Georg Lukács' Aesthetic Thought: Continuity or Rupture?

Throughout his intellectual trajectory, the Hungarian philosopher Georg Lukács (1885-1971) showed a particular interest in Art which led him to write two aesthetics in different moments of his life based on different methodologies. His first aesthetics was composed by two texts, Philosophy...

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Autor principal: Altenfelder Garcia Gallo, Renata
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2019
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Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/interlitteras/article/view/7133
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spelling I28-R257-article-71332020-02-17T20:02:03Z Georg Lukács' Aesthetic Thought: Continuity or Rupture? O pensamento estético de Georg Lukács: continuidade ou ruptura? Altenfelder Garcia Gallo, Renata Aesthetics Georg Lukács Marxism Lebensphilosophie estética Georg Lukács Marxismo Lebensphilosophie Throughout his intellectual trajectory, the Hungarian philosopher Georg Lukács (1885-1971) showed a particular interest in Art which led him to write two aesthetics in different moments of his life based on different methodologies. His first aesthetics was composed by two texts, Philosophy of Art (1912-14) and Heidelberg Aesthetics (1916-18), which were mainly based on neo-Kantianism philosophy, on Lebensphilosophie and on Hegel’s thoughts. The “Aesthetics” is Lukács’ second project, which was published in 1963 and was based on the theory of Karl Marx. Although nearly 45 years separate these two projects, Lukács’ questions about aesthetics were very similar, such as how to define, to describe and to consider the particular categorical status of Art in the set of human creations. Among these discussions, this study aims to present and to debate some important points from Lukács’ aesthetics so that we could investigate a possible answer to the following question: Is it possible to conffirm the existence of a homology between the youth and maturity Georg Lukács’ aesthetics?   Ao longo de seu percurso intelectual, o filósofo húngaro Georg Lukács (1885- 1971) demonstrou vasto interesse sobre a esfera artística, o que o levou a escrever duas estéticas. A primeira delas, redigida em dois momentos diversos de sua juventude, resultou em dois textos complementares, intitulados Filosofia da Arte (1912-14) e Estética de Heidelberg (1916-18). Dentre as influências que os textos apresentam, as mais marcantes são aquelas da filosofia neokantiana, da Lebensphilosophie e dos escritos de Hegel. A redação da segunda estética Lukácsiana veio a público em 1963 e foi pensada a partir da teoria marxista. Apesar de, aproximadamente, 45 anos separarem essas publicações, as indagações que Lukács colecionava acerca da esfera estética eram muito semelhantes, dentre as quais, citamos a preocupação do autor em elucidar o estatuto categorial particular do campo da arte no conjunto das criações humanas, a fim de garantir a autonomia da referida esfera. Diante de tais problemas, este estudo visa apresentar e discutir alguns pontos importantes das estéticas Lukácsianas para que seja possível respondermos à seguinte pergunta: É possível afirmar a existência de uma homologia entre as estéticas de juventude e de maturidade de Georg Lukács? Facultad de Filosofía y Letras, Universidad de Buenos Aires 2019-10-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf http://revistascientificas.filo.uba.ar/index.php/interlitteras/article/view/7133 10.34096/interlitteras.n1.7220 Inter Litteras; Núm. 1 (2019); 46-66 2683-9695 0328-8935 spa http://revistascientificas.filo.uba.ar/index.php/interlitteras/article/view/7133/6380
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-257
container_title_str Inter Litteras
language Español
format Artículo revista
topic Aesthetics
Georg Lukács
Marxism
Lebensphilosophie
estética
Georg Lukács
Marxismo
Lebensphilosophie
spellingShingle Aesthetics
Georg Lukács
Marxism
Lebensphilosophie
estética
Georg Lukács
Marxismo
Lebensphilosophie
Altenfelder Garcia Gallo, Renata
Georg Lukács' Aesthetic Thought: Continuity or Rupture?
topic_facet Aesthetics
Georg Lukács
Marxism
Lebensphilosophie
estética
Georg Lukács
Marxismo
Lebensphilosophie
author Altenfelder Garcia Gallo, Renata
author_facet Altenfelder Garcia Gallo, Renata
author_sort Altenfelder Garcia Gallo, Renata
title Georg Lukács' Aesthetic Thought: Continuity or Rupture?
title_short Georg Lukács' Aesthetic Thought: Continuity or Rupture?
title_full Georg Lukács' Aesthetic Thought: Continuity or Rupture?
title_fullStr Georg Lukács' Aesthetic Thought: Continuity or Rupture?
title_full_unstemmed Georg Lukács' Aesthetic Thought: Continuity or Rupture?
title_sort georg lukács' aesthetic thought: continuity or rupture?
description Throughout his intellectual trajectory, the Hungarian philosopher Georg Lukács (1885-1971) showed a particular interest in Art which led him to write two aesthetics in different moments of his life based on different methodologies. His first aesthetics was composed by two texts, Philosophy of Art (1912-14) and Heidelberg Aesthetics (1916-18), which were mainly based on neo-Kantianism philosophy, on Lebensphilosophie and on Hegel’s thoughts. The “Aesthetics” is Lukács’ second project, which was published in 1963 and was based on the theory of Karl Marx. Although nearly 45 years separate these two projects, Lukács’ questions about aesthetics were very similar, such as how to define, to describe and to consider the particular categorical status of Art in the set of human creations. Among these discussions, this study aims to present and to debate some important points from Lukács’ aesthetics so that we could investigate a possible answer to the following question: Is it possible to conffirm the existence of a homology between the youth and maturity Georg Lukács’ aesthetics?
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2019
url http://revistascientificas.filo.uba.ar/index.php/interlitteras/article/view/7133
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first_indexed 2023-06-27T21:11:31Z
last_indexed 2023-06-27T21:11:31Z
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