"Ver la verdad del ver”: el arte de Cecilia Vicuña ante el estallido social chileno (2019-2020)

Abstract: Social networks played a fundamental role in the Chilean social revolt of October 2019. It is widely known that they were used to call for the first mass mobiliza tions and that later, they provided alternative information that was not communicated by the official media, particularly r...

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Autor principal: Fil: Puppo, María Lucía
Formato: Parte de libro
Lenguaje:Español
Publicado: Aracne 2024
Materias:
Acceso en línea:https://repositorio.uca.edu.ar/handle/123456789/18362
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spelling I33-R139-123456789-183622024-07-02T05:01:46Z "Ver la verdad del ver”: el arte de Cecilia Vicuña ante el estallido social chileno (2019-2020) “To See the Truth of Seeing”: the Art of Cecilia Vicuña facing the Chilean Social Outburst (2019-2020) Fil: Puppo, María Lucía Vicuña, Cecilia, 1948- POESIA CHILENA LITERAUTRA CHILENA CRISIS POLITICA Abstract: Social networks played a fundamental role in the Chilean social revolt of October 2019. It is widely known that they were used to call for the first mass mobiliza tions and that later, they provided alternative information that was not communicated by the official media, particularly regarding the brutal actions of state repression. It is estimated that more than four hundred civilians suffered eye injuries caused by tear gas and shots by police officers. Among them, there are several people who lost an eye or became completely blind. In solidarity with the victims and joining the demands of student, indigenous and feminist groups, among others, many artistic groups partici pated in the manifestations and also circulated their proposals on Instagram, Facebook and Twitter. In this paper we will refer to two interventions with/by the poet, artist and performer Cecilia Vicuña (Santiago de Chile, 1948) that revolved around the eyes, sight and the visible. On the one hand, we will analyze them in the context of the artistic manifestations that addressed the issue, conceived in the heat of the 2019 events. On the other hand, their examination will allow us to outline some features of a politics of gaze that is consubstantial to Vicuña’s aesthetic project. 2024-07-01T23:53:18Z 2024-07-01T23:53:18Z 2023 Parte de libro Fil: Puppo, M. L. "Ver la verdad del ver”: el arte de Cecilia Vicuña ante el estallido social chileno (2019-2020) [en línea]. En: Voto, C., Soro, E., Fernández, J. L., Leone, M. (eds). Rostrotopías. Mitos, narrativas y obsesiones de las plataformas digitales. Roma: Aracne, 2023. Disponible en: https://repositorio.uca.edu.ar/handle/123456789/18362 979-12-218-0853-7 https://repositorio.uca.edu.ar/handle/123456789/18362 10.53136/97912218085377 spa Acceso abierto http://creativecommons.org/licenses/by-nc-sa/4.0/ application/pdf Chile Siglo XXI Aracne En: Voto, C., Soro, E., Fernández, J. L., Leone, M. (eds). Rostrotopías. Mitos, narrativas y obsesiones de las plataformas digitales. Roma: Aracne, 2023.
institution Universidad Católica Argentina
institution_str I-33
repository_str R-139
collection Repositorio Institucional de la Universidad Católica Argentina (UCA)
language Español
topic Vicuña, Cecilia, 1948-
POESIA CHILENA
LITERAUTRA CHILENA
CRISIS POLITICA
spellingShingle Vicuña, Cecilia, 1948-
POESIA CHILENA
LITERAUTRA CHILENA
CRISIS POLITICA
Fil: Puppo, María Lucía
"Ver la verdad del ver”: el arte de Cecilia Vicuña ante el estallido social chileno (2019-2020)
topic_facet Vicuña, Cecilia, 1948-
POESIA CHILENA
LITERAUTRA CHILENA
CRISIS POLITICA
description Abstract: Social networks played a fundamental role in the Chilean social revolt of October 2019. It is widely known that they were used to call for the first mass mobiliza tions and that later, they provided alternative information that was not communicated by the official media, particularly regarding the brutal actions of state repression. It is estimated that more than four hundred civilians suffered eye injuries caused by tear gas and shots by police officers. Among them, there are several people who lost an eye or became completely blind. In solidarity with the victims and joining the demands of student, indigenous and feminist groups, among others, many artistic groups partici pated in the manifestations and also circulated their proposals on Instagram, Facebook and Twitter. In this paper we will refer to two interventions with/by the poet, artist and performer Cecilia Vicuña (Santiago de Chile, 1948) that revolved around the eyes, sight and the visible. On the one hand, we will analyze them in the context of the artistic manifestations that addressed the issue, conceived in the heat of the 2019 events. On the other hand, their examination will allow us to outline some features of a politics of gaze that is consubstantial to Vicuña’s aesthetic project.
format Parte de libro
author Fil: Puppo, María Lucía
author_facet Fil: Puppo, María Lucía
author_sort Fil: Puppo, María Lucía
title "Ver la verdad del ver”: el arte de Cecilia Vicuña ante el estallido social chileno (2019-2020)
title_short "Ver la verdad del ver”: el arte de Cecilia Vicuña ante el estallido social chileno (2019-2020)
title_full "Ver la verdad del ver”: el arte de Cecilia Vicuña ante el estallido social chileno (2019-2020)
title_fullStr "Ver la verdad del ver”: el arte de Cecilia Vicuña ante el estallido social chileno (2019-2020)
title_full_unstemmed "Ver la verdad del ver”: el arte de Cecilia Vicuña ante el estallido social chileno (2019-2020)
title_sort "ver la verdad del ver”: el arte de cecilia vicuña ante el estallido social chileno (2019-2020)
publisher Aracne
publishDate 2024
url https://repositorio.uca.edu.ar/handle/123456789/18362
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AT filpuppomarialucia toseethetruthofseeingtheartofceciliavicunafacingthechileansocialoutburst20192020
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