Stage Technicians and Designers in the City of Buenos Aires during the Pandemic: the Aggravation of Labour Precariousness

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Based on an analysis of the state of the art, current legislation, and interviews, I will investigate the working conditions of stage technicians and designers in the city of Buenos Aires who belong to the alternative theatre circuit. I intend to reflect on the problematic construction of the identi...

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Autor principal: de la Puente, Maximiliano
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2023
Materias:
Technicians
Designers
Theatre
Labour
Precariousness
Técnicos
Diseñadores
Teatro
Trabajo
Precarización
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/12923
Aporte de:
telondefondo de Universidad de Buenos Aires
id I28-R267-article-12923
record_format ojs
spelling I28-R267-article-129232023-07-10T22:38:30Z Stage Technicians and Designers in the City of Buenos Aires during the Pandemic: the Aggravation of Labour Precariousness Los técnicos y los diseñadores escénicos en la Ciudad de Buenos Aires durante la pandemia: la agudización de la precarización laboral de la Puente, Maximiliano Technicians Designers Theatre Labour Precariousness Técnicos Diseñadores Teatro Trabajo Precarización Based on an analysis of the state of the art, current legislation, and interviews, I will investigate the working conditions of stage technicians and designers in the city of Buenos Aires who belong to the alternative theatre circuit. I intend to reflect on the problematic construction of the identity of technicians and designers as workers. We will begin by contextualising the social and economic consequences of the outbreak of the COVID 19 pandemic in culture in general, and in the alternative theatre circuit in Buenos Aires in particular. We will address the main circuits of the theatrical field, focusing specifically on their modes of production and contracting. We will introduce our object of study: stage technicians and designers. We will mention their characteristics, their problems, and specific demands. We will look into the unions, associations, and groups that bring them together. We will give an account of the main actions developed in the first two years of the pandemic. The central hypothesis is that the appearance of COVID 19 deepened the labour precariousness that stage technicians and designers were already experiencing before the pandemic, and exacerbated the problems of the alternative theatre field in Buenos Aires in general. A partir del análisis del estado del arte, la legislación vigente y la realización de entrevistas, indagaré en las condiciones laborales de los técnicos y diseñadores escénicos de la Ciudad de Buenos Aires, que pertenecen al circuito del teatro alternativo. Me propongo reflexionar sobre la problemática construcción de la identidad de los técnicos y diseñadores como trabajadores. Comenzaremos contextualizando las consecuencias sociales y económicas que trajo aparejada la irrupción de la pandemia de COVID 19 en la cultura en general, y en el ámbito del circuito teatral alternativo porteño en particular. Mencionaremos los principales circuitos del campo teatral, deteniéndonos específicamente en sus modos de producción y de contratación. Presentaremos a los actores sociales que estudiamos: los técnicos y diseñadores escénicos. Indagaremos en sus características, sus problemas y demandas específicas, así como en los sindicatos, asociaciones y agrupaciones que los reúnen. Daremos cuenta de las principales acciones desarrolladas en los dos primeros años de pandemia. La hipótesis central es que la aparición de la COVID 19 profundizó la precarización laboral que los técnicos y diseñadores escénicos ya vivían desde antes de la pandemia, y agudizó los problemas del campo teatral alternativo porteño en general. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2023-05-24 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/12923 10.34096/tdf.n37.12923 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 37 (2023) 1669-6301 spa http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/12923/11610 Derechos de autor 2023 telondefondo. Revista de Teoría y Crítica Teatral https://creativecommons.org/licenses/by-sa/4.0
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-267
container_title_str telondefondo
language Español
format Artículo revista
topic Technicians
Designers
Theatre
Labour
Precariousness
Técnicos
Diseñadores
Teatro
Trabajo
Precarización
spellingShingle Technicians
Designers
Theatre
Labour
Precariousness
Técnicos
Diseñadores
Teatro
Trabajo
Precarización
de la Puente, Maximiliano
Stage Technicians and Designers in the City of Buenos Aires during the Pandemic: the Aggravation of Labour Precariousness
topic_facet Technicians
Designers
Theatre
Labour
Precariousness
Técnicos
Diseñadores
Teatro
Trabajo
Precarización
author de la Puente, Maximiliano
author_facet de la Puente, Maximiliano
author_sort de la Puente, Maximiliano
title Stage Technicians and Designers in the City of Buenos Aires during the Pandemic: the Aggravation of Labour Precariousness
title_short Stage Technicians and Designers in the City of Buenos Aires during the Pandemic: the Aggravation of Labour Precariousness
title_full Stage Technicians and Designers in the City of Buenos Aires during the Pandemic: the Aggravation of Labour Precariousness
title_fullStr Stage Technicians and Designers in the City of Buenos Aires during the Pandemic: the Aggravation of Labour Precariousness
title_full_unstemmed Stage Technicians and Designers in the City of Buenos Aires during the Pandemic: the Aggravation of Labour Precariousness
title_sort stage technicians and designers in the city of buenos aires during the pandemic: the aggravation of labour precariousness
description Based on an analysis of the state of the art, current legislation, and interviews, I will investigate the working conditions of stage technicians and designers in the city of Buenos Aires who belong to the alternative theatre circuit. I intend to reflect on the problematic construction of the identity of technicians and designers as workers. We will begin by contextualising the social and economic consequences of the outbreak of the COVID 19 pandemic in culture in general, and in the alternative theatre circuit in Buenos Aires in particular. We will address the main circuits of the theatrical field, focusing specifically on their modes of production and contracting. We will introduce our object of study: stage technicians and designers. We will mention their characteristics, their problems, and specific demands. We will look into the unions, associations, and groups that bring them together. We will give an account of the main actions developed in the first two years of the pandemic. The central hypothesis is that the appearance of COVID 19 deepened the labour precariousness that stage technicians and designers were already experiencing before the pandemic, and exacerbated the problems of the alternative theatre field in Buenos Aires in general.
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2023
url http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/12923
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first_indexed 2023-07-10T23:04:47Z
last_indexed 2023-07-10T23:04:47Z
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