El Muererío Teatro: Twenty-Five Years on the National Scene
On the occasion of the twenty-fifth anniversary of the theatrical company El Muererío Teatro, in this article we intend to reflect on a large part of its artistic productions. Our goal is to review the various tensions, relations and breaks that the company has established with the literary and thea...
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| Autores principales: | , |
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2022
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| Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11387 |
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I28-R267-article-11387 |
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I28-R267-article-113872023-10-02T14:14:20Z El Muererío Teatro: Twenty-Five Years on the National Scene Compañía El Muererío Teatro: veinticinco años en la escena nacional Forgnone, Juan Cruz Noguera, Lía Muererio Theater Argentine Starosta Company Acting Procedures Dramaturgy Muererío Teatro Teatro argentino Diego Starosta Dramaturgia Procedimientos actorales On the occasion of the twenty-fifth anniversary of the theatrical company El Muererío Teatro, in this article we intend to reflect on a large part of its artistic productions. Our goal is to review the various tensions, relations and breaks that the company has established with the literary and theatrical past, with the nation and with philosophy, to propose new semantic and aesthetic uses. At the same time, based on the concept of manipulation proposed by the company, we intend to analyze both the acting procedures themselves and the dramaturgical ones. Con motivo del aniversario número veinticinco de la compañía El Muererío Teatro, en este artículo nos proponemos reflexionar sobre gran parte de sus producciones artísticas. Nuestro objetivo es revisar las diversas tensiones, relaciones y rupturas que la compañía ha establecido con el pasado literario y teatral, la nación y la filosofía para proponer nuevos usos semánticos y estéticos. A la vez, partiendo del concepto de manipulación que propone la compañía, pretendemos analizar tanto los procedimientos propios actorales como los dramatúrgicos. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2022-05-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11387 10.34096/tdf.n35.11387 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 35 (2022) 1669-6301 spa http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11387/10518 Derechos de autor 2022 telondefondo. Revista de Teoría y Crítica Teatral https://creativecommons.org/licenses/by-sa/4.0 |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-267 |
| container_title_str |
telondefondo |
| language |
Español |
| format |
Artículo revista |
| topic |
Muererio Theater Argentine Starosta Company Acting Procedures Dramaturgy Muererío Teatro Teatro argentino Diego Starosta Dramaturgia Procedimientos actorales |
| spellingShingle |
Muererio Theater Argentine Starosta Company Acting Procedures Dramaturgy Muererío Teatro Teatro argentino Diego Starosta Dramaturgia Procedimientos actorales Forgnone, Juan Cruz Noguera, Lía El Muererío Teatro: Twenty-Five Years on the National Scene |
| topic_facet |
Muererio Theater Argentine Starosta Company Acting Procedures Dramaturgy Muererío Teatro Teatro argentino Diego Starosta Dramaturgia Procedimientos actorales |
| author |
Forgnone, Juan Cruz Noguera, Lía |
| author_facet |
Forgnone, Juan Cruz Noguera, Lía |
| author_sort |
Forgnone, Juan Cruz |
| title |
El Muererío Teatro: Twenty-Five Years on the National Scene |
| title_short |
El Muererío Teatro: Twenty-Five Years on the National Scene |
| title_full |
El Muererío Teatro: Twenty-Five Years on the National Scene |
| title_fullStr |
El Muererío Teatro: Twenty-Five Years on the National Scene |
| title_full_unstemmed |
El Muererío Teatro: Twenty-Five Years on the National Scene |
| title_sort |
el muererío teatro: twenty-five years on the national scene |
| description |
On the occasion of the twenty-fifth anniversary of the theatrical company El Muererío Teatro, in this article we intend to reflect on a large part of its artistic productions. Our goal is to review the various tensions, relations and breaks that the company has established with the literary and theatrical past, with the nation and with philosophy, to propose new semantic and aesthetic uses. At the same time, based on the concept of manipulation proposed by the company, we intend to analyze both the acting procedures themselves and the dramaturgical ones. |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2022 |
| url |
http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11387 |
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2023-06-27T21:36:27Z |
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2023-11-08T21:11:57Z |
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