Figurations of the Revolution and the Dictatorship in Women's Poetry Published Since 1960 in Salta, Jujuy and Tucumán (Argentina)

In the present paper we seek to highlight the representations of the revolution and the dictatorship in a poetic corpus comprised of authors from Salta, Jujuy and Tucumán who published from the 1960s onwards: Eugenia Elbein, Alcira Fidalgo, Teresa Leonardi Herrán, Purita Cantarero, Raqel Escudero an...

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Autor principal: Soria Quispe, Josefina Mercedes
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras 2025
Materias:
Figurations
Revolution
Dictatorship
Women's poetry
figuraciones
revolución
dictadura
poesía de mujeres
Acceso en línea:https://revistas.unne.edu.ar/index.php/clt/article/view/8274
Aporte de:
Revistas UNNE - Universidad Nacional del Noroeste (UNNE) de Universidad Nacional del Nordeste
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spelling I48-R154-article-82742025-06-05T11:18:14Z Figurations of the Revolution and the Dictatorship in Women's Poetry Published Since 1960 in Salta, Jujuy and Tucumán (Argentina) Figuraciones de la revolución y de la dictadura en la poesía de mujeres publicada a partir de 1960 en Salta, Jujuy y Tucumán (Argentina) Soria Quispe, Josefina Mercedes Figurations Revolution Dictatorship Women's poetry figuraciones revolución dictadura poesía de mujeres In the present paper we seek to highlight the representations of the revolution and the dictatorship in a poetic corpus comprised of authors from Salta, Jujuy and Tucumán who published from the 1960s onwards: Eugenia Elbein, Alcira Fidalgo, Teresa Leonardi Herrán, Purita Cantarero, Raqel Escudero and Estela Mamaní. We consider that identifying the self-representation or self-figuration (Molloy, 2006; Reisz, 1996) of the feminine in these poems allows us to dismantle the male stereotype of the “guerrilla” or “revolutionary” as the only hegemonic model. This approach gives way to a plurality of images of heroic women, such as: the woman who  rallies her “companion”, “comrade” and “brother”; the guerrilla woman who takes up arms and denounces repression; the tortured woman; the “jesucrista”, the commoner, the mother with the white scarf, the mythical woman (Penelope, Antigone, Hecuba). All of them are positioned at the center of the scene as political subjects in a state of rebellion. En el presente trabajo buscamos relevar figuraciones de la revolución y de la dictadura en un corpus poético integrado por autoras de Salta, Jujuy y Tucumán que publicaron a partir de la década de 1960: Eugenia Elbein, Alcira Fidalgo, Teresa Leonardi Herrán, Purita Cantarero, Raqel Escudero y Estela Mamaní. Consideramos que identificar la autorepresentación o autofiguración (Molloy, 2006; Reisz, 1996) de la mujer en los poemas, permite desarticular el estereotipo del “guerrillero” o “revolucionario” como único modelo hegemónico, para dar paso a una pluralidad imágenes de mujeres heroicas, así por ejemplo: la mujer que arenga al “compañero”, “camarada” y “hermano”; la mujer guerrillera que toma las armas y denuncia la represión; la mujer torturada; la jesucrista, la comunera, la madre de pañuelo blanco, la mujer mítica (Penélope, Antígona, Hécuba). Todas ellas se sitúan en el centro de la escena en tanto sujetos políticos en estado de rebelión. Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras 2025-05-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion text/html https://revistas.unne.edu.ar/index.php/clt/article/view/8274 10.30972/clt.268274 Cuadernos de Literatura; No. 26 (2025): Mayo Cuadernos de Literatura; Núm. 26 (2025): Mayo Cuadernos de Literatura; n. 26 (2025): Mayo 2684-0499 0326-5102 spa https://revistas.unne.edu.ar/index.php/clt/article/view/8274/7868
institution Universidad Nacional del Nordeste
institution_str I-48
repository_str R-154
container_title_str Revistas UNNE - Universidad Nacional del Noroeste (UNNE)
language Español
format Artículo revista
topic Figurations
Revolution
Dictatorship
Women's poetry
figuraciones
revolución
dictadura
poesía de mujeres
spellingShingle Figurations
Revolution
Dictatorship
Women's poetry
figuraciones
revolución
dictadura
poesía de mujeres
Soria Quispe, Josefina Mercedes
Figurations of the Revolution and the Dictatorship in Women's Poetry Published Since 1960 in Salta, Jujuy and Tucumán (Argentina)
topic_facet Figurations
Revolution
Dictatorship
Women's poetry
figuraciones
revolución
dictadura
poesía de mujeres
author Soria Quispe, Josefina Mercedes
author_facet Soria Quispe, Josefina Mercedes
author_sort Soria Quispe, Josefina Mercedes
title Figurations of the Revolution and the Dictatorship in Women's Poetry Published Since 1960 in Salta, Jujuy and Tucumán (Argentina)
title_short Figurations of the Revolution and the Dictatorship in Women's Poetry Published Since 1960 in Salta, Jujuy and Tucumán (Argentina)
title_full Figurations of the Revolution and the Dictatorship in Women's Poetry Published Since 1960 in Salta, Jujuy and Tucumán (Argentina)
title_fullStr Figurations of the Revolution and the Dictatorship in Women's Poetry Published Since 1960 in Salta, Jujuy and Tucumán (Argentina)
title_full_unstemmed Figurations of the Revolution and the Dictatorship in Women's Poetry Published Since 1960 in Salta, Jujuy and Tucumán (Argentina)
title_sort figurations of the revolution and the dictatorship in women's poetry published since 1960 in salta, jujuy and tucumán (argentina)
description In the present paper we seek to highlight the representations of the revolution and the dictatorship in a poetic corpus comprised of authors from Salta, Jujuy and Tucumán who published from the 1960s onwards: Eugenia Elbein, Alcira Fidalgo, Teresa Leonardi Herrán, Purita Cantarero, Raqel Escudero and Estela Mamaní. We consider that identifying the self-representation or self-figuration (Molloy, 2006; Reisz, 1996) of the feminine in these poems allows us to dismantle the male stereotype of the “guerrilla” or “revolutionary” as the only hegemonic model. This approach gives way to a plurality of images of heroic women, such as: the woman who  rallies her “companion”, “comrade” and “brother”; the guerrilla woman who takes up arms and denounces repression; the tortured woman; the “jesucrista”, the commoner, the mother with the white scarf, the mythical woman (Penelope, Antigone, Hecuba). All of them are positioned at the center of the scene as political subjects in a state of rebellion.
publisher Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras
publishDate 2025
url https://revistas.unne.edu.ar/index.php/clt/article/view/8274
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first_indexed 2025-06-17T05:00:43Z
last_indexed 2025-06-17T05:00:43Z
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