The rhythm of time in Pablo de Rokha's autobiography

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The purpose of the following article is to analyze The Stone Friend (the posthumous autobiography of Pablo de Rokha), in a comparative way with other areas of his poetry, as an example of certain characteristics of the author's poetic rhythm; such as exuberance, an aspect that in his autobiogra...

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Autor principal: Cortiñas, Gabriel
Formato: Artículo revista
Lenguaje:Español
Publicado: Instituto de Literatura Hispanoamericana (Facultad de Filosofía y Letras, Universidad de Buenos Aires) 2025
Materias:
Poetry
Avant-garde
Pablo de Rokha
Rhythm
Autobiography
Poesía
Vanguardia
Ritmo
Autobiografía
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/zama/article/view/17061
Aporte de:
Zama de Universidad de Buenos Aires
id I28-R268-article-17061
record_format ojs
spelling I28-R268-article-170612025-09-03T21:14:51Z The rhythm of time in Pablo de Rokha's autobiography El ritmo del tiempo en la autobiografía de Pablo de Rokha Cortiñas, Gabriel Poetry Avant-garde Pablo de Rokha Rhythm Autobiography Poesía Vanguardia Pablo de Rokha Ritmo Autobiografía The purpose of the following article is to analyze The Stone Friend (the posthumous autobiography of Pablo de Rokha), in a comparative way with other areas of his poetry, as an example of certain characteristics of the author's poetic rhythm; such as exuberance, an aspect that in his autobiography is territorialized with emphasis through the abusive use of the present tense. Both the current state of Rokhian studies and the critical instability that his work produces (an aspect that we can also trace in The Stone Friend), as well as the rhythm (from the Meschoniquian theory) and its link with American poetic creation will be the transversal axes of this work. El propósito del siguiente artículo es analizar El amigo piedra (la autobiografía póstuma de Pablo de Rokha), de forma comparativa con otras zonas de su poesía, en tanto cifra de ciertas características propias del ritmo poético del autor; como es lo exuberante, aspecto que en su autobiografía se territorializa con énfasis a través del uso abusivo del tiempo verbal presente. Tanto el estado actual de los estudios rokhianos y la inestabilidad crítica que produce su obra (aspecto que también podemos rastrear en El amigo piedra), como el ritmo (desde la teoría meschoniquiana) y su vínculo con la creación poética americana serán los ejes transversales de este trabajo. Instituto de Literatura Hispanoamericana (Facultad de Filosofía y Letras, Universidad de Buenos Aires) 2025-05-14 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistascientificas.filo.uba.ar/index.php/zama/article/view/17061 10.34096/zama.a.n17.17061 Zama; No. 17 (2025) Zama; Núm. 17 (2025) Zama; n. 17 (2025) 2422-6017 1851-6866 spa https://revistascientificas.filo.uba.ar/index.php/zama/article/view/17061/15197 Derechos de autor 2025 Gabriel Cortiñas
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-268
container_title_str Zama
language Español
format Artículo revista
topic Poetry
Avant-garde
Pablo de Rokha
Rhythm
Autobiography
Poesía
Vanguardia
Pablo de Rokha
Ritmo
Autobiografía
spellingShingle Poetry
Avant-garde
Pablo de Rokha
Rhythm
Autobiography
Poesía
Vanguardia
Pablo de Rokha
Ritmo
Autobiografía
Cortiñas, Gabriel
The rhythm of time in Pablo de Rokha's autobiography
topic_facet Poetry
Avant-garde
Pablo de Rokha
Rhythm
Autobiography
Poesía
Vanguardia
Pablo de Rokha
Ritmo
Autobiografía
author Cortiñas, Gabriel
author_facet Cortiñas, Gabriel
author_sort Cortiñas, Gabriel
title The rhythm of time in Pablo de Rokha's autobiography
title_short The rhythm of time in Pablo de Rokha's autobiography
title_full The rhythm of time in Pablo de Rokha's autobiography
title_fullStr The rhythm of time in Pablo de Rokha's autobiography
title_full_unstemmed The rhythm of time in Pablo de Rokha's autobiography
title_sort rhythm of time in pablo de rokha's autobiography
description The purpose of the following article is to analyze The Stone Friend (the posthumous autobiography of Pablo de Rokha), in a comparative way with other areas of his poetry, as an example of certain characteristics of the author's poetic rhythm; such as exuberance, an aspect that in his autobiography is territorialized with emphasis through the abusive use of the present tense. Both the current state of Rokhian studies and the critical instability that his work produces (an aspect that we can also trace in The Stone Friend), as well as the rhythm (from the Meschoniquian theory) and its link with American poetic creation will be the transversal axes of this work.
publisher Instituto de Literatura Hispanoamericana (Facultad de Filosofía y Letras, Universidad de Buenos Aires)
publishDate 2025
url https://revistascientificas.filo.uba.ar/index.php/zama/article/view/17061
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AT cortinasgabriel rhythmoftimeinpabloderokhasautobiography
first_indexed 2025-09-13T05:43:32Z
last_indexed 2025-09-13T05:43:32Z
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