The theory of décadence in the Essais de psychologie contemporaine by Paul Bourget: about normal-pathological and its manifestations in Madame Bovary
Within the framework of the new French literary criticism, Paul Bourget publishes the Essais de psychologie contemporaine (1883) and the Nouveaux essais de psychologie contemporaine (1885). The purpose pursued with these works is to reconstruct the moral state of French society in the second half of...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Instituto de Filosofía - Facultad de Humanidades. UNNE
2023
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| Acceso en línea: | https://revistas.unne.edu.ar/index.php/nit/article/view/7002 |
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| Sumario: | Within the framework of the new French literary criticism, Paul Bourget publishes the Essais de psychologie contemporaine (1883) and the Nouveaux essais de psychologie contemporaine (1885). The purpose pursued with these works is to reconstruct the moral state of French society in the second half of the 19th century. The investigation reveals that the new French generations suffer from a mortal fatigue of living, a realization of the absence of meaning. Among the causes of this, Bourget identifies the pessimistic influence that each of the ten authors studied in the Essais and the Nouveaux essais exerts with their literature on young French people. The analysis of each one of these authors shows that they are all immersed in the same process that is fundamental in the constitution of their sensibilities: la décadence. Within this context, the objective of this paper is to develop the theory of decadence formulated by Paul Bourget. To this end, the study will be divided into two parts: in the first part, the notion of décadence and its positivist conceptual assumptions about the normal and the pathological will be presented. In the second part, a description of the character of Emma Bovary from Madame Bovary will be made in order to show a case of romantic idealization that constitutes a concrete manifestation of decadence. |
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