Written Culture in an Art Museum. Objects and practices of the written word in Museo Provincial de Bellas Artes Rosa Galisteo de Rodríguez in the mid-twentieth century

This article examines the social uses of writing in a provincial museum of fine arts on the Argentinean area known as Litoral in the mid-twentieth century, based on different contributions from historical studies on written culture. The interrelated study of bibliographic objects, ephemera, exhibite...

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Autor principal: Pedroni, Juan Cruz
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2023
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Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/ICS/article/view/12186
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spelling I28-R256-article-121862023-06-09T16:19:34Z Written Culture in an Art Museum. Objects and practices of the written word in Museo Provincial de Bellas Artes Rosa Galisteo de Rodríguez in the mid-twentieth century Cultura escrita en un museo de arte. Artefactos y prácticas de lo escrito en el Museo Provincial de Bellas Artes Rosa Galisteo de Rodríguez a mediados de siglo xx Pedroni, Juan Cruz Written Culture Dedications Autographs Exposed Writing Written culture, Written heritage, Dedications, Autographs, Exposed writing, Santa Fe (Argentina) Written heritage Santa Fe (Argentina) Cultura escrita Patrimonio escriturario Dedicatorias Autógrafos Escritura expuesta Santa Fe (Argentina) This article examines the social uses of writing in a provincial museum of fine arts on the Argentinean area known as Litoral in the mid-twentieth century, based on different contributions from historical studies on written culture. The interrelated study of bibliographic objects, ephemera, exhibited writings, apparatus and autographs allows us to identify and constitute different writing practices and artefacts as an object of analysis. From the study of a particular case, the article characterizes different typologies of writing and analyses their appropriation by a social group. These uses are contextualized in the light of the emergence of differential forms of valuing writing in the graphic media and in the institutional culture of the museum in the mid-twentieth century. The particularities of an art museum allow us to observe from a singular perspective the insistence of imaginaries that link written inscription with the expression of individuality and the preservation of illustrious names in the collective memory. The study also highlights the notion of written heritage, understood as a conceptual device that makes it possible to give a unitary and integral account of the written objects preserved in a museum. Este artículo se interroga por los usos sociales de la escritura en un museo provincial de bellas artes del litoral argentino a mediados de siglo XX, a partir de diferentes aportes de los estudios históricos sobre cultura escrita. El estudio interrelacionado de objetos bibliográficos, ephemera, escrituras expuestas, autógrafas y epigráficas permite identificar y constituir como objeto de análisis diferentes prácticas y artefactos escriturales. A partir del estudio de un caso particular, el artículo caracteriza diferentes tipologías de lo escrito para analizar su apropiación por parte de un grupo social. Esos usos son contextualizados a la luz de la emergencia de formas diferenciales de valoración de lo escrito en medios gráficos de comunicación y en la cultura institucional del museo a mediados de siglo XX. Las particularidades de un museo de arte permiten observar desde un enfoque singular la insistencia de imaginarios que vinculan a la inscripción escrituraria con la expresión de la individualidad y con la conservación de nombres ilustres en la memoria colectiva. Junto con ello, el estudio pone de relieve la noción de patrimonio escriturario, entendido como un dispositivo conceptual que permite dar cuenta de forma unitaria e integral de los objetos escritos conservados en un museo. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2023-06-02 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html http://revistascientificas.filo.uba.ar/index.php/ICS/article/view/12186 10.34096/ics.i48.12186 Información, cultura y sociedad; Núm. 48 (2023): Junio; 31-48 Información, cultura y sociedad; No 48 (2023): June; 31-48 1851-1740 1514-8327 spa http://revistascientificas.filo.uba.ar/index.php/ICS/article/view/12186/11418 http://revistascientificas.filo.uba.ar/index.php/ICS/article/view/12186/11383 Derechos de autor 2023 Información, cultura y sociedad https://creativecommons.org/licenses/by-sa/4.0/
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-256
container_title_str Información, cultura y sociedad
language Español
format Artículo revista
topic Written Culture
Dedications
Autographs
Exposed Writing
Written culture, Written heritage, Dedications, Autographs, Exposed writing, Santa Fe (Argentina)
Written heritage
Santa Fe (Argentina)
Cultura escrita
Patrimonio escriturario
Dedicatorias
Autógrafos
Escritura expuesta
Santa Fe (Argentina)
spellingShingle Written Culture
Dedications
Autographs
Exposed Writing
Written culture, Written heritage, Dedications, Autographs, Exposed writing, Santa Fe (Argentina)
Written heritage
Santa Fe (Argentina)
Cultura escrita
Patrimonio escriturario
Dedicatorias
Autógrafos
Escritura expuesta
Santa Fe (Argentina)
Pedroni, Juan Cruz
Written Culture in an Art Museum. Objects and practices of the written word in Museo Provincial de Bellas Artes Rosa Galisteo de Rodríguez in the mid-twentieth century
topic_facet Written Culture
Dedications
Autographs
Exposed Writing
Written culture, Written heritage, Dedications, Autographs, Exposed writing, Santa Fe (Argentina)
Written heritage
Santa Fe (Argentina)
Cultura escrita
Patrimonio escriturario
Dedicatorias
Autógrafos
Escritura expuesta
Santa Fe (Argentina)
author Pedroni, Juan Cruz
author_facet Pedroni, Juan Cruz
author_sort Pedroni, Juan Cruz
title Written Culture in an Art Museum. Objects and practices of the written word in Museo Provincial de Bellas Artes Rosa Galisteo de Rodríguez in the mid-twentieth century
title_short Written Culture in an Art Museum. Objects and practices of the written word in Museo Provincial de Bellas Artes Rosa Galisteo de Rodríguez in the mid-twentieth century
title_full Written Culture in an Art Museum. Objects and practices of the written word in Museo Provincial de Bellas Artes Rosa Galisteo de Rodríguez in the mid-twentieth century
title_fullStr Written Culture in an Art Museum. Objects and practices of the written word in Museo Provincial de Bellas Artes Rosa Galisteo de Rodríguez in the mid-twentieth century
title_full_unstemmed Written Culture in an Art Museum. Objects and practices of the written word in Museo Provincial de Bellas Artes Rosa Galisteo de Rodríguez in the mid-twentieth century
title_sort written culture in an art museum. objects and practices of the written word in museo provincial de bellas artes rosa galisteo de rodríguez in the mid-twentieth century
description This article examines the social uses of writing in a provincial museum of fine arts on the Argentinean area known as Litoral in the mid-twentieth century, based on different contributions from historical studies on written culture. The interrelated study of bibliographic objects, ephemera, exhibited writings, apparatus and autographs allows us to identify and constitute different writing practices and artefacts as an object of analysis. From the study of a particular case, the article characterizes different typologies of writing and analyses their appropriation by a social group. These uses are contextualized in the light of the emergence of differential forms of valuing writing in the graphic media and in the institutional culture of the museum in the mid-twentieth century. The particularities of an art museum allow us to observe from a singular perspective the insistence of imaginaries that link written inscription with the expression of individuality and the preservation of illustrious names in the collective memory. The study also highlights the notion of written heritage, understood as a conceptual device that makes it possible to give a unitary and integral account of the written objects preserved in a museum.
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2023
url http://revistascientificas.filo.uba.ar/index.php/ICS/article/view/12186
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first_indexed 2023-06-27T21:10:39Z
last_indexed 2023-06-27T21:10:39Z
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