Author identifications. Mansilla-style strategies in the writing of María Moreno

This work aims to approach and analyze the authorial self-figuration strategies displayed in Black Out (2017) by María Moreno. For that purpose, the themes (such as circulation around the famous Buenos Aires pubs of the ’60s and ’70s, alcohol consumption, and the constructions of fellow writers’ pro...

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Autor principal: Altinier, Rocío
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2025
Materias:
María Moreno
Lucio V. Mansilla
authorial self-figuration
women
autofiguración autoral
mujeres
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/mora/article/view/17627
Aporte de:
Mora de Universidad de Buenos Aires
id I28-R259-article-17627
record_format ojs
spelling I28-R259-article-176272025-12-04T21:10:31Z Author identifications. Mansilla-style strategies in the writing of María Moreno Identificaciones autorales: estrategias mansillescas en la escritura de María Moreno Altinier, Rocío María Moreno Lucio V. Mansilla authorial self-figuration women María Moreno Lucio V. Mansilla autofiguración autoral mujeres This work aims to approach and analyze the authorial self-figuration strategies displayed in Black Out (2017) by María Moreno. For that purpose, the themes (such as circulation around the famous Buenos Aires pubs of the ’60s and ’70s, alcohol consumption, and the constructions of fellow writers’ profiles) and linguistic fields (the tale, the journal, the chronicle) are going to be recalled as they allow a particular “writing of the self” and, with it, the construction of an authorial voice. But particularly, the primary focus is on the identifying structure that Moreno deploys around Lucio V. Mansilla’s role and his play An Excursion of the Ranquel Indians (1870). Bywriting herself with Mansilla and his remarks as an authorial and scriptural reference, not only does Moreno manage, in what she claims to be “the book of the boys”, to rebuild her insertion into a world of difficult access (the newsrooms and the tables of masculist pubs), but also to twist the representation of the beverage as an exclusively male abode to let a whole community of women that have been part of her life and her literature experiences enter the story. Este trabajo pretende abordar y analizar las estrategias de autofiguración autoral que se despliegan en Black out (2017) de María Moreno. Para ello, se retomarán los temas (la circulación por los bares porteños famosos de las décadas del sesenta y setenta, elconsumo de alcohol, la construcción del perfil de los amigos escritores) y registros (la anécdota, el diario íntimo, la crónica) que posibilitan una particular “escritura del yo” y, con ello, la construcción de una voz autoral. Pero sobre todo se hace hincapié enla construcción identificatoria que Moreno despliega en torno a la figura de Lucio V. Mansilla y su obra Una excursión a los indios ranqueles (1870). Escribiéndose a sí misma con Mansilla y sus apostillas como referente autoral y escritural, Moreno logra, en elque pretende ser “el libro de los muchachos”, no solo reconstruir su inserción a un mundo de difícil acceso (las redacciones y mesas de bares mascultistas), sino también torcer la representación de la bebida como morada únicamente masculina para hacer ingresar en el relato a una comunidad de mujeres que han formado parte de su vida y su experiencia literaria. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2025-12-04 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://revistascientificas.filo.uba.ar/index.php/mora/article/view/17627 10.34096/mora.n31.17627 Mora; Vol. 1 Núm. 31 1853-001X 0328-8773 spa https://revistascientificas.filo.uba.ar/index.php/mora/article/view/17627/15451 Derechos de autor 2025 Rocío Altinier
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-259
container_title_str Mora
language Español
format Artículo revista
topic María Moreno
Lucio V. Mansilla
authorial self-figuration
women
María Moreno
Lucio V. Mansilla
autofiguración autoral
mujeres
spellingShingle María Moreno
Lucio V. Mansilla
authorial self-figuration
women
María Moreno
Lucio V. Mansilla
autofiguración autoral
mujeres
Altinier, Rocío
Author identifications. Mansilla-style strategies in the writing of María Moreno
topic_facet María Moreno
Lucio V. Mansilla
authorial self-figuration
women
María Moreno
Lucio V. Mansilla
autofiguración autoral
mujeres
author Altinier, Rocío
author_facet Altinier, Rocío
author_sort Altinier, Rocío
title Author identifications. Mansilla-style strategies in the writing of María Moreno
title_short Author identifications. Mansilla-style strategies in the writing of María Moreno
title_full Author identifications. Mansilla-style strategies in the writing of María Moreno
title_fullStr Author identifications. Mansilla-style strategies in the writing of María Moreno
title_full_unstemmed Author identifications. Mansilla-style strategies in the writing of María Moreno
title_sort author identifications. mansilla-style strategies in the writing of maría moreno
description This work aims to approach and analyze the authorial self-figuration strategies displayed in Black Out (2017) by María Moreno. For that purpose, the themes (such as circulation around the famous Buenos Aires pubs of the ’60s and ’70s, alcohol consumption, and the constructions of fellow writers’ profiles) and linguistic fields (the tale, the journal, the chronicle) are going to be recalled as they allow a particular “writing of the self” and, with it, the construction of an authorial voice. But particularly, the primary focus is on the identifying structure that Moreno deploys around Lucio V. Mansilla’s role and his play An Excursion of the Ranquel Indians (1870). Bywriting herself with Mansilla and his remarks as an authorial and scriptural reference, not only does Moreno manage, in what she claims to be “the book of the boys”, to rebuild her insertion into a world of difficult access (the newsrooms and the tables of masculist pubs), but also to twist the representation of the beverage as an exclusively male abode to let a whole community of women that have been part of her life and her literature experiences enter the story.
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2025
url https://revistascientificas.filo.uba.ar/index.php/mora/article/view/17627
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first_indexed 2025-12-13T06:02:38Z
last_indexed 2025-12-13T06:02:38Z
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