Intermediality in Theatre and Performance: Definitions, Perceptions and Medial Relationships

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This article provides a brief overview of the discourse on the relationships between the arts and media over the twentieth century, with specific reference to the concepts of mediality: multi-, trans- and intermediality set in discourse of arts and media relationships. I discuss the concepts, togeth...

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Autores principales: Kattenbelt, Chiel, Rondón, Alejandra
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2025
Materias:
Multimediality
Transmediality
Intermediality
Digital Media
Sense Perception
Mulimedia
Transmedia
Intermedialidad
Medios digitales
Percepción sensorial
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/17034
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telondefondo de Universidad de Buenos Aires
id I28-R267-article-17034
record_format ojs
spelling I28-R267-article-170342025-09-09T22:16:04Z Intermediality in Theatre and Performance: Definitions, Perceptions and Medial Relationships Intermedialidad en teatro y performance: definiciones, percepciones y relaciones mediales Kattenbelt, Chiel Rondón, Alejandra Kattenbelt, Chiel Rondón, Alejandra Multimediality Transmediality Intermediality Digital Media Sense Perception Mulimedia Transmedia Intermedialidad Medios digitales Percepción sensorial This article provides a brief overview of the discourse on the relationships between the arts and media over the twentieth century, with specific reference to the concepts of mediality: multi-, trans- and intermediality set in discourse of arts and media relationships. I discuss the concepts, together with the impact of the growth of media technological developments, on the perception of audiences to the works of Wagner, Kandinsky, Meyerhold, Balázs, Eisenstein, Brecht, and to contemporary theatre and performance-makers, before concluding with a short presentation of my own current thinking about the concept and purpose of intermediality. Este artículo presenta una panorámica general del discurso sobre las relaciones entre las artes y los medios de comunicación a lo largo del siglo XX, con una mención especial a los conceptos de medialidad, multimedia, transmedia e intermedialidad. Se aborda el impacto del desarrollo tecnológico de los medios en la percepción de la audiencia, centrándose en el trabajo de Wagner, Kandinsky, Meyerhold, Balázs, Eisenstein, Brecht y el teatro y la representación contemporáneos. Se concluye con una apreciación personal sobre el estado actual del concepto y propósito de la intermedialidad. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2025-05-06 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/17034 10.34096/tdf.n41.17034 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 41 (2025) 1669-6301 spa https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/17034/15259
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-267
container_title_str telondefondo
language Español
format Artículo revista
topic Multimediality
Transmediality
Intermediality
Digital Media
Sense Perception
Mulimedia
Transmedia
Intermedialidad
Medios digitales
Percepción sensorial
spellingShingle Multimediality
Transmediality
Intermediality
Digital Media
Sense Perception
Mulimedia
Transmedia
Intermedialidad
Medios digitales
Percepción sensorial
Kattenbelt, Chiel
Rondón, Alejandra
Kattenbelt, Chiel
Rondón, Alejandra
Intermediality in Theatre and Performance: Definitions, Perceptions and Medial Relationships
topic_facet Multimediality
Transmediality
Intermediality
Digital Media
Sense Perception
Mulimedia
Transmedia
Intermedialidad
Medios digitales
Percepción sensorial
author Kattenbelt, Chiel
Rondón, Alejandra
Kattenbelt, Chiel
Rondón, Alejandra
author_facet Kattenbelt, Chiel
Rondón, Alejandra
Kattenbelt, Chiel
Rondón, Alejandra
author_sort Kattenbelt, Chiel
title Intermediality in Theatre and Performance: Definitions, Perceptions and Medial Relationships
title_short Intermediality in Theatre and Performance: Definitions, Perceptions and Medial Relationships
title_full Intermediality in Theatre and Performance: Definitions, Perceptions and Medial Relationships
title_fullStr Intermediality in Theatre and Performance: Definitions, Perceptions and Medial Relationships
title_full_unstemmed Intermediality in Theatre and Performance: Definitions, Perceptions and Medial Relationships
title_sort intermediality in theatre and performance: definitions, perceptions and medial relationships
description This article provides a brief overview of the discourse on the relationships between the arts and media over the twentieth century, with specific reference to the concepts of mediality: multi-, trans- and intermediality set in discourse of arts and media relationships. I discuss the concepts, together with the impact of the growth of media technological developments, on the perception of audiences to the works of Wagner, Kandinsky, Meyerhold, Balázs, Eisenstein, Brecht, and to contemporary theatre and performance-makers, before concluding with a short presentation of my own current thinking about the concept and purpose of intermediality.
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2025
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/17034
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first_indexed 2025-09-13T05:41:51Z
last_indexed 2025-09-13T05:41:51Z
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