Insertion and Desertion of Ibsenian Dramaturgy in Buenos Aires (c. 1890-1930)

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Henrik Ibsen’s dramaturgy arrived in Buenos Aires in 1890, many years before the emergence of realistic acting in Argentina. Nonetheless, ibsenian realism had a high circulation and productivity in the nineteenth-century local scene and its importation contributed to the consolidation of this poetic...

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Autor principal: Forgnone, Juan Cruz
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2021
Materias:
Ibsen
Argentine theater
Buenos Aires theatre field
Romanticism
Realism
teatro argentino
campo teatral porteño
romanticismo
realismo
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10466
Aporte de:
telondefondo de Universidad de Buenos Aires
id I28-R267-article-10466
record_format ojs
spelling I28-R267-article-104662023-10-02T14:20:48Z Insertion and Desertion of Ibsenian Dramaturgy in Buenos Aires (c. 1890-1930) Inserción y deserción de la dramaturgia ibseniana en Buenos Aires (c. 1890-1930) Forgnone, Juan Cruz Ibsen Argentine theater Buenos Aires theatre field Romanticism Realism Ibsen teatro argentino campo teatral porteño romanticismo realismo Henrik Ibsen’s dramaturgy arrived in Buenos Aires in 1890, many years before the emergence of realistic acting in Argentina. Nonetheless, ibsenian realism had a high circulation and productivity in the nineteenth-century local scene and its importation contributed to the consolidation of this poetic within the theatrical field. The propulsive trajectory of this repertory was dissociated from the interests that the author’s late-romantic work arose in the literary field and the liberal press of the time. The early divulgation of fantastic plays and historical dramas in the mass media coexisted with a scarce presence of his plays on stage. The constitution of a truly “realistic taste” amongst the local audience deepened the relegation of that repertory during the 20th century. La llegada de la dramaturgia de Henrik Ibsen a Buenos Aires ocurrió en la década de 1890, mucho antes del surgimiento de la actuación realista en Argentina. A pesar de ello, el realismo ibseniano tuvo altos niveles de circulación y productividad en la escena local decimonónica y su importación colaboró en los procesos de consolidación de esta poética dentro del campo teatral. La trayectoria propulsiva de este repertorio estuvo disociada de los intereses que suscitó la obra tardorromántica del autor dentro del campo literario y la prensa liberal finisecular. La temprana divulgación de títulos fantásticos y dramas históricos en medios de gran tirada convivió con un panorama de escasa programación en los escenarios. La constitución de un verdadero “gusto realista” en el público porteño profundizó la relegación de aquel repertorio durante el siglo XX. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2021-12-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10466 10.34096/tdf.n34.10466 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 34 (2021) 1669-6301 spa http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10466/9545 http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10466/9558 Derechos de autor 2021 telondefondo. Revista de Teoría y Crítica Teatral https://creativecommons.org/licenses/by-sa/4.0
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-267
container_title_str telondefondo
language Español
format Artículo revista
topic Ibsen
Argentine theater
Buenos Aires theatre field
Romanticism
Realism
Ibsen
teatro argentino
campo teatral porteño
romanticismo
realismo
spellingShingle Ibsen
Argentine theater
Buenos Aires theatre field
Romanticism
Realism
Ibsen
teatro argentino
campo teatral porteño
romanticismo
realismo
Forgnone, Juan Cruz
Insertion and Desertion of Ibsenian Dramaturgy in Buenos Aires (c. 1890-1930)
topic_facet Ibsen
Argentine theater
Buenos Aires theatre field
Romanticism
Realism
Ibsen
teatro argentino
campo teatral porteño
romanticismo
realismo
author Forgnone, Juan Cruz
author_facet Forgnone, Juan Cruz
author_sort Forgnone, Juan Cruz
title Insertion and Desertion of Ibsenian Dramaturgy in Buenos Aires (c. 1890-1930)
title_short Insertion and Desertion of Ibsenian Dramaturgy in Buenos Aires (c. 1890-1930)
title_full Insertion and Desertion of Ibsenian Dramaturgy in Buenos Aires (c. 1890-1930)
title_fullStr Insertion and Desertion of Ibsenian Dramaturgy in Buenos Aires (c. 1890-1930)
title_full_unstemmed Insertion and Desertion of Ibsenian Dramaturgy in Buenos Aires (c. 1890-1930)
title_sort insertion and desertion of ibsenian dramaturgy in buenos aires (c. 1890-1930)
description Henrik Ibsen’s dramaturgy arrived in Buenos Aires in 1890, many years before the emergence of realistic acting in Argentina. Nonetheless, ibsenian realism had a high circulation and productivity in the nineteenth-century local scene and its importation contributed to the consolidation of this poetic within the theatrical field. The propulsive trajectory of this repertory was dissociated from the interests that the author’s late-romantic work arose in the literary field and the liberal press of the time. The early divulgation of fantastic plays and historical dramas in the mass media coexisted with a scarce presence of his plays on stage. The constitution of a truly “realistic taste” amongst the local audience deepened the relegation of that repertory during the 20th century.
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2021
url http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10466
work_keys_str_mv AT forgnonejuancruz insertionanddesertionofibseniandramaturgyinbuenosairesc18901930
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first_indexed 2023-06-27T21:36:06Z
last_indexed 2023-11-08T21:11:54Z
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