From Hip-hop as Cultural Heritage to the Emergence of Indigenous Rap in Brazil: Meetings between the Massive and the Vernacular

Mostrar todas las versiones(2)

The label of “hip-hop” refers to an extensive variety of cultural agents, expressions and cultural products; it is one of the most popular urban identities around the world. One way to approach this diversity is to distinguish two dimensions: the cultural movement and the music industry. Based on th...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Armenta Iruretagoyena, Ferdinando Alfonso
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2018
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7485
Aporte de:
El oído pensante de Universidad de Buenos Aires
id I28-R250-article-7485
record_format ojs
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-250
container_title_str El oído pensante
language Español
format Artículo revista
author Armenta Iruretagoyena, Ferdinando Alfonso
spellingShingle Armenta Iruretagoyena, Ferdinando Alfonso
From Hip-hop as Cultural Heritage to the Emergence of Indigenous Rap in Brazil: Meetings between the Massive and the Vernacular
author_facet Armenta Iruretagoyena, Ferdinando Alfonso
author_sort Armenta Iruretagoyena, Ferdinando Alfonso
title From Hip-hop as Cultural Heritage to the Emergence of Indigenous Rap in Brazil: Meetings between the Massive and the Vernacular
title_short From Hip-hop as Cultural Heritage to the Emergence of Indigenous Rap in Brazil: Meetings between the Massive and the Vernacular
title_full From Hip-hop as Cultural Heritage to the Emergence of Indigenous Rap in Brazil: Meetings between the Massive and the Vernacular
title_fullStr From Hip-hop as Cultural Heritage to the Emergence of Indigenous Rap in Brazil: Meetings between the Massive and the Vernacular
title_full_unstemmed From Hip-hop as Cultural Heritage to the Emergence of Indigenous Rap in Brazil: Meetings between the Massive and the Vernacular
title_sort from hip-hop as cultural heritage to the emergence of indigenous rap in brazil: meetings between the massive and the vernacular
description The label of “hip-hop” refers to an extensive variety of cultural agents, expressions and cultural products; it is one of the most popular urban identities around the world. One way to approach this diversity is to distinguish two dimensions: the cultural movement and the music industry. Based on the idea that they are not necessarily excluding terms, I will reflect on two situations that show the current importance of hip-hop as a tool of political organization. I refer, on the one hand, to the declaration of hip-hop as Intangible Cultural Heritage of the state of Rio de Janeiro in 2017 and, on the other hand, to the recent formation of Guarani rap groups in Brazil. In the first case, I will rely on a series of legal documents, such as public hearings, press releases and what is stipulated by the law in question. For the second, I will retrieve some records about the media practices of a Guarani rap group from southern Brazil, as well as the contents that other groups publish through digital media. Finally, I will use the concept of “articulation” in Stuart Hall and popular music studies to establish connections between the two movements.
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2018
url http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7485
work_keys_str_mv AT armentairuretagoyenaferdinandoalfonso fromhiphopasculturalheritagetotheemergenceofindigenousrapinbrazilmeetingsbetweenthemassiveandthevernacular
AT armentairuretagoyenaferdinandoalfonso delapatrimonializaciondelhiphopalascensodelrapindigenaenbrasilencuentrosentrelomasivoylovernaculo
AT armentairuretagoyenaferdinandoalfonso dapatrimonializacaodohiphopaosurgimentodorapindigenanobrasilencontrosentreomassivoeovernaculo
first_indexed 2023-06-27T21:04:14Z
last_indexed 2023-06-27T21:04:14Z
_version_ 1769891277762985984
spelling I28-R250-article-74852020-11-10T00:30:52Z From Hip-hop as Cultural Heritage to the Emergence of Indigenous Rap in Brazil: Meetings between the Massive and the Vernacular De la patrimonialización del hip-hop al ascenso del rap indígena en Brasil: encuentros entre lo masivo y lo vernáculo Da patrimonialização do hip-hop ao surgimento do rap indígena no Brasil: encontros entre o massivo e o vernáculo Armenta Iruretagoyena, Ferdinando Alfonso The label of “hip-hop” refers to an extensive variety of cultural agents, expressions and cultural products; it is one of the most popular urban identities around the world. One way to approach this diversity is to distinguish two dimensions: the cultural movement and the music industry. Based on the idea that they are not necessarily excluding terms, I will reflect on two situations that show the current importance of hip-hop as a tool of political organization. I refer, on the one hand, to the declaration of hip-hop as Intangible Cultural Heritage of the state of Rio de Janeiro in 2017 and, on the other hand, to the recent formation of Guarani rap groups in Brazil. In the first case, I will rely on a series of legal documents, such as public hearings, press releases and what is stipulated by the law in question. For the second, I will retrieve some records about the media practices of a Guarani rap group from southern Brazil, as well as the contents that other groups publish through digital media. Finally, I will use the concept of “articulation” in Stuart Hall and popular music studies to establish connections between the two movements. Bajo el nombre de “hip-hop” circula una extensa variedad de agentes, expresiones y productos culturales; por algo se trata de una de las identidades urbanas más populares del mundo. Una forma de comprender esta diversidad es distinguiendo dos vertientes: el movimiento cultural y la industria musical. Basado en la idea de que no son necesariamente excluyentes, relacionaré dos procesos que muestran la importancia actual del hip-hop como herramienta de organización política. Me refiero, por un lado, a la declaración del hip-hop como Patrimonio Cultural Inmaterial del estado de Rio de Janeiro en 2017 y, por otro, a la formación reciente de grupos de rap guaraní en Brasil. En primer lugar, revisaré una serie de documentos legales, tales como las audiencias públicas, notas de prensa y lo estipulado por la propia ley sobre dicho dictamen. En segundo lugar, recuperaré registros sobre prácticas mediáticas de un grupo de rap guaraní del sur de Brasil, así como los contenidos que otros grupos publican a través de medios digitales. Finalmente, emplearé el concepto de articulación de Stuart Hall y de los popular music studies para establecer conexiones entre ambos movimientos. O rótulo de “hip-hop” remete para uma extensa variedade de agentes, expressões e produtos culturais; trata-se de uma das identidades urbanas mais populares ao redor do mundo. Uma maneira de compreender a sua diversidade é distinguir duas vertentes: o movimento cultural e a indústria da música. Com base na ideia de que elas não são necessariamente excludentes, vou relacionar dois processos” que mostram a atual importância do hip-hop como ferramenta de organização política. Refiro-me, por um lado, à declaração do hip-hop como Patrimônio Cultural Imaterial do estado do Rio de Janeiro em 2017 e, por outro lado, à recente formação de grupos de guarani-rap no Brasil. No primeiro caso, fundamento-me na revisão de uma série de documentos legais, como audiências públicas, notas de imprensa e o que é estipulado pela lei em questão. Para o segundo, recuperarei alguns registros das práticas midiáticas de um grupo de rap guarani do sul do Brasil, bem como os conteúdos que outros grupos publicam através da mídia digital. Finalmente, aplico o conceito de “articulação” de Stuart Hall e dos popular music studies para estabelecer conexões entre os dois movimentos. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2018-08-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7485 El oído pensante; Vol. 6 Núm. 2 (2018): Agosto 2018 - Enero 2019 El oído pensante; Vol 6 No 2 (2018): Agosto 2018 - Enero 2019 El oído pensante; v. 6 n. 2 (2018): Agosto 2018 - Enero 2019 2250-7116 spa http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7485/6697

Ejemplares similares