Broken Illustions. The Denial of Mimesis and the Mise en Abyme: from Meta-theater to the Distancing effect and the Affirmation of Artifice
Itineraries of mise en abyme and ways of breaking the suspension of disbelief: from Puss in Boots by Ludwig Tieck to The Caucasian Chalk Circle by Bertolt Brecht and The Golden Dragon by Roland Schimmelpfennig. This paper analyzes the denial of mimesis on the basis of certain resources, such as meta...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2018
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| Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5094 |
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I28-R267-article-5094 |
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I28-R267-article-50942023-06-27T21:30:29Z Broken Illustions. The Denial of Mimesis and the Mise en Abyme: from Meta-theater to the Distancing effect and the Affirmation of Artifice Ilusiones rotas. La imposibilidad mimética y la puesta en abismo: del metateatro al distanciamiento y la afirmación de la simulación Marino, Silvina Mise en Abyme Meta-theater distancing effect mimesis suspension of disbelief Tieck Brecht Schimmelpfennig Puesta en abismo metateatro distanciamiento mímesis ilusión dramática Tieck Brecht Schimmelpfennig Itineraries of mise en abyme and ways of breaking the suspension of disbelief: from Puss in Boots by Ludwig Tieck to The Caucasian Chalk Circle by Bertolt Brecht and The Golden Dragon by Roland Schimmelpfennig. This paper analyzes the denial of mimesis on the basis of certain resources, such as meta-theater and the affirmation of contrivance in plays dating from the 18th to the 21st century. Recorridos de la puesta en abismo y la ruptura de la ilusión dramática: de El gato con botas (Ludwig Tieck) a El círculo de tiza caucasiano (Bertolt Brecht) y El dragón de oro (Roland Schimmelpfennig). Se analiza la imposibilidad mimética a partir de recursos, como el metateatro y la afirmación del artificio en textos teatrales que van desde el siglo XVIII al siglo XX y la actualidad. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2018-12-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5094 10.34096/tdf.n27.5094 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 27 (2018); 66-76 1669-6301 spa http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5094/4609 |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-267 |
| container_title_str |
telondefondo |
| language |
Español |
| format |
Artículo revista |
| topic |
Mise en Abyme Meta-theater distancing effect mimesis suspension of disbelief Tieck Brecht Schimmelpfennig Puesta en abismo metateatro distanciamiento mímesis ilusión dramática Tieck Brecht Schimmelpfennig |
| spellingShingle |
Mise en Abyme Meta-theater distancing effect mimesis suspension of disbelief Tieck Brecht Schimmelpfennig Puesta en abismo metateatro distanciamiento mímesis ilusión dramática Tieck Brecht Schimmelpfennig Marino, Silvina Broken Illustions. The Denial of Mimesis and the Mise en Abyme: from Meta-theater to the Distancing effect and the Affirmation of Artifice |
| topic_facet |
Mise en Abyme Meta-theater distancing effect mimesis suspension of disbelief Tieck Brecht Schimmelpfennig Puesta en abismo metateatro distanciamiento mímesis ilusión dramática Tieck Brecht Schimmelpfennig |
| author |
Marino, Silvina |
| author_facet |
Marino, Silvina |
| author_sort |
Marino, Silvina |
| title |
Broken Illustions. The Denial of Mimesis and the Mise en Abyme: from Meta-theater to the Distancing effect and the Affirmation of Artifice |
| title_short |
Broken Illustions. The Denial of Mimesis and the Mise en Abyme: from Meta-theater to the Distancing effect and the Affirmation of Artifice |
| title_full |
Broken Illustions. The Denial of Mimesis and the Mise en Abyme: from Meta-theater to the Distancing effect and the Affirmation of Artifice |
| title_fullStr |
Broken Illustions. The Denial of Mimesis and the Mise en Abyme: from Meta-theater to the Distancing effect and the Affirmation of Artifice |
| title_full_unstemmed |
Broken Illustions. The Denial of Mimesis and the Mise en Abyme: from Meta-theater to the Distancing effect and the Affirmation of Artifice |
| title_sort |
broken illustions. the denial of mimesis and the mise en abyme: from meta-theater to the distancing effect and the affirmation of artifice |
| description |
Itineraries of mise en abyme and ways of breaking the suspension of disbelief: from Puss in Boots by Ludwig Tieck to The Caucasian Chalk Circle by Bertolt Brecht and The Golden Dragon by Roland Schimmelpfennig. This paper analyzes the denial of mimesis on the basis of certain resources, such as meta-theater and the affirmation of contrivance in plays dating from the 18th to the 21st century. |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2018 |
| url |
http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5094 |
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2023-06-27T21:34:07Z |
| last_indexed |
2023-06-27T21:34:07Z |
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