Gothic Parallels between the Novel The Picture of Dorian Gray and the Film The Substance
The concern about the passage of time and the desire of eternal youth are themes that have caused interest in all means of expression. This article analyzes these transcendental questions and the Gothic evolution of them through the classic novel The picture of Dorian Gray (1890), by Oscar Wilde, an...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Universidad Nacional del Nordeste. Facultad de Humanidades. Instituto de Letras "Alfredo Veiravé"
2026
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| Acceso en línea: | https://revistas.unne.edu.ar/index.php/clt/article/view/9340 |
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I48-R154-article-9340 |
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I48-R154-article-93402026-06-04T15:59:22Z Gothic Parallels between the Novel The Picture of Dorian Gray and the Film The Substance Paralelismos góticos entre la novela El retrato de Dorian Gray y la película La Sustancia Gómez García, María social criticism body horror Gothic Decadentism abjection crítica social horror corporal terror gótico decadentismo abyección The concern about the passage of time and the desire of eternal youth are themes that have caused interest in all means of expression. This article analyzes these transcendental questions and the Gothic evolution of them through the classic novel The picture of Dorian Gray (1890), by Oscar Wilde, and The Substance (2024), a film directed by Coralie Fargeat. Both works discuss topics such as social criticism, gothic horror, good and evil or the loss of beauty. La inquietud por el paso del tiempo y la necesidad de mantener la eterna juventud son temáticas sobre las que se ha reflexionado en diversos medios de expresión. En el presente artículo se analizan estas cuestiones y su evolución en un contexto gótico a través del clásico literario El retrato de Dorian Gray (1890), de Oscar Wilde, y La sustancia (2024), una cinta cinematográfica dirigida por Coralie Fargeat. Ambas obras abarcan temáticas comunes como los límites entre el bien y el mal, la pérdida de la belleza, la crítica social o el terror gótico. Universidad Nacional del Nordeste. Facultad de Humanidades. Instituto de Letras "Alfredo Veiravé" 2026-06-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares text/html https://revistas.unne.edu.ar/index.php/clt/article/view/9340 10.30972/clt.299340 Cuadernos de Literatura; No. 29 (2026): Mayo Cuadernos de Literatura; Núm. 29 (2026): Mayo Cuadernos de Literatura; n. 29 (2026): Mayo 2684-0499 0326-5102 spa https://revistas.unne.edu.ar/index.php/clt/article/view/9340/9264 http://creativecommons.org/licenses/by-nc-sa/4.0 |
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Universidad Nacional del Nordeste |
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I-48 |
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R-154 |
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Revistas UNNE - Universidad Nacional del Noroeste (UNNE) |
| language |
Español |
| format |
Artículo revista |
| topic |
social criticism body horror Gothic Decadentism abjection crítica social horror corporal terror gótico decadentismo abyección |
| spellingShingle |
social criticism body horror Gothic Decadentism abjection crítica social horror corporal terror gótico decadentismo abyección Gómez García, María Gothic Parallels between the Novel The Picture of Dorian Gray and the Film The Substance |
| topic_facet |
social criticism body horror Gothic Decadentism abjection crítica social horror corporal terror gótico decadentismo abyección |
| author |
Gómez García, María |
| author_facet |
Gómez García, María |
| author_sort |
Gómez García, María |
| title |
Gothic Parallels between the Novel The Picture of Dorian Gray and the Film The Substance |
| title_short |
Gothic Parallels between the Novel The Picture of Dorian Gray and the Film The Substance |
| title_full |
Gothic Parallels between the Novel The Picture of Dorian Gray and the Film The Substance |
| title_fullStr |
Gothic Parallels between the Novel The Picture of Dorian Gray and the Film The Substance |
| title_full_unstemmed |
Gothic Parallels between the Novel The Picture of Dorian Gray and the Film The Substance |
| title_sort |
gothic parallels between the novel the picture of dorian gray and the film the substance |
| description |
The concern about the passage of time and the desire of eternal youth are themes that have caused interest in all means of expression. This article analyzes these transcendental questions and the Gothic evolution of them through the classic novel The picture of Dorian Gray (1890), by Oscar Wilde, and The Substance (2024), a film directed by Coralie Fargeat. Both works discuss topics such as social criticism, gothic horror, good and evil or the loss of beauty. |
| publisher |
Universidad Nacional del Nordeste. Facultad de Humanidades. Instituto de Letras "Alfredo Veiravé" |
| publishDate |
2026 |
| url |
https://revistas.unne.edu.ar/index.php/clt/article/view/9340 |
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