A través de la pantalla: infancias queer en la literatura argentina del nuevo milenio

Abstract: Childhood is taken up time and again in Argentine literature of the first decades of the 21st century. These are novels that engage various forms of humor, from extreme satire to imposed naivety. This broad register serves to destabilize ideas established throughout the 20th century abo...

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Autor principal: Punte, María José
Formato: Artículo
Lenguaje:Español
Publicado: University of Groningen Press 2022
Materias:
LITERATURA ARGENTINA
NOVELAS
TELEVISION
TEORIA QUEER
INFANCIA
Stockton, Kathryn B., 1958-
Acceso en línea:https://repositorio.uca.edu.ar/handle/123456789/15054
Aporte de:
Repositorio Institucional de la Universidad Católica Argentina (UCA) de Universidad Católica Argentina
id I33-R139-123456789-15054
record_format dspace
institution Universidad Católica Argentina
institution_str I-33
repository_str R-139
collection Repositorio Institucional de la Universidad Católica Argentina (UCA)
language Español
topic LITERATURA ARGENTINA
NOVELAS
TELEVISION
TEORIA QUEER
INFANCIA
Stockton, Kathryn B., 1958-
spellingShingle LITERATURA ARGENTINA
NOVELAS
TELEVISION
TEORIA QUEER
INFANCIA
Stockton, Kathryn B., 1958-
Punte, María José
A través de la pantalla: infancias queer en la literatura argentina del nuevo milenio
topic_facet LITERATURA ARGENTINA
NOVELAS
TELEVISION
TEORIA QUEER
INFANCIA
Stockton, Kathryn B., 1958-
description Abstract: Childhood is taken up time and again in Argentine literature of the first decades of the 21st century. These are novels that engage various forms of humor, from extreme satire to imposed naivety. This broad register serves to destabilize ideas established throughout the 20th century about the management of the lives of minors. Imaginaries formed by television have become part of several texts, together with what could be termed the “infant library”, that is to say, the children’s literature read by contemporary writers. Argentine narrative of the period accounts for the serious social crisis caused by the hegemony of neoliberalism, as well as its consequences on children’s lives, revealing the fissures in the discourses surrounding their rights. The present article examines these issues in relation to three recent novels: Quedate conmigo (2017) by I. Acevedo, La maldición de Jacinta Pichimahuida (2007) by Lucía Puenzo and Osos (2010) by Diego Vecchio. They will be addressed here within the theoretical frameworks offered by Kathryn B. Stockton in her book The Queer Child (2009).
format Artículo
author Punte, María José
author_facet Punte, María José
author_sort Punte, María José
title A través de la pantalla: infancias queer en la literatura argentina del nuevo milenio
title_short A través de la pantalla: infancias queer en la literatura argentina del nuevo milenio
title_full A través de la pantalla: infancias queer en la literatura argentina del nuevo milenio
title_fullStr A través de la pantalla: infancias queer en la literatura argentina del nuevo milenio
title_full_unstemmed A través de la pantalla: infancias queer en la literatura argentina del nuevo milenio
title_sort través de la pantalla: infancias queer en la literatura argentina del nuevo milenio
publisher University of Groningen Press
publishDate 2022
url https://repositorio.uca.edu.ar/handle/123456789/15054
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bdutipo_str Repositorios
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