María Elena Walsh in Spain and Spain in María Elena Walsh: Aesthetic-literary Intersections Between the National, the International, and the Intermedial

This paper aims to carry out a textual and intermedial exploration of the Spanish traces in the work of the Argentine artist María Elena Walsh (1930-2011). Across a corpus including fragments of her children’s work, her work as a scriptwriter for the children’s program Cuentopos in Spain in the mid-...

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Autor principal: Romero, Mariela
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2025
Materias:
Argentine literature
intermediality
comparative literature
Spain
children’s literature
literatura argentina
intermedialidad
literatura comparada
España
literatura infantil
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/filologia/article/view/17435
Aporte de:
Filología de Universidad de Buenos Aires
id I28-R253-article-17435
record_format ojs
spelling I28-R253-article-174352025-12-19T20:20:33Z María Elena Walsh in Spain and Spain in María Elena Walsh: Aesthetic-literary Intersections Between the National, the International, and the Intermedial María Elena Walsh en España y España en María Elena Walsh: cruces estético-literarios entre lo nacional, lo internacional y lo intermedial Romero, Mariela Argentine literature intermediality comparative literature Spain children’s literature literatura argentina intermedialidad literatura comparada España literatura infantil This paper aims to carry out a textual and intermedial exploration of the Spanish traces in the work of the Argentine artist María Elena Walsh (1930-2011). Across a corpus including fragments of her children’s work, her work as a scriptwriter for the children’s program Cuentopos in Spain in the mid-seventies and fragments of her work composed for an adult audience, we intend to analyze the singularity of these productions by the artist. The justification for this approach partly stems from the ideas posited by Pascale Casanova (2001, 2005), for whom national literatures cannot be thought of separately, but within a system of international literary competition. Although Walsh’s productions have become part of what we can identify as Argentine national literature, we know that these notions are problematic in the field of literary theory (Schöning, 2006). We propose then to problematize the notion of national in Walsh’s creations by (re)thinking this dialogue between the national/local and the international/Spanish elements of her work. Este trabajo pretende llevar a cabo una exploración textual e intermedial de lo español en la obra de la artista argentina María Elena Walsh (1930-2011). A partir de un corpus que incluye fragmentos de su obra infantil, su labor como guionista del programa infantil Cuentopos en España a mediados de los años setenta y pasajes de su obra destinada a un público adulto, se pretende analizar la singularidad de estas producciones de la artista. La justificación de este abordaje surge, en parte, de lo planteado por Pascale Casanova (2001, 2005), para quien las literaturas nacionales no pueden pensarse por separado, sino dentro de un sistema de competencia literaria internacional. Aunque las producciones de Walsh han pasado a formar parte de lo que podríamos identificar como literatura nacional argentina, sabemos que estas nociones resultan problemáticas en el ámbito de la teoría literaria (Schöning, 2006). Nos proponemos entonces problematizar la noción de nacional en las creaciones de Walsh (re)pensando ese diálogo entre lo nacional/local y lo internacional/español en su obra. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2025-12-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistascientificas.filo.uba.ar/index.php/filologia/article/view/17435 10.34096/filologia.n57.17435 Filología; Vol. 2 No. 57 (2025); 85-100 Filología; Vol. 2 Núm. 57 (2025); 85-100 2422-6009 0071-495X spa https://revistascientificas.filo.uba.ar/index.php/filologia/article/view/17435/15642 Derechos de autor 2025 Mariela Romero https://creativecommons.org/licenses/by-sa/4.0
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-253
container_title_str Filología
language Español
format Artículo revista
topic Argentine literature
intermediality
comparative literature
Spain
children’s literature
literatura argentina
intermedialidad
literatura comparada
España
literatura infantil
spellingShingle Argentine literature
intermediality
comparative literature
Spain
children’s literature
literatura argentina
intermedialidad
literatura comparada
España
literatura infantil
Romero, Mariela
María Elena Walsh in Spain and Spain in María Elena Walsh: Aesthetic-literary Intersections Between the National, the International, and the Intermedial
topic_facet Argentine literature
intermediality
comparative literature
Spain
children’s literature
literatura argentina
intermedialidad
literatura comparada
España
literatura infantil
author Romero, Mariela
author_facet Romero, Mariela
author_sort Romero, Mariela
title María Elena Walsh in Spain and Spain in María Elena Walsh: Aesthetic-literary Intersections Between the National, the International, and the Intermedial
title_short María Elena Walsh in Spain and Spain in María Elena Walsh: Aesthetic-literary Intersections Between the National, the International, and the Intermedial
title_full María Elena Walsh in Spain and Spain in María Elena Walsh: Aesthetic-literary Intersections Between the National, the International, and the Intermedial
title_fullStr María Elena Walsh in Spain and Spain in María Elena Walsh: Aesthetic-literary Intersections Between the National, the International, and the Intermedial
title_full_unstemmed María Elena Walsh in Spain and Spain in María Elena Walsh: Aesthetic-literary Intersections Between the National, the International, and the Intermedial
title_sort maría elena walsh in spain and spain in maría elena walsh: aesthetic-literary intersections between the national, the international, and the intermedial
description This paper aims to carry out a textual and intermedial exploration of the Spanish traces in the work of the Argentine artist María Elena Walsh (1930-2011). Across a corpus including fragments of her children’s work, her work as a scriptwriter for the children’s program Cuentopos in Spain in the mid-seventies and fragments of her work composed for an adult audience, we intend to analyze the singularity of these productions by the artist. The justification for this approach partly stems from the ideas posited by Pascale Casanova (2001, 2005), for whom national literatures cannot be thought of separately, but within a system of international literary competition. Although Walsh’s productions have become part of what we can identify as Argentine national literature, we know that these notions are problematic in the field of literary theory (Schöning, 2006). We propose then to problematize the notion of national in Walsh’s creations by (re)thinking this dialogue between the national/local and the international/Spanish elements of her work.
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2025
url https://revistascientificas.filo.uba.ar/index.php/filologia/article/view/17435
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first_indexed 2026-01-13T05:08:31Z
last_indexed 2026-01-13T05:08:31Z
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