Destabilizing Perspectives: Bringing the Greek Myth of Thyestes Up to Date in Emilio García Wehbi’s Staging
On the basis of the Myth of Thyestes and the Senecan tragedy, Garcia Wehbi’s play Tiestes y Atreo staged at the Cervantes National Theatre deconstructs a number of key elements of Western-Christian history, such as patriarchy. This article undertakes a semiologic analysis of the various cultural ref...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2018
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| Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5486 |
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I28-R267-article-54862023-06-27T21:30:29Z Destabilizing Perspectives: Bringing the Greek Myth of Thyestes Up to Date in Emilio García Wehbi’s Staging Desestabilizar la mirada: reactualización del mito griego de Tiestes en la puesta de Emilio García Wehbi Corradi, Matías tragedy Wehbi patriarchy West myth Tiestes y Atreo tragedia Wehbi patriarcado occidente mito Tiestes y Atreo On the basis of the Myth of Thyestes and the Senecan tragedy, Garcia Wehbi’s play Tiestes y Atreo staged at the Cervantes National Theatre deconstructs a number of key elements of Western-Christian history, such as patriarchy. This article undertakes a semiologic analysis of the various cultural referents (artistic, religious) inserted into the script in order to show how the concept of “inter-textual collage” underpins the poetry of the play, while it constitutes Garcia Wehbi’s main tool to destabilise the dominant symbolic order. A partir del mito antiguo de Tiestes y haciendo pie en la tragedia senecana del siglo I D.C. la puesta que García Wehbi monta en el Teatro Nacional Cervantes deconstruye ciertos aspectos clave de la historia occidental cristiana, entre ellos, el sistema patriarcal. Este artículo se propone analizar, desde una perspectiva semiológica, la abundancia de citas de índole cultural (artística, religiosa, etc.) insertas en los diferentes lenguajes escénicos, para validar la idea de “collage intertextual” como principio constructivo de su poética y herramienta principal para desestabilizar el ordenamiento simbólico dominante. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2018-12-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5486 10.34096/tdf.n28.5486 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 28 (2018); 163-171 1669-6301 spa http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5486/4922 |
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Universidad de Buenos Aires |
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I-28 |
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R-267 |
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telondefondo |
| language |
Español |
| format |
Artículo revista |
| topic |
tragedy Wehbi patriarchy West myth Tiestes y Atreo tragedia Wehbi patriarcado occidente mito Tiestes y Atreo |
| spellingShingle |
tragedy Wehbi patriarchy West myth Tiestes y Atreo tragedia Wehbi patriarcado occidente mito Tiestes y Atreo Corradi, Matías Destabilizing Perspectives: Bringing the Greek Myth of Thyestes Up to Date in Emilio García Wehbi’s Staging |
| topic_facet |
tragedy Wehbi patriarchy West myth Tiestes y Atreo tragedia Wehbi patriarcado occidente mito Tiestes y Atreo |
| author |
Corradi, Matías |
| author_facet |
Corradi, Matías |
| author_sort |
Corradi, Matías |
| title |
Destabilizing Perspectives: Bringing the Greek Myth of Thyestes Up to Date in Emilio García Wehbi’s Staging |
| title_short |
Destabilizing Perspectives: Bringing the Greek Myth of Thyestes Up to Date in Emilio García Wehbi’s Staging |
| title_full |
Destabilizing Perspectives: Bringing the Greek Myth of Thyestes Up to Date in Emilio García Wehbi’s Staging |
| title_fullStr |
Destabilizing Perspectives: Bringing the Greek Myth of Thyestes Up to Date in Emilio García Wehbi’s Staging |
| title_full_unstemmed |
Destabilizing Perspectives: Bringing the Greek Myth of Thyestes Up to Date in Emilio García Wehbi’s Staging |
| title_sort |
destabilizing perspectives: bringing the greek myth of thyestes up to date in emilio garcía wehbi’s staging |
| description |
On the basis of the Myth of Thyestes and the Senecan tragedy, Garcia Wehbi’s play Tiestes y Atreo staged at the Cervantes National Theatre deconstructs a number of key elements of Western-Christian history, such as patriarchy. This article undertakes a semiologic analysis of the various cultural referents (artistic, religious) inserted into the script in order to show how the concept of “inter-textual collage” underpins the poetry of the play, while it constitutes Garcia Wehbi’s main tool to destabilise the dominant symbolic order. |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2018 |
| url |
http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5486 |
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2023-06-27T21:34:12Z |
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2023-06-27T21:34:12Z |
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