The "theosophical poetry" of Salvadora Medina Onrubia

Out of the literary works of Salvadora Medina Onrubia (1894-1972), her poetry, almost entirely gathered in two books published in the 1920s (La rueca milagrosa, 1921; El misal de mi yoga, 1929), is still the least explored, in part due to its proximity to the theosophical imaginary, little understoo...

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Autor principal: Cárcano, Enzo
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2025
Materias:
Medina Onrubia
Poetry
Theosophy
Subjectivity
Woman
Poesía
Teosofía
Subjetividad
Mujer
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/mora/article/view/17626
Aporte de:
Mora de Universidad de Buenos Aires
id I28-R259-article-17626
record_format ojs
spelling I28-R259-article-176262025-12-04T21:10:31Z The "theosophical poetry" of Salvadora Medina Onrubia La “poesía teosófica” de Salvadora Medina Onrubia Cárcano, Enzo Medina Onrubia Poetry Theosophy Subjectivity Woman Medina Onrubia Poesía Teosofía Subjetividad Mujer Out of the literary works of Salvadora Medina Onrubia (1894-1972), her poetry, almost entirely gathered in two books published in the 1920s (La rueca milagrosa, 1921; El misal de mi yoga, 1929), is still the least explored, in part due to its proximity to the theosophical imaginary, little understood until today. Recovering this key will allow us to notice the continuities between both books and the way in which, between them, a subject-female poet who declares herself a teacher, intermediary of the great spiritual truths, which she has reached through dispossession, pain and the purgation, is deployed. De la producción literaria de Salvadora Medina Onrubia (1894-1972), la poesía, casi íntegramente compendiada en dos libros aparecidos en la década de 1920 (La rueca milagrosa, 1921; El misal de mi yoga, 1929), es aún la zona menos explorada, en partedebido a su cercanía con el imaginario teosófico, poco comprendido hasta hoy. Reponer esta clave nos permitirá advertir las continuidades entre ambos poemarios y el modo en que, entre ellos, se despliega una sujeto-poetisa que se declara maestra,intermediaria de las grandes verdades espirituales, a las que ha llegado mediante el despojo, el dolor y la purgación. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2025-12-04 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://revistascientificas.filo.uba.ar/index.php/mora/article/view/17626 10.34096/mora.n31.17626 Mora; Vol. 1 Núm. 31 1853-001X 0328-8773 spa https://revistascientificas.filo.uba.ar/index.php/mora/article/view/17626/15452 Derechos de autor 2025 Enzo Cárcano
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-259
container_title_str Mora
language Español
format Artículo revista
topic Medina Onrubia
Poetry
Theosophy
Subjectivity
Woman
Medina Onrubia
Poesía
Teosofía
Subjetividad
Mujer
spellingShingle Medina Onrubia
Poetry
Theosophy
Subjectivity
Woman
Medina Onrubia
Poesía
Teosofía
Subjetividad
Mujer
Cárcano, Enzo
The "theosophical poetry" of Salvadora Medina Onrubia
topic_facet Medina Onrubia
Poetry
Theosophy
Subjectivity
Woman
Medina Onrubia
Poesía
Teosofía
Subjetividad
Mujer
author Cárcano, Enzo
author_facet Cárcano, Enzo
author_sort Cárcano, Enzo
title The "theosophical poetry" of Salvadora Medina Onrubia
title_short The "theosophical poetry" of Salvadora Medina Onrubia
title_full The "theosophical poetry" of Salvadora Medina Onrubia
title_fullStr The "theosophical poetry" of Salvadora Medina Onrubia
title_full_unstemmed The "theosophical poetry" of Salvadora Medina Onrubia
title_sort "theosophical poetry" of salvadora medina onrubia
description Out of the literary works of Salvadora Medina Onrubia (1894-1972), her poetry, almost entirely gathered in two books published in the 1920s (La rueca milagrosa, 1921; El misal de mi yoga, 1929), is still the least explored, in part due to its proximity to the theosophical imaginary, little understood until today. Recovering this key will allow us to notice the continuities between both books and the way in which, between them, a subject-female poet who declares herself a teacher, intermediary of the great spiritual truths, which she has reached through dispossession, pain and the purgation, is deployed.
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2025
url https://revistascientificas.filo.uba.ar/index.php/mora/article/view/17626
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first_indexed 2025-12-13T06:02:37Z
last_indexed 2025-12-13T06:02:37Z
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