“Every Poem calls for a Permanent Assembly”. Ways of the political in Luces que a lo lejos (2008) and La academia de Piatock (2008) by Alberto Szpunberg
Szpunberg (1940-2020) was an Argentinian poet associated with the armed struggle of the sixties and seventies. Following the publication of the poems from Traslados in 2004, a new modality in Szpunberg’s particular conception of poetry becomes identifiable –a shift that the poet himself later makes...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras
2025
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| Acceso en línea: | https://revistas.unne.edu.ar/index.php/clt/article/view/8270 |
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| Sumario: | Szpunberg (1940-2020) was an Argentinian poet associated with the armed struggle of the sixties and seventies. Following the publication of the poems from Traslados in 2004, a new modality in Szpunberg’s particular conception of poetry becomes identifiable –a shift that the poet himself later makes explicit when advocating for a “permanent assembly” of poets to renew the premise of “changing life” through writing. His poetics are configured in what Butler (2017) describes as a meeting point, where each poem gives rise to a collective dimension of performativity, thus creating “a more complex mental space” (Sztulwark, 2019) for articulating the political. This work aims to analyze texts present in Luces que a lo lejos (2008) and La academia de Piatock (2008), in which an insurgent discursive position is adopted through the multiplication of interlocutors. |
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