Facing mirrors. The theatrical Spectator as a Double in the Film Trilogy by Mariano Pensotti

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The multiple intertwining of duplicities characterizes the creative project of Mariano Pensotti, attributable perhaps to his double artistic training as a theatrist and filmmaker, which constitutes a kind of constructive principle involving not only almost all of his plays, but also the film trilogy...

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Autor principal: Trastoy, Beatriz
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2022
Materias:
El público
Pensotti
The Double
The Audience
Le public/Het Publiek
El doble
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11991
Aporte de:
telondefondo de Universidad de Buenos Aires
id I28-R267-article-11991
record_format ojs
spelling I28-R267-article-119912023-10-02T14:13:46Z Facing mirrors. The theatrical Spectator as a Double in the Film Trilogy by Mariano Pensotti Espejos enfrentados. El espectador teatral como doble en la trilogía fílmica de Mariano Pensotti Trastoy, Beatriz El público Pensotti The Double The Audience Le public/Het Publiek El público Pensotti El doble The Audience Le public/Het Publiek The multiple intertwining of duplicities characterizes the creative project of Mariano Pensotti, attributable perhaps to his double artistic training as a theatrist and filmmaker, which constitutes a kind of constructive principle involving not only almost all of his plays, but also the film trilogy: El público, The Audience and Le public/Het Publiek, filmed in Buenos Aires, Athens and Brussels, respectively, between 2019 and 2022. The article analyzes how the recurrence of the theme of the double in its multiple works gives new senses to the confluence of languages in the crossing of artistic disciplines and, at the same time, explores the possibility of discussing the always attributed ephemeral character of the scenic, as the theatre, by remaining in the consciousness of the viewer, becomes as durable as other works of art.    El múltiple entrecruzamiento de duplicidades caracteriza el proyecto creativo de Mariano Pensotti, atribuible quizás a su doble formación artística como teatrista y cineasta, el cual constituye una suerte de principio constructivo que involucra no solo la casi la totalidad de sus obras teatrales, sino también la trilogía cinematográfica: El público, The Audience y Le public/Het Publiek, filmadas en Buenos Aires, Atenas y Bruselas, respectivamente, entre 2019 y 2022. El artículo analiza cómo la recurrencia al tema del doble en sus múltiples trabajos otorga nuevos sentidos a la confluencia de lenguajes en el cruce de disciplinas artísticas y, al mismo tiempo, explora la posibilidad de discutir el siempre atribuido carácter efímero de lo escénico, ya que el teatro, al permanecer en la conciencia del espectador, deviene tan duradero como otras obras de arte.  Facultad de Filosofía y Letras, Universidad de Buenos Aires 2022-10-13 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11991 10.34096/tdf.n36.11991 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 36 (2022) 1669-6301 spa http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11991/11064 Derechos de autor 2022 telondefondo. Revista de Teoría y Crítica Teatral https://creativecommons.org/licenses/by-sa/4.0
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-267
container_title_str telondefondo
language Español
format Artículo revista
topic El público
Pensotti
The Double
The Audience
Le public/Het Publiek
El público
Pensotti
El doble
The Audience
Le public/Het Publiek
spellingShingle El público
Pensotti
The Double
The Audience
Le public/Het Publiek
El público
Pensotti
El doble
The Audience
Le public/Het Publiek
Trastoy, Beatriz
Facing mirrors. The theatrical Spectator as a Double in the Film Trilogy by Mariano Pensotti
topic_facet El público
Pensotti
The Double
The Audience
Le public/Het Publiek
El público
Pensotti
El doble
The Audience
Le public/Het Publiek
author Trastoy, Beatriz
author_facet Trastoy, Beatriz
author_sort Trastoy, Beatriz
title Facing mirrors. The theatrical Spectator as a Double in the Film Trilogy by Mariano Pensotti
title_short Facing mirrors. The theatrical Spectator as a Double in the Film Trilogy by Mariano Pensotti
title_full Facing mirrors. The theatrical Spectator as a Double in the Film Trilogy by Mariano Pensotti
title_fullStr Facing mirrors. The theatrical Spectator as a Double in the Film Trilogy by Mariano Pensotti
title_full_unstemmed Facing mirrors. The theatrical Spectator as a Double in the Film Trilogy by Mariano Pensotti
title_sort facing mirrors. the theatrical spectator as a double in the film trilogy by mariano pensotti
description The multiple intertwining of duplicities characterizes the creative project of Mariano Pensotti, attributable perhaps to his double artistic training as a theatrist and filmmaker, which constitutes a kind of constructive principle involving not only almost all of his plays, but also the film trilogy: El público, The Audience and Le public/Het Publiek, filmed in Buenos Aires, Athens and Brussels, respectively, between 2019 and 2022. The article analyzes how the recurrence of the theme of the double in its multiple works gives new senses to the confluence of languages in the crossing of artistic disciplines and, at the same time, explores the possibility of discussing the always attributed ephemeral character of the scenic, as the theatre, by remaining in the consciousness of the viewer, becomes as durable as other works of art.   
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2022
url http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11991
work_keys_str_mv AT trastoybeatriz facingmirrorsthetheatricalspectatorasadoubleinthefilmtrilogybymarianopensotti
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first_indexed 2023-06-27T21:36:30Z
last_indexed 2023-11-08T21:12:00Z
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