Figurations of the Revolution and the Dictatorship in Women's Poetry Published Since 1960 in Salta, Jujuy and Tucumán (Argentina)
In the present paper we seek to highlight the representations of the revolution and the dictatorship in a poetic corpus comprised of authors from Salta, Jujuy and Tucumán who published from the 1960s onwards: Eugenia Elbein, Alcira Fidalgo, Teresa Leonardi Herrán, Purita Cantarero, Raqel Escudero an...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras
2025
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| Acceso en línea: | https://revistas.unne.edu.ar/index.php/clt/article/view/8274 |
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| Sumario: | In the present paper we seek to highlight the representations of the revolution and the dictatorship in a poetic corpus comprised of authors from Salta, Jujuy and Tucumán who published from the 1960s onwards: Eugenia Elbein, Alcira Fidalgo, Teresa Leonardi Herrán, Purita Cantarero, Raqel Escudero and Estela Mamaní. We consider that identifying the self-representation or self-figuration (Molloy, 2006; Reisz, 1996) of the feminine in these poems allows us to dismantle the male stereotype of the “guerrilla” or “revolutionary” as the only hegemonic model. This approach gives way to a plurality of images of heroic women, such as: the woman who rallies her “companion”, “comrade” and “brother”; the guerrilla woman who takes up arms and denounces repression; the tortured woman; the “jesucrista”, the commoner, the mother with the white scarf, the mythical woman (Penelope, Antigone, Hecuba). All of them are positioned at the center of the scene as political subjects in a state of rebellion. |
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