Hamlet, or the Player: A Deleuzian Tale

This work analyses Gilles Deleuze’s account and interpretation of Shakespeare’s classic play Hamlet as it relates to poietic action. To accom-plish such a comparison, it is established that Deleuze finds in Hamlet a proper definition of how Time can become free from th...

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Autor principal: Matti, Felipe A.
Formato: Artículo
Lenguaje:Inglés
Publicado: Centro de Investigaciones Filosóficas 2025
Materias:
Deleuze, Gilles, 1925-1995
Shakespeare, William, 1564-1616
POIESIS
TIEMPO
Hamlet
Acceso en línea:https://repositorio.uca.edu.ar/handle/123456789/20026
https://doi.org/10.36446/rlf453
Aporte de:
Repositorio Institucional de la Universidad Católica Argentina (UCA) de Universidad Católica Argentina
id I33-R139-123456789-20026
record_format dspace
spelling I33-R139-123456789-200262025-07-08T05:01:24Z Hamlet, or the Player: A Deleuzian Tale Hamlet, o el jugador: una historia deleuziana Matti, Felipe A. Deleuze, Gilles, 1925-1995 Shakespeare, William, 1564-1616 POIESIS TIEMPO Hamlet This work analyses Gilles Deleuze’s account and interpretation of Shakespeare’s classic play Hamlet as it relates to poietic action. To accom-plish such a comparison, it is established that Deleuze finds in Hamlet a proper definition of how Time can become free from the spatial joints and show itself as the pure Difference, or formal universality, that grounds all becoming. Hence, the main hypothesis of this work is that in Hamlet, Deleuze finds a model to explain not only poietic activity and creation but also the absolute ungrounding of Time. Secondly, it is also held that by exploring Hamlet’s agency and play, it is possible to sustain an analysis that condenses the notions of Time out of joint and purely optic and sonic situation, which are deemed central to Deleuze’s conception of Time as creative scission or Difference. Este trabajo analiza la interpretación de Gilles Deleuze de la obra clásica de Shakespeare, Hamlet, en relación con la acción poética. Para realizar tal comparación, se establece que Deleuze encuentra en Hamlet una definición adecuada de cómo el Tiempo puede liberarse de las articulaciones espaciales y mostrarse como la pura Diferencia, o universalidad formal, que fundamenta todo devenir. Por lo tanto, la hipótesis principal de este trabajo es que, en Hamlet, Deleuze encuentra un modelo no solo para explicar la actividad poética y la creación, sino también el desfundamento absoluto del Tiempo. En segundo lugar, también se sostiene que explorando la agencia y el juego de Hamlet, es posible sostener un análisis que condensa las nociones de Tiempo fuera de las articulaciones y situación puramente óptica y sónica, las cuales se consideran centrales para la concepción de Tiempo de Deleuze como escisión creativa o Diferencia. 2025-07-07T16:07:25Z 2025-07-07T16:07:25Z 2025 Artículo 0325-0725 1852-7353 https://repositorio.uca.edu.ar/handle/123456789/20026 https://doi.org/10.36446/rlf453 eng Atribución 4.0 Internacional http://creativecommons.org/licenses/by/4.0/ application/pdf Centro de Investigaciones Filosóficas Revista Latinoamericana de Filosofía. 2025, 57(1)
institution Universidad Católica Argentina
institution_str I-33
repository_str R-139
collection Repositorio Institucional de la Universidad Católica Argentina (UCA)
language Inglés
topic Deleuze, Gilles, 1925-1995
Shakespeare, William, 1564-1616
POIESIS
TIEMPO
Hamlet
spellingShingle Deleuze, Gilles, 1925-1995
Shakespeare, William, 1564-1616
POIESIS
TIEMPO
Hamlet
Matti, Felipe A.
Hamlet, or the Player: A Deleuzian Tale
topic_facet Deleuze, Gilles, 1925-1995
Shakespeare, William, 1564-1616
POIESIS
TIEMPO
Hamlet
description This work analyses Gilles Deleuze’s account and interpretation of Shakespeare’s classic play Hamlet as it relates to poietic action. To accom-plish such a comparison, it is established that Deleuze finds in Hamlet a proper definition of how Time can become free from the spatial joints and show itself as the pure Difference, or formal universality, that grounds all becoming. Hence, the main hypothesis of this work is that in Hamlet, Deleuze finds a model to explain not only poietic activity and creation but also the absolute ungrounding of Time. Secondly, it is also held that by exploring Hamlet’s agency and play, it is possible to sustain an analysis that condenses the notions of Time out of joint and purely optic and sonic situation, which are deemed central to Deleuze’s conception of Time as creative scission or Difference.
format Artículo
author Matti, Felipe A.
author_facet Matti, Felipe A.
author_sort Matti, Felipe A.
title Hamlet, or the Player: A Deleuzian Tale
title_short Hamlet, or the Player: A Deleuzian Tale
title_full Hamlet, or the Player: A Deleuzian Tale
title_fullStr Hamlet, or the Player: A Deleuzian Tale
title_full_unstemmed Hamlet, or the Player: A Deleuzian Tale
title_sort hamlet, or the player: a deleuzian tale
publisher Centro de Investigaciones Filosóficas
publishDate 2025
url https://repositorio.uca.edu.ar/handle/123456789/20026
https://doi.org/10.36446/rlf453
work_keys_str_mv AT mattifelipea hamletortheplayeradeleuziantale
AT mattifelipea hamletoeljugadorunahistoriadeleuziana
_version_ 1845297948853796864

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