Subjectivity in Kurt Cobain's songs “Come as you are”, “Stay Away”, “All apologies” : the use of metaphors and metaphorical expressions alluding to the construction of identities

Fil: This Final Research Paper (FRP) employs hermeneutics to show how metaphors and metaphorical expressions are used by Kurt Cobain, the singer and songwriter of the rock band “Nirvana”, making allusions to Subjectivity’s construction, i.e.: how identity is constructed. In order to do so, this FRP...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Corso, Noelia del Valle
Otros Autores: Insaurralde, Andrea
Formato: Tesis de grado Trabajo final de grado acceptedVersion
Lenguaje:Inglés
Publicado: Universidad FASTA. Facultad de Ciencias de la Educación 2024
Materias:
Subjectivity
Identity
Language
Acceso en línea:https://dspace.ufasta.edu.ar/handle/123456789/87405
Aporte de:
Repositorio Digital (UFASTA) de Universidad FASTA
id I42-R148-123456789-87405
record_format dspace
spelling I42-R148-123456789-874052025-11-25T21:47:51Z Subjectivity in Kurt Cobain's songs “Come as you are”, “Stay Away”, “All apologies” : the use of metaphors and metaphorical expressions alluding to the construction of identities Corso, Noelia del Valle Insaurralde, Andrea Bicoff, Carla Subjectivity Identity Language Fil: This Final Research Paper (FRP) employs hermeneutics to show how metaphors and metaphorical expressions are used by Kurt Cobain, the singer and songwriter of the rock band “Nirvana”, making allusions to Subjectivity’s construction, i.e.: how identity is constructed. In order to do so, this FRP draws on the theoretical framework given by authors dealing with Language and Power, mainly from the viewpoints of Fairclough (1989), Gadamer (1975), Nietzche (2012), Mouffe (1999), Skinner (2007) and Lotman (1995), who also make reference to how Subjectivity is constructed. By analyzing selected lyrics written and composed by Kurt Cobain, this study reveals that Cobain's compositions encode how identities are constructed. Moreover, this research contributes to our understanding of the role of language in shaping identities, a concept known as Subjectivity. Finally, this FRP will be held following Gadamer’s (1975) idea that there is not a univocal view or final interpretation of any text. Fil: Corso, Noelia del Valle. Universidad FASTA. Facultad de Ciencias de la Educación; Argentina. Fil: Insaurralde, Andrea. Universidad FASTA. Facultad de Ciencias de la Educación; Argentina. Fil: Bicoff, Carla. Universidad FASTA. Facultad de Ciencias de la Educación; Argentina. 2024 2025-10-14T19:32:54Z 2025-10-14T19:32:54Z info:eu-repo/semantics/bachelorThesis info:ar-repo/semantics/trabajo final de grado info:eu-repo/semantics/acceptedVersion https://dspace.ufasta.edu.ar/handle/123456789/87405 eng info:eu-repo/semantics/openAccess http://creativecommons.org/licences/by-nc-nd/3.0/deed.es_AR application/pdf application/pdf Universidad FASTA. Facultad de Ciencias de la Educación
institution Universidad FASTA
institution_str I-42
repository_str R-148
collection Repositorio Digital (UFASTA)
language Inglés
topic Subjectivity
Identity
Language
spellingShingle Subjectivity
Identity
Language
Corso, Noelia del Valle
Subjectivity in Kurt Cobain's songs “Come as you are”, “Stay Away”, “All apologies” : the use of metaphors and metaphorical expressions alluding to the construction of identities
topic_facet Subjectivity
Identity
Language
description Fil: This Final Research Paper (FRP) employs hermeneutics to show how metaphors and metaphorical expressions are used by Kurt Cobain, the singer and songwriter of the rock band “Nirvana”, making allusions to Subjectivity’s construction, i.e.: how identity is constructed. In order to do so, this FRP draws on the theoretical framework given by authors dealing with Language and Power, mainly from the viewpoints of Fairclough (1989), Gadamer (1975), Nietzche (2012), Mouffe (1999), Skinner (2007) and Lotman (1995), who also make reference to how Subjectivity is constructed. By analyzing selected lyrics written and composed by Kurt Cobain, this study reveals that Cobain's compositions encode how identities are constructed. Moreover, this research contributes to our understanding of the role of language in shaping identities, a concept known as Subjectivity. Finally, this FRP will be held following Gadamer’s (1975) idea that there is not a univocal view or final interpretation of any text.
author2 Insaurralde, Andrea
author_facet Insaurralde, Andrea
Corso, Noelia del Valle
format Tesis de grado
Trabajo final de grado
acceptedVersion
author Corso, Noelia del Valle
author_sort Corso, Noelia del Valle
title Subjectivity in Kurt Cobain's songs “Come as you are”, “Stay Away”, “All apologies” : the use of metaphors and metaphorical expressions alluding to the construction of identities
title_short Subjectivity in Kurt Cobain's songs “Come as you are”, “Stay Away”, “All apologies” : the use of metaphors and metaphorical expressions alluding to the construction of identities
title_full Subjectivity in Kurt Cobain's songs “Come as you are”, “Stay Away”, “All apologies” : the use of metaphors and metaphorical expressions alluding to the construction of identities
title_fullStr Subjectivity in Kurt Cobain's songs “Come as you are”, “Stay Away”, “All apologies” : the use of metaphors and metaphorical expressions alluding to the construction of identities
title_full_unstemmed Subjectivity in Kurt Cobain's songs “Come as you are”, “Stay Away”, “All apologies” : the use of metaphors and metaphorical expressions alluding to the construction of identities
title_sort subjectivity in kurt cobain's songs “come as you are”, “stay away”, “all apologies” : the use of metaphors and metaphorical expressions alluding to the construction of identities
publisher Universidad FASTA. Facultad de Ciencias de la Educación
publishDate 2024
url https://dspace.ufasta.edu.ar/handle/123456789/87405
work_keys_str_mv AT corsonoeliadelvalle subjectivityinkurtcobainssongscomeasyouarestayawayallapologiestheuseofmetaphorsandmetaphoricalexpressionsalludingtotheconstructionofidentities
_version_ 1856441535371935744

Ejemplares similares