVersion
Lenguaje:Portugués
Publicado: Universidad Nacional de Avellaneda. Secretaría de Investigación e Innovación Socioproductiva 2016
Materias:
The Body
The Real/TheVirtual
Film “Her”
Gilles Deleuze
Corpo
Real/Virtual
Filme “Her”
Cuerpo
Real/virtual
Película “Her”
Acceso en línea:http://rdd.undav.edu.ar/pdfs/pr95/pr95.pdf
Aporte de:
RDD - Repositorio Documental y de Datos de la Universidad de Avellaneda (UNDAV) de Universidad Nacional de Avellaneda (UNDAV)
id I67-R173pr95
record_format dspace
institution Universidad Nacional de Avellaneda (UNDAV)
institution_str I-67
repository_str R-173
collection RDD - Repositorio Documental y de Datos de la Universidad de Avellaneda (UNDAV)
language Portugués
orig_language_str_mv por
topic The Body
The Real/TheVirtual
Film “Her”
Gilles Deleuze
Corpo
Real/Virtual
Filme “Her”
Gilles Deleuze
Cuerpo
Real/virtual
Película “Her”
Gilles Deleuze
spellingShingle The Body
The Real/TheVirtual
Film “Her”
Gilles Deleuze
Corpo
Real/Virtual
Filme “Her”
Gilles Deleuze
Cuerpo
Real/virtual
Película “Her”
Gilles Deleuze
Correia, Elder Silva
Zoboli, Fabio
Virtualidade dos afetos: A potência do real em “Her”
description The body, facing the fact of the natural process of aging, dealing with the space-time relationship, has been pushed by technology to go beyond the potentiality of itself, and in actuality it becomes something rather than actual, meaning virtualization of the body. Overall, being virtual is defined as something that is not real, that does not exist. In short, being virtual is labeled as something opposite to the real. Considering the new dimension of the body, and despite its real or virtual structural intelligibility, the paper aims to interpret the relationship their relationship; at the same time provides an alternative meaning of this phenomenon. This essay is based on the Deleuze’s interpretation of Spinoza’s theory of affects and his concept of ‘the body without organs’ (Corps sans organes). The author considers the Deleuze and Guattari’s enquire about the relationship between the territorialization and des-territorialization of the body and re-possession. The film “Her”, which narrates the plot of a writer who engages in a romantic relationship with an operating system, provides as an empirical framework for this paper.
format Artículo
Artículo
publishedVersion
author Correia, Elder Silva
Zoboli, Fabio
author_facet Correia, Elder Silva
Zoboli, Fabio
author_sort Correia, Elder Silva
title Virtualidade dos afetos: A potência do real em “Her”
title_short Virtualidade dos afetos: A potência do real em “Her”
title_full Virtualidade dos afetos: A potência do real em “Her”
title_fullStr Virtualidade dos afetos: A potência do real em “Her”
title_full_unstemmed Virtualidade dos afetos: A potência do real em “Her”
title_sort virtualidade dos afetos: a potência do real em “her”
publisher Universidad Nacional de Avellaneda. Secretaría de Investigación e Innovación Socioproductiva
publishDate 2016
url http://rdd.undav.edu.ar/pdfs/pr95/pr95.pdf
work_keys_str_mv AT correiaeldersilva virtualidadedosafetosapotenciadorealemher
AT zobolifabio virtualidadedosafetosapotenciadorealemher
bdutipo_str Repositorios
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