Intimacy exposed: Iberê Camargo Museum, by Alvaro Siza, Brasil [Expuesta intimidad: Museo Iberê Camargo, Alvaro Siza, Brasil]

The newly opened Iberê Camargo Museum, in Porto Alegre, Brazil, is a notable architectural example of cultural recognition by promoting artistic production and a people's identity from a geographic and social periphery. The building, designed by Álvaro Siza, accommodates the works of art of Bra...

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Autores principales: Bruscato, Underlea, Alvarado García, Rodrigo
Formato: Artículo
Lenguaje:Español
Publicado: 2009
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Acceso en línea:http://pa.bibdigital.ucc.edu.ar/4960/1/A_Bruscato.pdf
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id I38-R144-4960
record_format dspace
spelling I38-R144-49602025-10-28T15:13:44Z http://pa.bibdigital.ucc.edu.ar/4960/ Intimacy exposed: Iberê Camargo Museum, by Alvaro Siza, Brasil [Expuesta intimidad: Museo Iberê Camargo, Alvaro Siza, Brasil] Bruscato, Underlea Alvarado García, Rodrigo NA Arquitectura The newly opened Iberê Camargo Museum, in Porto Alegre, Brazil, is a notable architectural example of cultural recognition by promoting artistic production and a people's identity from a geographic and social periphery. The building, designed by Álvaro Siza, accommodates the works of art of Brazilian Ibere Camargo and, as any other museum, studies the artist's expressionist work. Camargo's art was characterized by a local tradition and the creation of paintings that were thick and somber, but with a dynamic composition and colorful details that suggest secret hope. He obsessively reproduced objects from his childhood and distressing portraits of every day life. He now enjoys an ample international recognition, prolonged by the Foundation named after him, who as built this site at the border of the city. The 5-story building was constructed with exposed cement and has some of its premises as independent rooms, attached to the main building through concrete arms or hallways, and even under the neighboring highway. It is a narrow space used in a complex way. It has an exuberant and robust facade that guards the privacy and modesty of the exhibition. It simply resembles the torso and insides of a passionate and long-suffering creator. Maybe this is, finally, what Art and Architecture are: feeling one's own reality and intensely delivering it to others. 2009-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/closedAccess application/pdf spa http://pa.bibdigital.ucc.edu.ar/4960/1/A_Bruscato.pdf Bruscato, Underlea and Alvarado García, Rodrigo (2009) Intimacy exposed: Iberê Camargo Museum, by Alvaro Siza, Brasil [Expuesta intimidad: Museo Iberê Camargo, Alvaro Siza, Brasil]. Revista 180, 24. pp. 6-9. ISSN 07182309
institution Universidad Católica de Córdoba
institution_str I-38
repository_str R-144
collection Producción Académica Universidad Católica de Córdoba (UCCor)
language Español
orig_language_str_mv spa
topic NA Arquitectura
spellingShingle NA Arquitectura
Bruscato, Underlea
Alvarado García, Rodrigo
Intimacy exposed: Iberê Camargo Museum, by Alvaro Siza, Brasil [Expuesta intimidad: Museo Iberê Camargo, Alvaro Siza, Brasil]
topic_facet NA Arquitectura
description The newly opened Iberê Camargo Museum, in Porto Alegre, Brazil, is a notable architectural example of cultural recognition by promoting artistic production and a people's identity from a geographic and social periphery. The building, designed by Álvaro Siza, accommodates the works of art of Brazilian Ibere Camargo and, as any other museum, studies the artist's expressionist work. Camargo's art was characterized by a local tradition and the creation of paintings that were thick and somber, but with a dynamic composition and colorful details that suggest secret hope. He obsessively reproduced objects from his childhood and distressing portraits of every day life. He now enjoys an ample international recognition, prolonged by the Foundation named after him, who as built this site at the border of the city. The 5-story building was constructed with exposed cement and has some of its premises as independent rooms, attached to the main building through concrete arms or hallways, and even under the neighboring highway. It is a narrow space used in a complex way. It has an exuberant and robust facade that guards the privacy and modesty of the exhibition. It simply resembles the torso and insides of a passionate and long-suffering creator. Maybe this is, finally, what Art and Architecture are: feeling one's own reality and intensely delivering it to others.
format Artículo
author Bruscato, Underlea
Alvarado García, Rodrigo
author_facet Bruscato, Underlea
Alvarado García, Rodrigo
author_sort Bruscato, Underlea
title Intimacy exposed: Iberê Camargo Museum, by Alvaro Siza, Brasil [Expuesta intimidad: Museo Iberê Camargo, Alvaro Siza, Brasil]
title_short Intimacy exposed: Iberê Camargo Museum, by Alvaro Siza, Brasil [Expuesta intimidad: Museo Iberê Camargo, Alvaro Siza, Brasil]
title_full Intimacy exposed: Iberê Camargo Museum, by Alvaro Siza, Brasil [Expuesta intimidad: Museo Iberê Camargo, Alvaro Siza, Brasil]
title_fullStr Intimacy exposed: Iberê Camargo Museum, by Alvaro Siza, Brasil [Expuesta intimidad: Museo Iberê Camargo, Alvaro Siza, Brasil]
title_full_unstemmed Intimacy exposed: Iberê Camargo Museum, by Alvaro Siza, Brasil [Expuesta intimidad: Museo Iberê Camargo, Alvaro Siza, Brasil]
title_sort intimacy exposed: iberê camargo museum, by alvaro siza, brasil [expuesta intimidad: museo iberê camargo, alvaro siza, brasil]
publishDate 2009
url http://pa.bibdigital.ucc.edu.ar/4960/1/A_Bruscato.pdf
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