An Anachronistic Renewal. Carmina, Poetry Collection (1956-1988)
In this work we propose an initial approach to the poetry collection Carmina, created by Sofía Maffei in Ciudad de Buenos Aires, which published forty volumes with very limited circulation (restricted to friends and subscribers) between 1956 and 1988. Our analysis privileges three axes: a. translati...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras
2025
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| Acceso en línea: | https://revistas.unne.edu.ar/index.php/clt/article/view/8275 |
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| Sumario: | In this work we propose an initial approach to the poetry collection Carmina, created by Sofía Maffei in Ciudad de Buenos Aires, which published forty volumes with very limited circulation (restricted to friends and subscribers) between 1956 and 1988. Our analysis privileges three axes: a. translations, where we highlight the novelty of the poets introduced to the country and question whether the catalogue sheds light on the poetic conception underpinning the project; b. the national poets, where we find a desire to promote new poets together with renowned authors, and we try to think about the location of the label within the “poetic ecosystem” of the 60’s; and c. Carmina as a “cultural group”, where, based on the numerous collaborations within the collection’s volumes –as well as dedications, acknowledgments, and recollections– we attempt an initial reconstruction of the group centered around Sofía Maffei. |
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