The presence of the First World War in the Chilean cinema. Between popular interest, propaganda and censorship

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This article addresses the cultural impact of the First World War in Chile by analyzing its presence in the film market. Despite the neutrality adopted after the war outbreak in Europe, the war became omnipresent on the screens of Chilean theatres and cinemas, attracting a broad audience, both from...

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Autor principal: Maubert, Lucas
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2025
Materias:
Cinema
Propaganda
Censorship
European communities
Chile
Cine
Censura
Comunidades europeas
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/historiayguerra/article/view/16357
Aporte de:
Historia y guerra de Universidad de Buenos Aires
id I28-R255-article-16357
record_format ojs
spelling I28-R255-article-163572025-07-23T13:49:29Z The presence of the First World War in the Chilean cinema. Between popular interest, propaganda and censorship La presencia de la Primera Guerra Mundial en el ámbito cinematográfico chileno. Entre interés popular, propaganda y censura Maubert, Lucas Cinema Propaganda Censorship European communities Chile Cine Propaganda Censura Comunidades europeas Chile This article addresses the cultural impact of the First World War in Chile by analyzing its presence in the film market. Despite the neutrality adopted after the war outbreak in Europe, the war became omnipresent on the screens of Chilean theatres and cinemas, attracting a broad audience, both from Chileans and from foreign communities living in the country. However, in a context of strong national tensions and fragmentation of public opinion, the projections of films related to the European war provoked solid reactions and tensions, forcing the authorities to increase their control over this medium, which meant the censorship of several films. Este artículo aborda el impacto cultural de la Primera Guerra Mundial en Chile mediante el análisis de su presencia en el mercado cinematográfico. Pese a la neutralidad adoptada frente al estallido bélico europeo, la guerra se hizo omnipresente en las pantallas de los teatros y cines chilenos, atrayendo un amplio público, tanto de chilenos como de comunidades extranjeras residentes en el país. No obstante, en un contexto de fuertes tensiones nacionales y de fragmentación de la opinión pública, las proyecciones de cintas relacionadas con la guerra europea provocaron fuertes reacciones y tensiones, obligando a las autoridades a aumentar el control sobre este medio, lo cual significó la censura de varias películas. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2025-05-14 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares application/pdf text/html http://revistascientificas.filo.uba.ar/index.php/historiayguerra/article/view/16357 10.34096/hyg.n8.16357 Historia & Guerra; No 8 (2025): July-December; 76-101 Historia & Guerra; Núm. 8 (2025): Julio-Diciembre; 76-101 2796-8650 spa http://revistascientificas.filo.uba.ar/index.php/historiayguerra/article/view/16357/14922 http://revistascientificas.filo.uba.ar/index.php/historiayguerra/article/view/16357/14934 Derechos de autor 2025 Lucas Maubert https://creativecommons.org/licenses/by-nc/4.0
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-255
container_title_str Historia y guerra
language Español
format Artículo revista
topic Cinema
Propaganda
Censorship
European communities
Chile
Cine
Propaganda
Censura
Comunidades europeas
Chile
spellingShingle Cinema
Propaganda
Censorship
European communities
Chile
Cine
Propaganda
Censura
Comunidades europeas
Chile
Maubert, Lucas
The presence of the First World War in the Chilean cinema. Between popular interest, propaganda and censorship
topic_facet Cinema
Propaganda
Censorship
European communities
Chile
Cine
Propaganda
Censura
Comunidades europeas
Chile
author Maubert, Lucas
author_facet Maubert, Lucas
author_sort Maubert, Lucas
title The presence of the First World War in the Chilean cinema. Between popular interest, propaganda and censorship
title_short The presence of the First World War in the Chilean cinema. Between popular interest, propaganda and censorship
title_full The presence of the First World War in the Chilean cinema. Between popular interest, propaganda and censorship
title_fullStr The presence of the First World War in the Chilean cinema. Between popular interest, propaganda and censorship
title_full_unstemmed The presence of the First World War in the Chilean cinema. Between popular interest, propaganda and censorship
title_sort presence of the first world war in the chilean cinema. between popular interest, propaganda and censorship
description This article addresses the cultural impact of the First World War in Chile by analyzing its presence in the film market. Despite the neutrality adopted after the war outbreak in Europe, the war became omnipresent on the screens of Chilean theatres and cinemas, attracting a broad audience, both from Chileans and from foreign communities living in the country. However, in a context of strong national tensions and fragmentation of public opinion, the projections of films related to the European war provoked solid reactions and tensions, forcing the authorities to increase their control over this medium, which meant the censorship of several films.
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2025
url http://revistascientificas.filo.uba.ar/index.php/historiayguerra/article/view/16357
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first_indexed 2025-08-13T08:54:46Z
last_indexed 2025-08-13T08:54:46Z
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