Collective Memory through graffiti and stencils about the disappeared students of Ayotzinapa
The article focuses on the semiotic-discursive analysis of the production of graffiti and stencils during a period of six years in some Mexican cities (Mexico City, Morelia and Chilpancingo), where the producers sought to maintain in the collective memory a social phenomenon that managed to transcen...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Universidad Nacional del Nordeste. Facultad de Humanidades
2024
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| Acceso en línea: | https://revistas.unne.edu.ar/index.php/nea/article/view/7584 |
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| Sumario: | The article focuses on the semiotic-discursive analysis of the production of graffiti and stencils during a period of six years in some Mexican cities (Mexico City, Morelia and Chilpancingo), where the producers sought to maintain in the collective memory a social phenomenon that managed to transcend and create a narrative through the creation of symbols and signs in addition to the resignification of texts. The Ayotzinapa case became a social, political and cultural phenomenon in which ideological formations of resistance were linked by collectives, activists and organizations that ended u graphic productions to demand the appearance of the missing students and keep them present in the memory of society. |
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