The Other in the Sound of Music: Exploring Interactions in Jazz Improvisation from a Second Person Perspective
Interaction between performers is important for jazz improvisation; musicians describe it as a kind of musical conversation (Monson, 1986). Interactive aspects that are particularly special in improvisation are analyzed from the Second Person Perspective (Pérez and Gomila, 2021). This theory address...
Guardado en:
| Autores principales: | , |
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2021
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| Materias: | |
| Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/9961 |
| Aporte de: |
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I28-R250-article-9961 |
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Universidad de Buenos Aires |
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I-28 |
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R-250 |
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El oído pensante |
| language |
Español |
| format |
Artículo revista |
| topic |
Improvisation Jazz Second Person Perspective Interaction Intention Improvisación Jazz Perspectiva de Segunda Persona Interacción Intención Improvisação Jazz Perspectiva da Segunda Pessoa Interação Intenção |
| spellingShingle |
Improvisation Jazz Second Person Perspective Interaction Intention Improvisación Jazz Perspectiva de Segunda Persona Interacción Intención Improvisação Jazz Perspectiva da Segunda Pessoa Interação Intenção Perez, Joaquin Blas Martínez, Isabel Cecilia The Other in the Sound of Music: Exploring Interactions in Jazz Improvisation from a Second Person Perspective |
| topic_facet |
Improvisation Jazz Second Person Perspective Interaction Intention Improvisación Jazz Perspectiva de Segunda Persona Interacción Intención Improvisação Jazz Perspectiva da Segunda Pessoa Interação Intenção |
| author |
Perez, Joaquin Blas Martínez, Isabel Cecilia |
| author_facet |
Perez, Joaquin Blas Martínez, Isabel Cecilia |
| author_sort |
Perez, Joaquin Blas |
| title |
The Other in the Sound of Music: Exploring Interactions in Jazz Improvisation from a Second Person Perspective |
| title_short |
The Other in the Sound of Music: Exploring Interactions in Jazz Improvisation from a Second Person Perspective |
| title_full |
The Other in the Sound of Music: Exploring Interactions in Jazz Improvisation from a Second Person Perspective |
| title_fullStr |
The Other in the Sound of Music: Exploring Interactions in Jazz Improvisation from a Second Person Perspective |
| title_full_unstemmed |
The Other in the Sound of Music: Exploring Interactions in Jazz Improvisation from a Second Person Perspective |
| title_sort |
other in the sound of music: exploring interactions in jazz improvisation from a second person perspective |
| description |
Interaction between performers is important for jazz improvisation; musicians describe it as a kind of musical conversation (Monson, 1986). Interactive aspects that are particularly special in improvisation are analyzed from the Second Person Perspective (Pérez and Gomila, 2021). This theory addresses emotional involvement and direct attributions of intentionality in human interaction. Two groups of improvisers who played a standard together were interviewed. The content of the interviews was analyzed using qualitative analysis methods (Strauss and Corbin, 1998). The categories resulting from the analysis in dialogue with the constructs of the theory help us to understand how improvisers attribute intentions reciprocally during their doing. They show how musicians make their own the other’s ideas, their sound and corporality. Jazz improvisation is constructed in dialogue with the intention of the other, an intention that can be accompanied, reinforced, discussed, even not shared. The own intention takes shape in the encounter with the intention of the other in the music that sounds. |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2021 |
| url |
http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/9961 |
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I28-R250-article-99612021-10-15T12:29:07Z The Other in the Sound of Music: Exploring Interactions in Jazz Improvisation from a Second Person Perspective El otro en la música que suena: explorando las interacciones de segunda persona en la improvisación de jazz O outro no som da música: explorando as interações na improvisação do jazz a partir de uma perspectiva de segunda pessoa Perez, Joaquin Blas Martínez, Isabel Cecilia Improvisation Jazz Second Person Perspective Interaction Intention Improvisación Jazz Perspectiva de Segunda Persona Interacción Intención Improvisação Jazz Perspectiva da Segunda Pessoa Interação Intenção Interaction between performers is important for jazz improvisation; musicians describe it as a kind of musical conversation (Monson, 1986). Interactive aspects that are particularly special in improvisation are analyzed from the Second Person Perspective (Pérez and Gomila, 2021). This theory addresses emotional involvement and direct attributions of intentionality in human interaction. Two groups of improvisers who played a standard together were interviewed. The content of the interviews was analyzed using qualitative analysis methods (Strauss and Corbin, 1998). The categories resulting from the analysis in dialogue with the constructs of the theory help us to understand how improvisers attribute intentions reciprocally during their doing. They show how musicians make their own the other’s ideas, their sound and corporality. Jazz improvisation is constructed in dialogue with the intention of the other, an intention that can be accompanied, reinforced, discussed, even not shared. The own intention takes shape in the encounter with the intention of the other in the music that sounds. La interacción entre los músicos ocupa un lugar central en la improvisación en jazz; tanto es así que los músicos la señalan como una forma de conversación musical (Monson, 1986). Se abordan aspectos interactivos que son particularmente especiales en la improvisación a la luz de la Perspectiva de Segunda Persona (Pérez y Gomila, 2021), teoría que atiende a los involucramientos emocionales y a las atribuciones directas de intencionalidad en la interacción humana. Partiendo de una experiencia en la que dos grupos de improvisadores tocan juntos un estándar, se entrevista a cada uno de ellos. A partir del análisis cualitativo (Strauss y Corbin, 1998) se indaga en aquellas descripciones relativas a la interacción. Las categorías resultantes en diálogo con la teoría nos ayudan a comprender cómo los improvisadores atribuyen intenciones de manera recíproca durante su hacer. Se explicita cómo los músicos hacen propia la idea del otro, su sonido y corporalidad. La improvisación jazzística se construye en diálogo con la intención del otro, intención que puede ser acompañada, reforzada, discutida, incluso no compartida. La propia intención musical toma forma en el encuentro con la intención del otro en la música que suena. A interação é fundamental para a improvisação de jazz; tanto que os músicos apontam para isso como uma forma de conversa musical (Monson, 1986). São abordados os aspectos interativos particularmente especiais na improvisação à luz da Perspectiva da Segunda Pessoa (Pérez e Gomila, 2021), uma teoria que trata do envolvimento emocional e atribuições diretas de intencionalidade na interação humana. Partindo de uma experiência em que dois grupos de improvisadores tocam um standar de jazz juntos, cada um deles é entrevistado. A partir da análise qualitativa (Strauss e Corbin, 1998) é investigado nas descrições relacionadas à interação. As categorias resultantes em diálogo com a teoria ajudam-nos a compreender como os improvisadores atribuem reciprocamente intenções durante o seu fazer. É explicado como os músicos fazem sua a ideia do outro, seu som e sua corporeidade. A improvisação jazzística se constrói em diálogo com a intenção do outro, intenção que pode ser acompanhada, reforçada, discutida, até mesmo não compartilhada. A própria intenção musical se concretiza no encontro com a intenção do outro na música tocada. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2021-10-14 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/9961 10.34096/oidopensante.v9n2.9961 El oído pensante; Vol. 9 Núm. 2 (2021): Septiembre 2021 - Febrero 2022 El oído pensante; Vol 9 No 2 (2021): Septiembre 2021 - Febrero 2022 El oído pensante; v. 9 n. 2 (2021): Septiembre 2021 - Febrero 2022 2250-7116 spa http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/9961/9356 http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/9961/9370 Derechos de autor 2021 El oído pensante |