The Limits of Homage : Image and Memories in Teatro Abierto 2013

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In 2013, within the context of the 30th anniversary of the democratic recovery after the last civic-military dictatorship in Argentina, the Public Television organized a cycle of programs to pay homage to Teatro Abierto 1981 (TA). The article analyzes this TV program as part of the social memory of...

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Autor principal: Perera, Verónica
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Instituto de Desarrollo Económico y Social. Núcleo de Estudios sobre Memoria 2016
Materias:
Teatro Abierto
Social memory
Television
Sociocultural movement
Memoria social
Televisión
Movimiento sociocultural
Cultura
Actividad cultural
Artes escénicas
Difusión de la cultura
Memoria colectiva
Teatro
Acceso en línea:http://rdd.undav.edu.ar/pdfs/pr24/pr24.pdf
Aporte de:
RDD - Repositorio Documental y de Datos de la Universidad de Avellaneda (UNDAV) de Universidad Nacional de Avellaneda (UNDAV)
id I67-R173-pr24
record_format dspace
institution Universidad Nacional de Avellaneda (UNDAV)
institution_str I-67
repository_str R-173
collection RDD - Repositorio Documental y de Datos de la Universidad de Avellaneda (UNDAV)
language Español
orig_language_str_mv spa
topic Teatro Abierto
Social memory
Television
Sociocultural movement
Teatro Abierto
Memoria social
Televisión
Movimiento sociocultural
Cultura
Actividad cultural
Artes escénicas
Difusión de la cultura
Memoria colectiva
Teatro
spellingShingle Teatro Abierto
Social memory
Television
Sociocultural movement
Teatro Abierto
Memoria social
Televisión
Movimiento sociocultural
Cultura
Actividad cultural
Artes escénicas
Difusión de la cultura
Memoria colectiva
Teatro
Perera, Verónica
The Limits of Homage : Image and Memories in Teatro Abierto 2013
topic_facet Teatro Abierto
Social memory
Television
Sociocultural movement
Teatro Abierto
Memoria social
Televisión
Movimiento sociocultural
Cultura
Actividad cultural
Artes escénicas
Difusión de la cultura
Memoria colectiva
Teatro
description In 2013, within the context of the 30th anniversary of the democratic recovery after the last civic-military dictatorship in Argentina, the Public Television organized a cycle of programs to pay homage to Teatro Abierto 1981 (TA). The article analyzes this TV program as part of the social memory of cultural resistances, in a period (2003-2015) when the building of memories of state terrorism became center stage in the public sphere, and in the government’s agenda. The article focuses on the live conversations on TV, between the host and individuals who participated either in the 1981 experience or in its homage, 32 years afterwards. It inquires into what was said and what was silenced; it looks into the dialogues that took place on screen and the interruptions of those dialogues. It argues that the testimonies ended up losing memorial depth because they reiterated the epic, well-known, and already legitimate narrative of TA. The article suggests that the TV program was not permeable enough to an open-ended and exemplary memory, able to value TA within a genealogy of movements, within and outside the theater field, and beyond state terrorism
format Artículo
Artículo
publishedVersion
author Perera, Verónica
author_facet Perera, Verónica
author_sort Perera, Verónica
title The Limits of Homage : Image and Memories in Teatro Abierto 2013
title_short The Limits of Homage : Image and Memories in Teatro Abierto 2013
title_full The Limits of Homage : Image and Memories in Teatro Abierto 2013
title_fullStr The Limits of Homage : Image and Memories in Teatro Abierto 2013
title_full_unstemmed The Limits of Homage : Image and Memories in Teatro Abierto 2013
title_sort limits of homage : image and memories in teatro abierto 2013
publisher Instituto de Desarrollo Económico y Social. Núcleo de Estudios sobre Memoria
publishDate 2016
url http://rdd.undav.edu.ar/pdfs/pr24/pr24.pdf
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AT pereraveronica limitsofhomageimageandmemoriesinteatroabierto2013
bdutipo_str Repositorios
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